Items where Faculty is "Faculty of Arts and Social Sciences > School of Performance and Screen Studies"

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Number of items at this level: 640.

A

Abbott, Stacey and Brown, Simon, eds. (2007) Investigating Alias: secrets and spies. London, U.K. : I. B. Tauris. 238p. (Investigating cult TV) ISBN 9781845114053

Alsuwaidi, Alyazia (2013) Intercultural broadcasting: the approaches of DW-TV Arabia and TRT-Etturkiyye when targeting Arabic-speaking audiences. (PhD thesis), Kingston University.

Ansell Pearson, Keith and Mullarkey, John, eds. (2002) Henri Bergson: key writings. London, U.K. : Continuum. 402p. (Athlone Contemporary European Thinkers) ISBN 9780826457295

Archbold, Paul [Composer] (2000) Aurium. (music). BMIC.

Archbold, Paul [Composer] (2006) Companion of angels: a celebration of William Blake. (cello, viola and vocal combination). Optic Nerve.

Archbold, Paul [Composer] (2005) Coronae. (music).

Archbold, Paul [Composer] (2009) Fluxions. (music).

Archbold, Paul [Composer] (2002) Haar. (music). (Unpublished)

Archbold, Paul [Composer] (2005) Songswarm. (music).

Archbold, Paul [Director] and Still, Colin [Director] (2011) Arditti Quartet. (podcast films).

Archbold, Paul [Composer] (2002) Gauge symmetries. (violin solo). Score. (Unpublished)

Archbold, Paul (2004) Recoil. (piano tape combination). score and compact disc. (Unpublished)

Archbold, Paul (2003) Traces. (mixed chamber ensemble). score and compact disc.

Archbold, Paul [Composer] (2004) a little night music. (music).

B

Baker, Jo, Scott, Daniel, Watkins, Katherine, Keegan-Turcotte, Sheramy and Wyon, Matthew (2010) Self-reported and reported injury patterns in contemporary dance students. Medical Problems of Performing Artists, 25(1), pp. 10-15. ISSN (print) 0885-1158

Barber, Stephen (1999) Artaud: the screaming body. London, U.K. : Creation Books. 126p. ISBN 9781840680096

Barber, Stephen (2000) Edmund White: the burning world : a biography. London, U.K. : Picador. 310p. ISBN 0330376535

Barber, Stephen (2001) Extreme Europe. London, U.K. : Reaktion Books. 128p. (Topographics) ISBN 1861890915

Barber, Stephen (2007) Introduction: Part II: The modern age: London in image. In: Cunningham, Gail and Barber, Stephen, (eds.) London eyes: reflections in text and image. New York, U.S. : Berghahn Books. pp. 119-121. (Polygons : cultural diversities and intersections, no. 13) ISBN 9781845454074

Barber, Stephen (2004) Jean Genet. London, U.K. : Reaktion Books. 160p. (Critical lives) ISBN 1861891784

Barber, Stephen (2002) Projected cities. London, UK : Reaktion Books. 208p. (Locations) ISBN 186189127X

Barber, Stephen (1996) Weapons of liberation. London, U.K. : Faber & Faber Ltd. 128p. ISBN 9780571172771

Barber, Stephen (2007) An indescribable blur: film and London. In: Cunningham, Gail and Barber, Stephen, (eds.) London eyes: reflections in text and image. New York, USA : Berghahn Books. pp. 123-134. (Polygons : cultural diversities and intersections, no. 13) ISBN 9781845454074

Barber, Stephen (2006) The vanishing map: a journey from LA to Tokyo to the heart of Europe. Oxford, UK : Berg Publishers. 160p. ISBN 9781845205102

Barber, Stephen K. (1999) La matiere de lecriture: sur Pierre Guyotat. In: Forest, P and Sollers, Philippe, (eds.) De Tel quel a L'infini: L'avant-garde et apres : colloques de Londres et de Paris, mars 1995. France : Pleins Feux. pp. 123-135. ISBN 9782912567611

Bell, Paul and Ferguson, John (2008) Tron Lennon. In: Sound, Sight, Space and Play Postgraduate Conference; 08-09 Apr 2008, Leicester, U.K.. (Unpublished)

Ben-Tal, Oded (2009) Auditory-visual synaesthesia using dynamic sounds with changing pitch and timbre. In: Sinestesia 2009 3rd International Congress on Synaesthesia, Science & Art; 26 - 29 Apr 2009, Granada, Spain. (Unpublished)

Ben-Tal, Oded and Sagiv, Noam (2010) Auditory-visual synaesthesia: investigations using dynamic sounds and spontaneous reports between sleep and wakefulness. In: 2020 Meeting of the UK Synaesthesia Association; 27 - 28 Mar 2010, Brighton, U.K.. (Unpublished)

Ben-Tal, Oded [Composer] (2009) Music for strings. (music).

Ben-Tal, Oded (2012) Characterising musical gestures. Musicae Scientiae, 16(3), pp. 247-261. ISSN (print) 1029-8649

Ben-Tal, Oded [Composer] (2003) Chlorophilosophy. (music). (Unpublished)

Ben-Tal, Oded and Berger, Jonathan (2004) Creative aspects of sonification. Leonardo, 37(3), pp. 229-232. ISSN (print) 0024-094X

Ben-Tal, Oded [Composer] (2012) Day after day, night after night. (music).

Ben-Tal, Oded [Composer] (2012) Hypnagogic states. (music).

Ben-Tal, Oded (2008) Musical toys: interactive audio for non-musicians. In: Linux Audio Conference 2008; 28 Feb - 02 Mar 2008, Cologne, Germany. (Unpublished)

Ben-Tal, Oded [Composer] (2004) Nebulae for double woodwind quintet. (music). (Unpublished)

Ben-Tal, Oded [Composer] (2001) Precipitating lights. (music). (Unpublished)

Blumstein, D.T., Davitian, R. and Kaye, P.D. (2010) Do film soundtracks contain nonlinear analogues to influence emotion? Biology Letters, 6(6), pp. 751-754. ISSN (print) 1744-9561

Blumstein, Daniel T., Bryant, Gregory A. and Kaye, Peter (2012) The sound of arousal in music is context-dependent. Biology Letters, 8(5), pp. 744-747. ISSN (print) 1744-9561

Botting, Fred (2010) Love your zombie. In: Memory, identity and new fantasy cultures; 09 Oct 2010, Kingston upon Thames, U.K.. (Unpublished)

Botting, Fred (2012) Love your zombie: horror, ethics, excess. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 19-36. (Routledge interdisciplinary perspectives on literature, no. 8) ISBN 9780415806763

Brooker, Will (2009) All our variant futures: the many narratives of Blade runner: the final cut. Popular Communication, 7(2), pp. 79-91. ISSN (print) 1540-5702

Brooker, Will (2004) The Blade Runner experience: pilgrimage and liminal space. In: Brooker, Will, (ed.) The Blade Runner experience: the legacy of a science fiction classic. London, UK : Wallflower Press. pp. 11-30. ISBN 1904764304

Brooker, Will, ed. (2004) The Blade Runner experience: the legacy of a science fiction classic. London, U.K. : Wallflower Press. 250p. ISBN 1904764304

Brooker, Will (2002) Book Review of 'Straight reading, resistance, reappropriation, and heterosexuality' by Richard Bradshaw. In: Hague, Angela and Lavery, David, (eds.) Teleparody: predicting/ preventing the tv discourse of tomorrow. London, U.K. : Wallflower. pp. 123-126. ISBN 1903364396

Brooker, Will (2005) Book review of 'A short history of cultural studies' by John Hartley. International Journal of Cultural Studies, 8(1), pp. 122-125. ISSN (print) 1367-8779

Brooker, Will (2001) Book review of 'Inside subculture: the postmodern meaning of style' by David Muggleton. International Journal of Cultural Studies, 4(1), pp. 111-127. ISSN (print) 1367-8779

Brooker, Will (2004) Book review of 'Matters of gravity: special effects and supermen in the 20th century' by Scott Bukatman. Popular Communication, 2(3), pp. 171-177. ISSN (print) 1540-5702

Brooker, Will (2009) Camera-eye, CG-eye: videogames and the 'cinematic'. Cinema Journal, 48(3), pp. 122-128. ISSN (print) 0009-7101

Brooker, Will (2003) Conclusion: overflow and audience. In: Brooker, Will and Jermyn, Deborah, (eds.) The audience studies reader. Abingdon, UK : Routledge. pp. 322-334. ISBN 0415254345

Brooker, Will [Reviewer] (2003) Film Review of: A galaxy far away, directed by Tariq Jalil. Journal of the Fantastic in the Arts, 14(1), pp. 102-105. ISSN (print) 0897-0521

Brooker, Will (2004) Introduction: 2019 vision. In: Brooker, Will, (ed.) The Blade Runner experience: the legacy of a science fiction classic. London, UK : Wallflower Press. pp. 1-10. ISBN 1904764304

Brooker, Will (2005) "It is love": the Lewis Carroll Society as fan community. American Behavioral Scientist, 48(7), pp. 859-880. ISSN (print) 0002-7642

Brooker, Will (2001) Living on Dawson's Creek: teen viewers, cultural convergence and television overflow. International Journal of Cultural Studies, 4(4), pp. 456-472. ISSN (print) 1367-8779

Brooker, Will (2004) Living on Dawson's Creek: teen viewers, cultural convergence, and television overflow. In: Allen, Robert C. and Hill, Annette, (eds.) The television studies reader. Abingdon, U.K. : Routledge. pp. 569-580. ISBN 9780415283243

Brooker, Will (2009) Maps of many worlds: remembering computer game fandom in the 1980s. Transformative Works and Cultures, 2, ISSN (online) 1941-2258

Brooker, Will (2004) New hope: the postmodern project of Star Wars. In: Redmond, Sean, (ed.) Liquid metal: the science fiction film reader. London, U.K. : Wallflower. pp. 298-307. ISBN 1903364876

Brooker, Will (2010) 'Now you're thinking with portals': media training for a digital environment. International Journal of Cultural Studies, 13(6), pp. 553-573. ISSN (print) 1367-8779

Brooker, Will (2001) Readings of racism: interpretation, stereotyping and The Phantom Menace. Continuum: journal of media and cultural studies, 15(1), pp. 15-32. ISSN (print) 1030-4312

Brooker, Will (2003) Rescuing Strange days: fan reaction to a critical and commercial failure. In: Jermyn, Deborah and Redmond, Sean, (eds.) The cinema of Kathryn Bigelow: Hollywood transgressor. London, U.K. : Wallflower. pp. 198-219. ISBN 1903364426

Brooker, Will (2009) Star Wars. Basingstoke, U.K. : Palgrave Macmillan. 96p. (BFI film classics) ISBN 1844572773

Brooker, Will (2009) Television out of time: watching cult shows on download. In: Pearson, Roberta, (ed.) Reading Lost: perspectives on a hit television show. London, U.K. : I. B. Tauris. pp. 51-72. ISBN 1845118367

Brooker, Will (2002) Using the force: creativity, community and Star Wars fans. New York, U.S. : Continuum. 254p. ISBN 0826452876

Brooker, Will and Jermyn, Deborah, eds. (2003) The audience studies reader. Abingdon, U.K. : Routledge. 347p. ISBN 0415254345

Brooker, Will (2006) The best Batman story: The dark knight returns. In: McKee, Alan, (ed.) Beautiful things in popular culture. Oxford, UK : Blackwell. pp. 33-48. ISBN 1405131918

Brooker, Will (2007) A sort of homecoming: fan viewing and symbolic pilgrimage. In: Gray, Jonathan , Sandvoss, Cornel and Harrington, C. Lee, (eds.) Fandom: identities and communities in a mediated world. New York, U.S. : New York University Press. pp. 149-164. ISBN 9780814731826

Brooker, Will (2001) Batman unmasked: analyzing a cultural icon. London, U.K. : Continuum. ISBN 0826413439

Brooker, Will (2012) Cloaked in shadow: an anti-hero for our times. Film review of: 'The Dark Knight rises' directed by Christopher Nolan. Times Higher Education(2,059), pp. 44-45. ISSN (print) 0049-3929

Brooker, Will (2014) Going pro: gendered responses to the incorporation of fan labour as user-generated content. In: Mann, Denise, (ed.) Wired TV: laboring over an interactive future. New Brunswick, U.S. : Rutgers University Press. pp. 72-97. ISBN 9780813564548

Brooker, Will (2011) Hero of the beach: Flex Mentallo at the end of the worlds. Journal of Graphic Novels & Comics, 2(1), pp. 25-37. ISSN (print) 2150-4857

Brooker, Will (2012) Hunting the Dark Knight: Batman in Twenty-first Century Popular Culture. London, U.K. : I.B. Tauris. 272p. ISBN 9781848852792

Brooker, Will (2013) Talking to the TARDIS: Doctor Who, Neil Gaiman and cultural mythology. In: Mellor, David and Hills, Matt, (eds.) New dimensions of ‘Doctor Who’: exploring space, time and television. I.B.Tauris. (Reading Contemporary Television) ISBN 9781845118662 (In Press)

Brown, D., Brown, I. and Andersen, V. (2001) Making culture multi-purpose: UK arts funding, policy, planning and value from 1982 - 2000. In: Brown, I. , Andersen, V. and Gordin, V., (eds.) Cultural tourism: the convergence of tourism and culture at the start of the 21st century. St.Petersburgh, Russia : St.Petersburgh State University of Economics and Finance. pp. 54-79.

Brown, Ian (2006) Aitken, Sarah Ross (Sadie). In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 8-9. ISBN 0748617132

Brown, Ian (2007) Alternative sensibilities: devolutionary comedy and Scottish camp. In: Schoene, Berthold, (ed.) The Edinburgh companion to contemporary Scottish literature. Edinburgh : Edinburgh University Press. pp. 319-327. ISBN 9780748623952

Brown, Ian (2006) Ancient identities: changing routes. In: Brown, Ian, (ed.) Changing identities, ancient roots: the history of West Dunbartonshire from earliest times. Edinburgh, U.K. : Edinburgh University Press. pp. 219-224. ISBN 9780748625604

Brown, Ian and Nicholson, Colin (2009) Arcades: the 1960s and 1970s. In: Brown, Ian and Riach, Alan, (eds.) The Edinburgh companion to twentieth-century Scottish literature. Edinburgh, U.K. : Edinburgh University Press. pp. 133-144. (Edinburgh Companions to Scottish Literature ) ISBN 9780748636938

Brown, Ian (2005) 'Bursting through the hoop and dancing on the edge of seediness': five Scottish playwrights talk about John McGrath. In: Bradby, David and Capon, Susanna, (eds.) Freedom's pioneer: John McGrath's work in theatre, film and television. Exeter, U.K. : University of Exeter Press. pp. 100-114. ISBN 0859897486

Brown, Ian (2005) Celtic centres, the fringes and John McGrath. In: Bradby, David and Capon, Susanna, (eds.) Freedom's pioneer: John McGrath's work in theatre, film and television. Exeter, U.K. : University of Exeter Press. pp. 86-99. ISBN 0859897486

Brown, Ian, ed. (2006) Changing identities, ancient roots: the history of West Dunbartonshire from earliest times. Edinburgh, U.K. : Edinburgh University Press. 232p. ISBN 9780748625604

Brown, Ian (2011) Creative choices in Scots language use in contemporary poetry and drama. In: Guest lecture; 30 May 2011, Koln, Germany. (Unpublished)

Brown, Ian (2006) Drama and literature in Scots as an economic generator. In: 6th Language and Politics Symposium on the Gaeltacht and Scotstacht; 30 Aug - 01 Sep 2006, Belfast, Northern Ireland. (Unpublished)

Brown, Ian (2000) Drama and literature in Scots as an economic generator. In: Kirk, John M. and O Baoill, Donall P., (eds.) Language and economic development: Northern Ireland, the Republic of Ireland and Scotland. Belfast, Northern Ireland : Clo Ollscoil na Banriona. pp. 196-203. (Belfast Studies in Language, Culture and Politics, no. 1) ISBN 0853897913

Brown, Ian, ed. (2011) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. 248p. (Edinburgh Companions to Scottish Literature ) ISBN 9780748641086

Brown, Ian and Riach, Alan, eds. (2009) The Edinburgh companion to twentieth-century Scottish literature. Edinburgh, U.K. : Edinburgh University Press. 272p. (Edinburgh Companions to Scottish Literature ) ISBN 9780748636938

Brown, Ian , Clancy, Thomas Owen , Manning, Susan and Pittock, Murray, eds. (2007) The Edinburgh history of Scottish literature. Vol. 3 Modern transformations: new identities (from 1918). Edinburgh, U.K. : Edinburgh University Press. 356p. ISBN 9780748624829

Brown, Ian (2009) Entering the twenty-first century. In: Brown, Ian and Riach, Alan, (eds.) The Edinburgh companion to twentieth-century Scottish literature. Edinburgh, U.K. : Edinburgh University Press. pp. 214-222. (Edinburgh Companions to Scottish Literature ) ISBN 9780748636938

Brown, Ian (2010) Fostering the imperial view in a school: life-writing in Dollar Magazine before the First World War. In: ESSE 10 : European Society for the Study of English Tenth International Conference; 24 - 28 Aug 2010, Turin, Italy. (Unpublished)

Brown, Ian, ed. (2010) From tartan to tartanry: Scottish culture, history and myth. Edinburgh, U.K. : Edinburgh University Press. 278p. ISBN 9780748638772

Brown, Ian (2004) Gateways from the past to the future. In: Brown, Ian, (ed.) Journey's beginning: the Gateway theatre building and company, 1884-1965. Bristol, U.K. : Intellect Books. pp. 1-14. (Theatre and performance) ISBN 1841501085

Brown, Ian (2005) In exile from ourselves? Tartanry, Scottish popular theatre, Harry Lauder and Tartan Day. Etudes Ecossaises, 10, pp. 123-141. ISSN (print) 1240-1439

Brown, Ian and Riach, Alan (2009) Introduction. In: Brown, Ian and Riach, Alan, (eds.) The Edinburgh companion to twentieth-century Scottish literature. Edinburgh, U.K. : Edinburgh University Press. pp. 1-14. (Edinburgh Companions to Scottish Literature ) ISBN 9780748636938

Brown, Ian (2010) Introduction: Tartan, tartanry and hybridity. In: Brown, Ian, (ed.) From tartan to tartanry: Scottish culture, history and myth. Edinburgh, U.K. : Edinburgh University Press. pp. 1-12. ISBN 9780748638772

Brown, Ian (2011) Introduction: a lively tradition and creative amnesia. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 1-5. (Edinburgh Companions to Scottish Literature ) ISBN 9780748641086

Brown, Ian, ed. (2004) Journey's beginning: the Gateway theatre building and company, 1884-1965. Bristol, U.K. : Intellect Books. 81p. (Theatre and performance) ISBN 1841501085

Brown, Ian (2006) Knight, Mary Joan. In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 199-200. ISBN 0748617132

Brown, Ian (2001) Le theatre du nouveau Parlement ecossais: identites culturelles et politiques sur fond de devolution. In: Dixon, Keith, (ed.) L'autonomie ecossaise: essais critiques sur une nation britannique. Grenoble, France : ELLUG. pp. 163-184. ISBN 9782843100260

Brown, Ian (2010) Music theatre, politics and dramaturigical imperatives. In: Colloque International RADAC : le musical scenes & ecrans; 21 - 22 Oct 2010, Lille, France. (Unpublished)

Brown, Ian (2010) Myth, political caricature and monstering the tartan. In: Brown, Ian, (ed.) From tartan to tartanry: Scottish culture, history and myth. Edinburgh, U.K. : Edinburgh University Press. pp. 93-114. ISBN 9780748638772

Brown, Ian and Macleod, Muriel Anne (2008) Northern Connections: a case study of a Scoto-Swedish theatre link. Contemporary Theatre Review, 18(3), pp. 403-406. ISSN (print) 1048-6801

Brown, Ian (2007) Penguins and flowers: failure of nerve, cultural complexity and tartanry. Scottish Studies Review, 8(2), pp. 69-88. ISSN (print) 1475-7737

Brown, Ian (2001) Poems for Joan. Perth, U.K. : Perth Theatre. 52p. ISBN 9781903700037

Brown, Ian (2011) Public and private performance: 1650-1800. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 22-40. (Edinburgh Companions to Scottish Literature ) ISBN 9780748641086

Brown, Ian (2006) "Quis custodiet ipsos custodes": devolution, delegation, cultural democracy and cultural gatekeepers in the 'glory' years 1984-1994. In: The glory of the garden: regional theatre in Britain since 1980; 02 - 03 Sep 2006, Liverpool, U.K. . (Unpublished)

Brown, Ian and Ramage, John (2001) Referendum to referendum and beyond: political vitality and Scottish theatre. The Irish Review, 28, pp. 46-57. ISSN (print) 0790-7850

Brown, Ian and Tomlinson, Roger (2004) Revealing the vision of Caithness: an arts development study of Caithness. (Project Report) Wick, U.K. : Highland Council. 91 p.

Brown, Ian (2011) Revisiting tartan. In: Celebrating Saltire: 75 years of Scottish culture; 28 May 2011, Glasgow, U.K.. (Unpublished)

Brown, Ian (2007) The Scots leid in modren Scots drama: 'world drama' an 'our national peculiarities'. Lallans(70), pp. 33-44. ISSN (print) 1359-3587

Brown, Ian, Clancy, Thomas Owen, Manning, Susan and Pittock, Murray (2007) Scottish literature: criticism and the canon. In: Clancy, Thomas Owen , Pittock, Murray , Brown, Ian and Manning, Susan, (eds.) The Edinburgh history of Scottish literature. Vol. 1 From Columba to the Union (until 1707). Edinburgh, U.K. : Edinburgh University Press. pp. 3-15. ISBN 9780748616152

Brown, Ian (2007) Staging the nation: multiplicity and cultural diversity in contemporary Scottish theatre. In: Brown, Ian , Clancy, Thomas Owen , Manning, Susan and Pittock, Murray, (eds.) The Edinburgh history of Scottish literature. Vol. 3 Modern transformations: new identities (from 1918). Edinburgh, U.K. : Edinburgh University Press. pp. 283-294. ISBN 9780748624829

Brown, Ian (2011) Stateless nations and political theatre: the twentieth century visibilities of Irish drama and invisibilities of Scottish drama. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Brown, Ian (2003) Thrawn themes and dramatic experiments: W. Gordon Smith and the paradoxes of creative iconclasm. Scottish Studies Review, 4(2), pp. 98-120. ISSN (print) 1475-7737

Brown, Ian (2005) W. Gordon Smith (1928-1996). In: Bull, John, (ed.) British and Irish dramatists since World War II. Farmington Hills, U.S. : Thomson Gale. pp. 249-256. (Dictionary of Literary Biography, no. 310) ISBN 0787681288

Brown, Ian (2006) Waddell, Roberta Johanna (Bertha) and Waddell, Janet Jane (Jenny). In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 361-362. ISBN 0748617132

Brown, Ian and Nicholson, Colin (2007) The border crossers and reconfiguration of the possible: poet-playwright-novelists from the mid-twentieth century on. In: Brown, Ian , Clancy, Thomas Owen , Manning, Susan and Pittock, Murray, (eds.) The Edinburgh history of Scottish literature. Vol. 3 Modern transformations: new identities (from 1918). Edinburgh, U.K. : Edinburgh University Press. pp. 262-272. ISBN 9780748624829

Brown, Ian (2006) The continuing stream. In: Brown, Ian, (ed.) Changing identities, ancient roots: the history of West Dunbartonshire from earliest times. Edinburgh, U.K. : Edinburgh University Press. pp. 1-11. ISBN 9780748625604

Brown, Ian (2010) The ethics of Scottish workplace drama between 1970 and 1995. In: Colloque International de la SFEEc : The work ethic and the Scots = L'ethique du travail et les Ecossais; 15 - 16 Oct 2010, Toulouse, France. (Unpublished)

Brown, Ian (2005) A flower among the penguins: self image, tartanry and the escape from inferiorist mindsets. Representations, 1, pp. 10-24. ISSN (online) 1951-6118

Brown, Ian (2009) The framing of 'Robert Burns' in the Soviet State: a case study from Armenia. In: Robert Burns 1759 to 2009; 15 - 17 Jan 2009, Glasgow, U.K.. (Unpublished)

Brown, Ian (2007) The personal poem: inscribing a life through dedicated poetry. In: Life writing seminar; 16 Jan 2007, Edinburgh, U.K. . (Unpublished)

Brown, Ian (2003) A polyphony of potential: cultural training provision and needs in Armenia, Azerbaijan and Georgia. (Project Report) Strasbourg, France : Council of Europe. 69 p. (no. DGIV/CULT/STAGE(2003)7)

Brown, Ian (2007) The road through Woodstock: counter-Thatcherite strategies in ACGB's drama development between 1984 and 1994. Contemporary Theatre Review, 17(2), pp. 218-229. ISSN (print) 1048-6801

Brown, S. (2003) The greatest documentary ever made?: James Cameron's Titanic. Interdisciplinary Literary Studies: a journal of criticism and theory, 5(1), pp. 78-88. ISSN (print) 1524-8429

Brown, Simon [Speaker] (2008) Blanche MacIntosh: first lady of screen crime. In: Rats, Rascals and Ruffians: the Globalisation of Crime and the British Silent Film : 11th British Silent Cinema Festival; 03 - 06 Apr 2008, Nottingham, U.K.. (Unpublished)

Brown, Simon (2009) Book Review of: The mass image: a social history of photomechanical reproduction in Victorian London by Gerry Beegan. Journal of British Cinema and Television, 6(1), pp. 141-143. ISSN (print) 1743-4521

Brown, Simon and Abbott, Stacey (2007) Can't live with 'em, can shoot 'em: Alias and the (thermo) nuclear family. In: Abbott, Stacey and Brown, Simon, (eds.) Investigating Alias: secrets and spies. London, U.K. : I. B. Tauris. pp. 87-100. (Investigating cult TV) ISBN 9781845114053

Brown, Simon (2010) Case Study: the X-Files. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 163-166. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon (2009) Colouring the nation: spectacle, reality and British natural colour in the silent and early sound era. Film History: an International Journal, 21(2), pp. 139-149. ISSN (print) 0892-2160

Brown, Simon (2005) Coming soon to a hall near you: some notes on 16mm road-show distribution in the 1930s. Journal of British Cinema and Television, 2(2), pp. 299-309. ISSN (print) 1743-4521

Brown, Simon (2010) Cult channels: Showtime, FX and Cult TV. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 155-162. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon (2005) Early cinema in Britain and the smoking concert film. Early Popular Visual Culture, 3(2), pp. 165-178. ISSN (print) 1746-0654

Brown, Simon (2007) Flicker alley: Cecil Court and the emergence of the British film industry. Film Studies, 10, pp. 21-33. ISSN (print) 1469-0314

Brown, Simon and Abbott, Stacey (2007) Introduction: 'serious spy stuff': the cult pleasures of Alias. In: Abbott, Stacey and Brown, Simon, (eds.) Investigating Alias: secrets and spies. London, U.K. : I. B. Tauris. pp. 1-8. (Investigating cult TV) ISBN 9781845114053

Brown, Simon (2007) Narrative and pictorialism in post-pioneer Hepworth films. In: Porter, Laraine and Dixon, Bryony, (eds.) Picture Perfect: Landscape, Place and Travel in British Cinema before 1930. Exeter, U.K. : The Exeter Press. pp. 29-36. ISBN 9781905816019

Brown, Simon [Speaker] (2004) World War I & the British horror film. In: ‘Goodbye to all that’ British Silent Cinema and World War I ; 05-19 Apr 2004, Nottingham, U.K. . (Unpublished)

Brown, Simon and Abbott, Stacey (2010) The art of sp(l)atter: body horror in Dexter. In: Howard, Douglas L., (ed.) Dexter: Investigating Cutting Edge Television. London, U.K. : I.B. Tauris. pp. 205-220. (Investigating Cult TV) ISBN 9781848852655

Brown, Ian (2011) Allan Ramsay and the invisibility cloak: the historiography of Scottish drama? In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Brown, Ian (2005) Developing audiences, developing arts, developing communities. In: Audience Development Conference; 18 Mar 2005, Inverness, U.K.. (Unpublished)

Brown, Ian (2010) 'Guarding against the guardians’: cultural democracy and ACGB/RAA relations in the glory years, 1984-94. In: Dorney, Kate and Merkin, Ros, (eds.) The glory of the garden: English regional theatre and the Arts Council, 1984-2009. Cambridge, U.K. : Cambridge Scholars Publishing. pp. 29-54. ISBN 9781443820592

Brown, Ian (2011) Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK. International Journal of Scottish Theatre and Screen, 4(2), pp. 35-50. ISSN (print) 2046-5602

Brown, Ian (2001) The new writing policies of Clive Perry and Stephen MacDonald at the Royal Lyceum Theatre, 1966-79. International Journal of Scottish Theatre, 2(2), ISSN (online) 1471-1598

Brown, Simon (2012) The Brighton School and the quest for natural color – redux. In: Brown, Simon , Street, Sarah and Watkins, Liz, (eds.) Color and the moving image: history, theory, aesthetics, archive. Oxford, U.K. : Routledge. pp. 13-22. (AFI Film Readers) ISBN 9780415892643

Buse, Peter (2010) Polaroid into digital: technology, cultural form, and the social practices of snapshot photography. Continuum: Journal of Media & Cultural Studies, 24(2), pp. 215-230. ISSN (print) 1030-4312

Buse, Peter (2009) Polaroid, aperture and Ansel Adams: rethinking the industry-aesthetics divide. History of Photography, 33(4), pp. 354-369. ISSN (print) 0308-7298

C

Carter, Fan (2011) Between ephemera and posterity: the commemorative magazine issue. In: Andrews, Maggie , Bagot Jewitt, Charles and Hunt, Nigel , (eds.) Lest we forget: remembrance & commemoration. Stroud, U.K. : The History Press. pp. 82-86. ISBN 9780752473345

Chambers, Colin (2011) Black and Asian theatre in Britain: a history. London, U.K. : Routledge. 304p. ISBN 9780415375986

Chambers, Colin, ed. (2002) The Continuum companion to twentieth century theatre. London, UK : Continuum. 866p. ISBN 082644959x

Chambers, Colin (2004) Developments in the profession of theatre, 1946–2000. In: Kershaw, Baz, (ed.) The Cambridge history of British theatre. Vol.3: Since 1895. Cambridge, UK : Cambridge University Press. pp. 377-396. ISBN 0521651328

Chambers, Colin (2006) Here we stand: politics, performers and performance: Paul Robeson, Isadora Duncan and Charlie Chaplin. London, UK : Nick Hern Books. 236p. ISBN 1854599208

Chambers, Colin (2009) History in the driving seat: Unity Theatre and the embrace of the "real". In: Forsyth, Alison and Megson, Chris, (eds.) Get real : documentary theatre past and present. Basingstoke, U.K. : Palgrave Macmillan. pp. 38-54. (Performance Interventions) ISBN 9780230221154

Chambers, Colin (2001) 'Home sweet home': Stratford-Upon-Avon and the making of the Royal Shakespeare Company as a national institution. In: Cartmell, Deborah and Scott, Michael, (eds.) Talking Shakespeare: Shakespeare into the millennium. Basingstoke, U.K. : Palgrave. pp. 85-101. ISBN 0333777735

Chambers, Colin (2004) Inside the Royal Shakespeare Company: creativity and the institution. London, UK : Routledge. 262p. ISBN 0415212022

Chambers, Colin (1980) Other spaces: new theatre and the RSC. London, U.K. : Eyre Methuen. 88p. (Methuen Theatrefile) ISBN 0904844322

Chambers, Colin (2009) 'Ours will be a dynamic contribution': the struggle by diasporic artists for a voice in British theatre in the 1930s and 1940s. Key Words. a journal of cultural materialism(7), pp. 38-54. ISSN (print) 1369-9725

Chambers, Colin (1997) Peggy: the life of Margaret Ramsay, play agent. London : Nick Hern. 361p. ISBN 1854591193

Chambers, Colin and Steed, Maggie (2004) Playing on the front foot: actors and audience in British popular theatre, 1970-1990. In: Milling, Jane and Banham, Martin, (eds.) Extraordinary actors: essays on popular performers: studies in honour of Peter Thomson. Exeter, U.K. : University of Exeter Press. pp. 191-209. ISBN 0859897354

Chambers, Colin and Prior, Mike (1987) Playwrights' progress: patterns of post-war British drama. Oxford, U.K. : Amber Lane Press. 208p. ISBN 0906399815

Chambers, Colin (1980) Product into process: actor-based workshops. In: Craig, Sandy, (ed.) Dreams and deconstructions: alternative theatre in Britain. Ambergate, U.K. : Amber Lane Press. ISBN 090639919x

Chambers, Colin [Author of introduction, etc.] (1980) Theatre London. London, U.K. : London Transport. 200p. ISBN 0853291071

Chambers, Colin (1995) Unity theatre. In: Margolies, David and Joannou, Maroula, (eds.) Heart of the heartless world: essays in cultural resistance in memory of Margot Heinemann. London, U.K. : Pluto Press. ISBN 0745309828

Chambers, Colin (1989) The story of Unity Theatre. London, U.K. : Lawrence and Wishart. 446p. ISBN 0853155887

Chambers, Colin (2013) 'A Flute of Praise': Indian theatre in Britain in the early twentieth century. In: Nasta, Susheila, (ed.) India in Britain: South Asian networks and connections, 1858-1950. Basingstoke, U.K. : Palgrave Macmillan. pp. 149-163. ISBN 9780230392717

Chambers, Colin (2011) Fringe theatre before the fringe. Studies in Theatre and Performance, 31(3), pp. 327-338. ISSN (print) 1468-2761

Chambers, Colin (2012) Images on stage – a historical survey of South Asians in British theatre before 1975. In: Ley, Graham and Dadswell, Sarah, (eds.) Critical Essays on British South Asian Theatre. Exeter, U.K. : University of Exeter Press. pp. 20-40. ISBN 9780859898355

Chambers, Colin [Author of introduction, etc.] (1997) Introduction. In: Nelson, Richard, (ed.) Goodnight children everywhere. London, U.K. : Faber & Faber. pp. vii-x. ISBN 0571194303

Chambers, Colin [Author of introduction, etc.] (1998) Introduction. In: Holman, Robert, (ed.) Bad Weather. London, U.K. : Nick Hern Books. pp. v-vii. ISBN 1854593242

Chambers, Colin [Author of introduction, etc.] and Riggs, Thomas (1999) Introduction. In: , , (ed.) Contemporary dramatists. 6th ed. Detroit, U.S. : St. James. ISBN 155862371x

Chambers, Colin (2009) More than Music Hall : or, how the alternative is not so new. In: The East End seen through performance; 29 Jan 2009, London, U.K.. (Unpublished)

Chambers, Colin (2011) Shakespeare for my time. In: Freeman, John, (ed.) The greatest shows on earth: world theatre from Peter Brook to the Sydney Olympics. Faringdon, Oxfordshire : Libri Publishing. pp. 17-33. ISBN 9781907471544

Chambon, Philip and Sorrentino, Bruno (2002) Secrets of the Saudi state. (television soundtrack). Hardcash Productions. DVD.

Chambon, Philip and Marston, Cathy (2002) The go between (between shadows). (viola electro-acoustic combination). London : Sheet music (viola part), compact disc. (Unpublished)

Chambon, Phil (2012) Beyond the bedroom studio: teaching popular music production at university level. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Chambon, Philip (2006) Versailles Stories. (music). London, U.K. : Lion TV Productions.

Clancy, Thomas Owen , Pittock, Murray , Brown, Ian and Manning, Susan, eds. (2007) The Edinburgh history of Scottish literature. Vol. 1 From Columba to the Union (until 1707). Edinburgh, U.K. : Edinburgh University Press. 334p. ISBN 9780748616152

Cunningham, Gail and Barber, Stephen, eds. (2007) London eyes: reflections in text and image. New York, U.S. : Berghahn Books. 228p. (Polygons: Cultural Diversities and Intersections, no. 13) ISBN 9781845454074

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Depper, Corin (2008) Death at work: the cinematic imagination of J.G. Ballard. In: Baxter, Jeannette, (ed.) J. G. Ballard. London, U.K. : Continuum. pp. 50-65. (Contemporary Critical Perspectives) ISBN 9780826497260

Depper, Corin (2008) Fragments of an attempted reading: towards a phenomenology of The anathemata. In: The long poem: major forms; 16 - 17 May 2008, Sussex, U.K.. (Unpublished)

Depper, Corin (2007) Hiding in the trees: the emergence of an arboreal nationalism in the work of Robert Graves and Martin Heidegger. In: Modern environments: contemporary readings in green studies : Inaugural graduate conference of ASLE-UK; 07 - 08 Sep 2007, Glasgow, U.K.. (Unpublished)

Depper, Corin (2009) States of love: Godard, Badiou, and the inaesthetics of 'non-cinema'. In: Emergent Encounters in Film Theory; 21 Mar 2009, London, U.K.. (Unpublished)

Depper, Corin (2009) Theatres of memory and restraint: Matthew Barney amongst the Neo-Platonists. In: Georganta, Konstanta , Collignon, Fabienne and Millim, Anne-Marie, (eds.) The apothecary’s chest: magic, art and medication. Newcastle upon Tyne, U.K. : Cambridge Scholar's Publishing. pp. 71-82. ISBN 1443804940

Depper, Corin (2006) The visible and the indivisible: Fellini/Morandi/Gehry/Flavin. In: Film and Television Studies Research Seminar; Jan 2006, Norwich, U.K.. (Unpublished)

de Vries, Imar and Van Elferen, Isabella (2010) The musical 'Madeleine': communication, performance and identity in musical ringtones. Popular Music and Society, 33(1), pp. 61-74. ISSN (print) 0300-7766

E

Evans, Alex [Composer], Hogg, John [Composer], Genockey, Sean [Composer] and Morgan, John [Composer] (2001) Hanging around. (Song). Los Angeles, CA, U.S. : Ultimatum Music LLC. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genokey, Sean [Composer] and Morgan , John [Composer] (1998) In your dreams. (Song). London, U.K. : Dorado Records. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genockey, Sean [Composer] and Morgan, John [Composer] (2001) Liar. (Song). Los Angeles, CA, U.S. : Ultimatum Music LLC. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genockey, Sean [Composer] and Morgan, John [Composer] (2001) Slide. (Song). Los Angeles, CA, U.S. : Ultimatum Music LLC. CD.

Evans, Alex (2012) That was then...this is now: fundamental changes in the music business. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Evans, Alex [Composer], Hogg, John [Composer], Genockey , Sean [Composer] and Morgan, John [Composer] (1998) Wheel In Motion. (music). London, U.K. : Dorado Records. CD.

Ewers, Tim [Composer] (1990) Altiplano. (music).

Ewers, Tim [Composer] (2003) Blast. (saxophone with piano accompaniment). (Unpublished)

Ewers, Tim (2005) D-re-A-mi-N-gl-Y : a setting of 5 poems by e.e. cummings. (voice and instrumental ensemble). Score and compact disc. (Unpublished)

Ewers, Tim [Composer] (2004) Flautando. (flute with piano accompaniment). (Unpublished)

Ewers, Tim [Composer] (2007) On the edge. (saxophone quartet). Score and compact disc. (In Press)

Ewers, Tim [Composer] (2008) Chimburazo. (music).

Ewers, Tim [Composer] (1994) Following on. (music).

Ewers, Tim [Composer] (1998) Geometric designs. (music). Version 2.

Ewers, Tim [Composer] (1988) Kite. (music). Version 2.

Ewers, Tim [Composer] (1986) Quadrivium. (music).

Ewers, Tim [Composer] (1999) Rainy days and holidays. (music).

Ewers, Tim [Composer] (2000) Solitaire. (music).

Ewers, Tim [Composer] (1989) Squaring the circle. (music).

Ewers, Tim [Composer] (2011) Wonderlands. (music).

Ewers, Tim [Composer] (1991) ...blue, indigo, violet. (music).

F

Ferguson, John (2011) Imagined agency: technology, unpredictability and ambiguity. In: The Improvised Space: Techniques, Traditions and Technologies; 06 Apr 2011, Kingston upon Thames, U.K.. (Unpublished)

Ferguson, John [Artist] (2009) Live electronic performance. In: Borealis Festival of Contemporary Music 2009; 27 Mar 2009, Bergen, Norway. (Unpublished)

Ferguson, John (2010) Machine-assembled dislocation: technology and imagined agency. In: Music and Machines 10: Resistant Materials; 23 - 25 Sep 2010, Newcastle, U.K.. (Unpublished)

Ferguson, John, Hogg, Bennett, Schrimshaw , Will and Ayers, John (2005) My Little Pop Group. Schhh... 09 Nov 2005, Konstakademien (Royal Academy of Art), Stockholm.

Ferguson, John [Musician], Hogg, Bennett [Musician], Schrimshaw , Will [Musician] and Ayers, John [Musician] (2005) My Little Pop Group. Live Performance. 10 Nov 2005, Fylkingen, Stockholm.

Ferguson, John [Artist] (2011) Performing technologies. In: Research Seminar ; 14 Mar 2011, Kingston upon Thames, U.K.. (Unpublished)

Ferguson, John (2009) Teaching and learning in small ensembles: perspectives from popular music. In: Lessons into Practice: Teaching and Learning Collective Performance in Small Ensembles at Higher Educational Level; 17 Sep 2009, Newcastle, U.K.. (Unpublished)

Ferguson, John and Bell, Paul (2008) Tron Lennon. Sound, Sight, Space and Play Postgraduate Conference. 08 Apr 2008, Leicester, U.K.

Ferguson, John [Performer] and Bell, Paul [Performer] (2008) Tron Lennon. Club Transmediale. February 2008, Berlin, Germany.

Ferguson, John and Bell, Paul (2008) Tron Lennon. Salon Bruit. 25 Jan 2008, Berlin, Germany.

Ferguson, John and Bell, Paul (2008) Tron Lennon. Concert Night. 24 Jan 2008, The Hague, Netherlands.

Ferguson, John [Musician] and Bell, Paul [Musician] (2008) Tron Lennon. Concert Night. 17 Jan 2008, Newcastle upon Tyne, U.K.

Ferguson, John and Bell, Paul (2008) Tron Lennon: Improvisation. Digital Resources for the Humanities and Arts 2008: New Communities of Knowledge and Practice. 14 - 17 Sep 2008, Cambridge, U.K.

Ferguson, John [Performer] and vah Heumen, Robert [Performer] (2009) Whistle Pig Saloon. (Improvisation with Performing Technologies ). Lisboa, Portugal : Creative Sources Recordings.

Ferguson, John and van Heumen, Robert (2008) Whistle Pig Saloon. In: STEIM Open Studio; 12 Nov 2008, Amsterdam, The Netherlands. (Unpublished)

Ferguson, John and van Heume, Robert (2009) Whistle Pig Saloon. Borealis Contemporary Music Festival. 27 Mar 2009, Bergen, Norway.

Ferguson, John [Artist] and Hogg, Bennett (2010) Wormhole. GEM Days. Jan 2010, Huddersfield, U.K.

Ferguson, John [Artist] and Hogg, Bennett [Artist] (2009) Wormhole. Dialogues Festival. 04 Dec 2009, Edinburgh, U.K.

Ferguson, John [Musician], Hogg, Bennett [Musician], Schrimshaw , Will [Musician] and Ayers, John [Musician] (2007) A dark room on a summer's day. (Free Improvisation).

Ferguson, John and Bell, Paul (2008) The role of ambiguity within musical creativity. Leonardo Electronic Almanac, ISSN (online) 1071-4391

Ferguson, John and Bell, Paul (2008) The role of unpredictability within musical creativity. In: Digital Resources for the Humanities and Arts 2008: New Communities of Knowledge and Practice; 14 - 17 Sep 2008, Cambridge, U.K.. (Unpublished)

Ferguson, John Robert (2009) Beyond the record: new roles for the live musician? In: The Musical Body: Gesture, Representation and Ergonomics in Musical Performance; 22 - 24 Apr 2009, London, U.K.. (Unpublished)

Ferguson, John Robert and van Heumen, Robert (2010) Whistle Pig Saloon: performing technologies. Leonardo Music Journal, 20, pp. 12-13. ISSN (print) 0961-1215

Ferguson, John Robert [Musician] and Hogg, Bennett [Musician] (2011) Wormhole. The Improvised Space: Techniques, Traditions and Technologies. 06 Apr 2011, Kingston upon Thames, U.K.

Ferguson, John [Artist] and Bell, Paul [Artist] (2008) Thank you Reverend. (electroacoustic). The Netherlands : http://soundmuseum.fm/.

Ferguson, John and Bell, Paul (2008) Tron Lennon discuss collaborative practice. Fool�s Gold: Practice and Improvisation in Performance, 1, xvi-xvi.

Ferguson, John Robert [Musician] and van Heumen, Robert [Musician] (2011) Whistle Pig Saloon. Sonorities Festival of Contemporary Music. 08 Apr 2011, Belfast, Northern Ireland.

Fletcher, Abbe [Creator] (2008) Palace under construction. (Video).

Freedman, Jane [Author of introduction, etc.] and Tarr, Carrie [Author of introduction, etc.] (2000) Introduction. In: Freedman, Jane and Tarr, Carrie, (eds.) Women, immigration and identities in France. Oxford, U.K. : Berg. pp. 1-10. ISBN 1859734367

Freedman, Jane and Tarr, Carrie (2000) The Sans-papieres: an interview with Madjiguene Cisse. In: Freedman, Jane and Tarr, Carrie, (eds.) Women, immigration and identities in France. Oxford, U.K. : Berg. pp. 29-38. ISBN 1859734367

Freedman, Jane and Tarr, Carrie, eds. (2000) Women, immigration and identities in France. Oxford, U.K. : Berg. 197p. ISBN 1859734367

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Gartrell, Carol, ed. (2004) Baryton and voice at the Vienna Hofkapelle by Antonio Draghi, Attilio Ariosti and Johann Joseph Fux. Hebden Bridge, U.K. : Peacock Press. 10p.

Gartrell, Carol (2009) A history of the baryton and its music: king of instruments, instrument of kings. Lanham, U.S. : Scarecrow Press. 304p. ISBN 9780810869172

Gartrell, Carol A., ed. (2005) Barytons, voice & mandolins at the Vienna Hofkapelle by Francesco Bartolomeo Conti. Hebden Bridge, U.K. : Peacock Press. 24p.

Gartrell, Carol A. (2003) Towards an inventory of antique barytons. The Galpin Society Journal: for the study of musical instruments, 56, pp. 116-131. ISSN (print) 0072-0127

Glauert, Amanda (2004) Art and music: the case for hybridity - Review of: 'Visible deeds of music: art and music from Cage to Wagner' by Simon Shaw-Miller. Oxford Art Journal, 27(3), pp. 431-433. ISSN (print) 0142-6540

Glauert, Amanda (1992) Barbier von Bagdad, Der ('The Barber of Baghdad'). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 316-318. ISBN 0935859926

Glauert, Amanda (2000) Beethoven's songs and vocal style. In: Stanley, Glenn, (ed.) The Cambridge companion to Beethoven. Cambridge, U.K. : Cambridge University Press. pp. 186-199. (Cambridge companions to music) ISBN 0521589347

Glauert, Amanda (1992) Cornelius, (Carl August) Peter (i). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 954-955. ISBN 0935859926

Glauert, Amanda (1992) Corregidor, Der ('The magistrate'). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 958-959. ISBN 0935859926

Glauert, Amanda (1992) Hansel und Gretel (Hansel and Gretel). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 638-640. ISBN 0935859926

Glauert, Amanda (1999) Hugo Wolf and the Wagnerian inheritance. Cambridge, U.K. : Cambridge University Press. 161p. ISBN 0521496373

Glauert, Amanda (1992) Humperdinck, Engelbert. In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 769-771. ISBN 0935859926

Glauert, Amanda (2004) 'Ich denke dein': Beethoven's retelling of Goethe's poetry. In: Goethe: musical poet, musical catalyst; 26 - 27 Mar 2004, Maynooth, Ireland.

Glauert, Amanda (2000) "Ich singe wie der Vogel singt": reflections on nature and genre in Wolf's setting of Goethe's Der Sanger. Journal of the Royal Musical Association, 125(2), pp. 271-286. ISSN (print) 0269-0403

Glauert, Amanda (1992) Kienzl, Wilhelm. In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 988-989. ISBN 0935859926

Glauert, Amanda (2007) 'Nicht diese tone' : lessons in song and singing from Beethoven's ninth symphony. Eighteenth-Century Music, 4(1), pp. 55-69. ISSN (print) 1478-5706

Glauert, Amanda (2009) Review of 'Heinrich Heine and the Lied' by Susan Youens. Music and Letters, 90(2), pp. 289-292. ISSN (print) 0027-4224

Glauert, Amanda (2006) Review of Eichendorff Lieder: Lieder to texts by Joseph, Freiherr von Eichendorff (1788-1857) by Felix Medelssohn, Robert Franz, Robert Schumann, Aribert Reimann, Hugo Wolf, Alexander von Zemlinsky, Erich Korngold, Hans Pfitzner and Othmar Schoeck. Wolfgang Holmair bar, Imogen Cooper pf (Philips 464 991-2). Nineteenth-Century Music Review, 3(2), pp. 188-191. ISSN (print) 1479-4098

Glauert, Amanda (2004) Review of: 'Nineteenth-Century music: selected proceedings of the tenth international conference' by Jim Samson and Bennett Zon (eds.). Music and Letters, 85(3), pp. 457-460. ISSN (print) 0027-4224

Glauert, Amanda (2003) Review of: 'Sunt lacrimae rerum: Untersuchungen zur Darstellung des Weinens in der Musik' by Ute Ringhardt. Music and Letters, 84(2), pp. 278-280. ISSN (print) 0027-4224

Glauert, Amanda (2003) Review of: Goethe and the guitar songs and ballads c1800, performed by Cafe Mozart, Danubia Discs 2002. Haydn Society Journal, 22, pp. 47-48. ISSN (print) 1350-1267

Glauert, Amanda (2004) Review of: Lieder nach Heine und Lenau by Wolf. Stephan Genz bar Roger Vignoles pf (Hyperion CDA67343). Nineteenth-Century Music Review, 1(1), pp. 199-201. ISSN (print) 1479-4098

Glauert, Amanda (2000) "When sounds stir within me I always hear the full orchestra": finding the compositional voice in Beethoven's songs. Arietta, 2, pp. 19-24. ISSN (print) 1465-9387

Glauert, Amanda (2003) Wolf at the extremes. The Schubertian, 41, pp. 4-11. ISSN (print) 1740-7117

Glauert, Amanda (2003) Wolf at the extremes. In: Schubert Institute (UK) Schubert-Wolf Day; 17 May 2003, London, U.K..

Glauert, Amanda (1992) Wolf, Hugo (Filipp Jakob). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 1169-1170. ISBN 0935859926

Glauert, Amanda (1980) The double perspective in Beethoven's Opus 131. Nineteenth century music, 4(2), pp. 113-120. ISSN (print) 0148-2076

Glauert, Amanda (2004) The lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven. In: Parsons, James, (ed.) The Cambridge companion to the Lied. Cambridge : Cambridge University Press. pp. 63-82. (Cambridge companions to music) ISBN 052180471X

Glauert, Amanda (1992) The reception of Wagner in Vienna, 1860-1900. In: Millington, Barry and Spencer, Stewart, (eds.) Wagner in performance. New Haven, U.S. : Yale University Press. pp. 120-129. ISBN 0300057180

Gottlieb , Vera and Chambers, Colin, eds. (1999) Theatre in a cool climate. Oxford, UK : Amber Lane Press. 222p. ISBN 1872868266

Greenwood, Sue (2006) Thomas Ades: Gefriolsae Me Op3b (1990). In: Royal Musical Association Research Students' Conference; 04 - 07 Jan 2006, Leeds, U.K.. (Unpublished)

H

Hall, Peter [Producer] (2004) Man and superman. Man and superman. July - August 2004, Bath, United Kingdom.

Hall, Peter (2004) Shakespeare's 'As you like it'. Shakespeare's 'As You Like It'. 30 Nov - 18 Dec 2004, Kingston, United Kingdom.

Hall, Peter (2003) Shakespeare's advice to the players. New York : Theatre communications group. 212p. ISBN 1559362340

Hall, Peter [Producer] (2005) Waiting for Godot. Waiting for Godot. 16th August to 3rd September 2005, Bath, U.K.

Hall, Joanna (2013) Rocking the rhythm: dancing identities in drum 'n' bass club culture. In: Dodds, Sherril and Cook, Susan C., (eds.) Bodies of sound: conversations across popular music and dance. Farnham, U.K. : Ashgate. ISBN 9781409445173 (In Press)

Hall, Joanna Louise (2008) Mapping the multifarious: the genrification of dance music club cultures. In: Lansdale, Janet, (ed.) Decentring dancing texts: the challenge of interpreting dances. Basingstoke, U.K. : Palgrave Macmillan. pp. 177-193. ISBN 9780230542594

Harris, Louise [Composer] (2010) fuzee. (music).

Hillman, Rebecca (2011) Rhymes and resources to face failures: agit-pop plays for difficult days. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Holmes, Diana and Tarr, Carrie, eds. (2006) A 'belle epoque'?: women in French society and culture 1890-1914. New York, U.S. : Berghahn Books. 344p. (Polygons: cultural diversities and intersections) ISBN 1845450213

Holmes, Diana and Tarr, Carrie (2006) Introduction. In: Tarr, Carrie and Holmes, Diana, (eds.) A 'belle epoque'?: women in French society and culture 1890-1914. New York, U.S. : Berghahn Books. pp. 1-8. (Polygons: cultural diversities and intersections, no. 9) ISBN 1845450213

Holmes, Diana and Tarr, Carrie (2006) New republic, new women?: feminism and modernity at the belle epoque. In: Tarr, Carrie and Holmes, Diana, (eds.) A 'belle epoque'?: women in French society and culture 1890-1914. New York, U.S. : Berghahn Books. pp. 11-22. (Polygons: cultural diversities and intersections, no. 9) ISBN 1845450213

Howarth, Anita (2013) Newspaper campaigning in Britain in the late 1990s. In: Howley, K., (ed.) Media Intervention. New York, U.S.A. : Peter Lang. pp. 37-54. ISBN 9781433112119

Howarth, Anita and Ibrahim, Yasmin (2012) Threat and suffering: the liminal space of 'The Jungle'. In: Andrews, Hazel and Roberts, Les, (eds.) Liminal landscapes: travel, experience and space. Abingdon, U.K. : Routledge. pp. 200-216. (Routledge studies in contemporary geographies of leisure, tourism, and mobility , no. 30) ISBN 9780415668842

Howarth, Anita (2012) A hunger strike – the ecology of a protest: the case of Bahraini activist Abdulhadi al-Khawaja. M/C Journal, 15(3), ISSN (online) 1441-2616

Howarth, Anita (2013) The weakest link in existing studies: media–government risk interactions. Journal of Risk Research, 16(1), pp. 1-18. ISSN (print) 1366-9877

J

Jones, Kevin (2004) Breaking Elgar's enigmatic code. New Scientist, 104(2479/80), ISSN (print) 0262-4079

Jones, Kevin [Composer] (2008) Cantus de Stellis. (orchestral work with chorus). (Unpublished)

Jones, Kevin [Speaker] (2008) Counting music. In: Counting music; 24 Apr 2008, London, U.K.. (Unpublished)

Jones, Kevin (2007) The Dorabella code. BBC Proms website,

Jones, Kevin (2003) Elegiac air honours more than lost lives. Times Educational Supplement, ISSN (print) 0040-7887

Jones, Kevin (2007) Elgar on Radio 3: The Starlight Express (1915). BBC Radio 3 website,

Jones, Kevin [Composer] (2003) Polkadotycat. (Music). (Unpublished)

Jones, Kevin (2007) Variations on an Enigma. BBC Proms website,

Jones, Kevin [Composer] (2001) The Yellow Bell. (Music).

Jones, Kevin (2005) The aeolian harp, the "dark saying" and the subject of Elgar's 13th enigma variation. In: Elgar Conference; 1-3 Jul 2005, Stratford-upon-Avon, U.K.. (Submitted)

Jones, Kevin and Wong, Kathleen (2005) A comparison of the musical and scientific thinking of Xenakis with that of ancient China: the architecture of scales and the notion of Lu. In: International Symposium Iannis Xenakis; 18 - 20 May 2005, Athens, Greece. ISBN 9602144440

Jones, Kevin (2007) A hidden world of musical codes. BBC Proms website,

Jones, Kevin (2002) The music of numbers, keyboards and calendars. In: The music of numbers, keyboards and calendars; 03 May 2002, Derby, U.K.. (Unpublished)

Jones, Kevin [Composer] (2007) The Antarctic sonata: music inspired by Antarctic research. Music inspired by Antarctic research. 11 Sep 2007, London, U.K.

Jones, Kevin (2006) The songs of rocks, rivers and stars: systems for mapping spatial and time-series data into musical sound. In: Music, environmental design, and the choreography of space; 7-12 Aug 2006, Baden-Baden, Germany. (Unpublished)

K

Keramaris, Kanaris (2010) Analysis of three original works of chamber music: Canto, for solo viola; The mirror, for mezzo soprano and large ensemble; Colours of life, for instrumental ensemble, tape and abstract video (in collaboration with the director G Savoglou). (MA(R) thesis), Kingston University.

Knapper, Stephen (2004) Complicite's Comintern: internationalism and 'The noise of time'. Contemporary Theatre Review, 14(1), pp. 61-73. ISSN (print) 1048-6801

Knapper, Stephen (2004) Fellini and the commedia dell'arte. Fellini Il Maestro - NFT Study Day. 18 September 2004, London, United Kingdom.

Knapper, Stephen and Hall, Peter [Interviewee] (2007) Peter Hall in rehearsal. Contemporary Theatre Review, 17(4), pp. 578-581. ISSN (print) 1026-7166

Knapper, Stephen (2002) Sabatini's Scaramouche: the mask and the revolution. In: Ríos Carratalá, Juan A. and Sanderson, John D., (eds.) Relaciones entre el cine y la literatura: lo hispano en el cine Norteamericano/ Personajes literarios en la pantalla. Alicante, Spain : University of Alicante Press. pp. 37-62. ISBN 8479086718

Knapper, Stephen (2007) Scaramouche: the mask and the millenium. In: Robb, David, (ed.) Clowns, fools and picaros: popular forms in theatre, fiction and film. Amsterdam, Netherlands : Rodopi. pp. 127-145. (At the interface/Probing the boundaries, no. 43) ISBN 9789042023406

Knapper, Stephen (2006) The master and the mirror: Scaramouche and Molière. In: Bradby, David and Calder, Andrew, (eds.) The Cambridge Companion to Molière. Cambridge, UK : Cambridge University Press. pp. 37-56. ISBN 0521546656

L

Lee, Michael James (2011) Composing music to explore and teach compositional techniques of twentieth century and contemporary music at GCE Advanced Level. (MA(R) thesis), Kingston University.

Leigh-Fletcher, Abbe [Creator], Turner, Stephen [Contributor], Barber, Ros [Contributor] and Barker , Simon [Contributor] (2005) Four shores: artworks for the Isle of Sheppey. (Video).

Linstead, Stephen and Mullarkey, John (2003) Time, creativity and culture: introducing Bergson. Culture & Organization, 9(1), pp. 3-13. ISSN (print) 1475-9551

M

Manning, Jane [Performer] (2004) Miss Donnithorne's Maggot: Psappha Unconducted featuring Jane Manning. (CD). Peter Maxwell Davies: Miss Donnithorne's Maggot. 7 - 8 Feb 2004, Great Hall, Lancaster University, Lancaster, UK. Glossop, UK : Psappha.

Manning, Jane [Singer] (2004) Peter Maxwell Davies' 'The Medium'. (solo voice). United Kingdom : MaxOpus Music. (42 mins) compact disc.

Manning, Jane [Performer] (2006) Schoenberg's 'Pierrot Lunaire'. Schoenberg's 'Pierrot Lunaire'. 24 Jun 2005, Kingston upon Thames, U.K.

Manning, Jane [Speaker] (2005) Schoenberg's 'Pierrot Lunaire' in performance. In: Saul Seminars, British Library; 7 June 2005, London, United Kingdom.

Manning, Jane (2005) A sixties 'Pierrot': a personal memoir. Tempo, 59(233), pp. 17-25. ISSN (print) 0040-2982

Manning, Susan , Brown, Ian , Clancy, Thomas Owen and Pittock, Murray, eds. (2007) The Edinburgh history of Scottish literature. Vol. 2 Enlightenment, Britain and Empire (1707-1918). Edinburgh, U.K. : Edinburgh University Press. 390p. ISBN 9780748624812

Mayhew, Steve (2013) Becoming John Ford: the silent period 1914 – 1930. (PhD thesis), Kingston University.

Melia, Matthew (2009) "Oh what's the bloody point?": a deconstruction of Kenneth William's life, screen and written performances and their reflection in the biopic Fantabulosa (BBC 2006). In: Performing lives; 06 - 08 Jul 2009, Kingston upon Thames, U.K.. (Unpublished)

Mellor, Noha (2012) ‘My eyes were there’: a comparative analysis of war reporters’ testimonies. Journal of War & Culture Studies, 5(2), pp. 157-171. ISSN (print) 1752-6272

Mencia, Maria (2009) Connected memories. (interactive digital art/narrative). ISBN: 9788299908924

Mencia, Maria [Speaker] (2011) Open meaning in digital writing. In: Open Media Research Seminar series; 8 Feb 2011, Coventry, U.K..

Mencia, Maria [Artist] (2011) The surface materiality: performing generative writing. In: e-poetry 2011: International Digital Language, Media, Arts Festival; 18 - 21 May 2011, Buffalo, U.S..

Mermikides, Alex, Lavender, Andy and Rebellato, Dan (2004) Here's what I did with my body one day : a genetic detective thriller. Here's what I did with my body one day : a genetic detective thriller. October 2004, London, United Kingdom.

Mermikides, Alex (2010) Clash and consensus in Shunt's 'Big shows' and the 'Lounge'. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 147-164. ISBN 9780230573666

Mermikides, Alex and Smart, Jackie, eds. (2010) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. 194p. ISBN 9780230573666

Mermikides, Alex (2010) Forced Entertainment - The travels (2002) : the anti-theatrical director. In: Harvie, Jen and Lavender, Andy, (eds.) Making Contemporary Theatre: international rehearsal processes. Manchester, U.K. : Manchester University Press. pp. 101-120. ISBN 9780719074929

Mermikides, Alex and Smart, Jackie (2010) Introduction. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 1-29. ISBN 9780230573666

Mermikides, Alex (2013) The scientist center stage. Nature Immunology, 14(5), pp. 416-418. ISSN (print) 1529-2908

Minors, Helen Julia (2010) Book Review of: 'Jean Cras: polymath of music and letters' by Paul-Andre Bempechat. Notes: Quarterly Journal of the Music Library Association, 67(2), pp. 348-350. ISSN (print) 0027-4380

Minors, Helen Julia (2007) Book Review of: 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser. Nineteenth-Century Music Review, pp. 135-139. ISSN (print) 1479-4098

Minors, Helen Julia (2010) Broken strings, dismembered bodies: Music Iconography Study Group Open Seminar. Royal Musical Association Newsletter, 14(2), p. 14. ISSN (print) 1461-9717

Minors, Helen Julia (2010) Composers as translators: intersemiotic transference, adaptation and interpretation. In: Portsmouth Tenth International Translation Conference: Translating Multimodalities; 06 Nov 2010, Portsmouth, U.K.. (Unpublished)

Minors, Helen Julia (2006) Conference report: Interdiscplinary Nineteenth Century Studies International Conference. Royal Musical Association Newsletter, 9(2), pp. 10-11. ISSN (print) 1461-9717

Minors, Helen Julia (2011) Creating a soundpainting: gesture and music in live composition. In: Research Seminar Series; 07 Feb 2011, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia, ed. (2010) Dance history scholars: politics, perspectives and practices. London, U.K. : Roehampton University. 93p.

Minors, Helen Julia (2008) Disappointment and imagination: Paul Dukas's French theatre criticisms. In: Research Seminar series, Centre for Interdisciplinary Music Research; 30 Jan 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2011) Du fond de l'abime, Psalm 130. In: Musikproduktion Jurgen Hoflich, , (ed.) Du fond de l'abime, Psalm 130. Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia (2009) Erik Satie's 'fashion milieu': 'Sports et divertissements' (1914/1922). In: Nostalgia and Innovation in Twentieth Century French Music; 08 - 09 May 2009, Lancaster, U.K.. (Unpublished)

Minors, Helen Julia (2009) Erik Satie: responding to images. In: Sixth Biennial International Coference on Music since 1900; 02 - 05 Jul 2009, Keele, U.K.. (Unpublished)

Minors, Helen Julia (2009) Gesture as a tool for analysing music and dance. In: Bewegungen zwischen Horen und Sehen: Musik, Tanz, Theater, Performance und Film; 19 - 21 Nov 2009, Bayreuth, Germany. (Unpublished)

Minors, Helen Julia (2009) Gesture between music and dance. In: Research Seminar series, Centre for Interdisciplinary Music Research; 27 Oct 2009, London, U.K.. (Unpublished)

Minors, Helen Julia (2004) 'I will destroy it': Paul Dukas's La Peri and variation form. In: International Symposium on Music in France 1830-1940; 17 - 19 Jul 2004, Victoria, Australia . (Unpublished)

Minors, Helen Julia (2007) Igor Stravinsky's "The soldier's tale". Stravinsky's Soldier's Tale, A Lecture Recital. 22 - 24 Oct 2007, London, U.K.

Minors, Helen Julia [Speaker] (2011) Improvisation, guided improvisation or real-time composition: a workshop in soundpainting. In: The Improvised Space: Techniques, Traditions and Technologies; 06 Apr 2011, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: practical learning through gesture. In: Dance, Timing and Musical Gesture; 13 - 15 Jun 2008, Edinbrugh, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: teaching performing arts. In: Research Seminar series, Centre for Interdisciplinary Music Research; 20 Nov 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) La Peri (1911-12): creative-collaborative journeys. In: Dance Research Conference; 15 Mar 2008, London, U.K..

Minors, Helen Julia (2007) La Peri, poeme danse (1911, Paul Dukas) in its cultural, historical and interdisciplinary contexts. (PhD thesis), Lancaster University.

Minors, Helen Julia (2005) Le musicien-sorcier: Paul Dukas, un musicien francais. In: Le Cercle Francais; November 2005, Wigan, U.K.. (Unpublished)

Minors, Helen Julia (2005) 'Music necessarily has to express something': Paul Dukas's approach to balletic orchestration. In: Royal Musical Association Research Students' Conference; 30 - 31 Mar 2005, Newcastle, U.K.. (Unpublished)

Minors, Helen Julia (2008) Paul Dukas and Claude Debussy: a French operatic identity. In: French Music, Aesthetic and Identity in the Process of Transformation 1892-1992; 29 - 30 Apr 2008, Angers, France. . (Unpublished)

Minors, Helen Julia (2006) Paul Dukas' La Peri as interpreted by two balletic collaborators. The Opera Quarterly, 22(1), pp. 117-135. ISSN (print) 0736-0053

Minors, Helen Julia (2005) Paul Dukas's La Peri as interpreted by two balletic collaborators. In: Sound moves: an international conference on music and dance; 05 - 06 Nov 2005, Roehampton, England.

Minors, Helen Julia (2009) Paul Dukas's critical response of Richard Wagner. In: Francopohone Criticism Network Meeting; 09 - 11 Nov 2009, Montreal, Canada. (Unpublished)

Minors, Helen Julia (2006) Paul Dukas's critical writings: a concept of drama. In: Interdisciplinary Nineteenth-Century Studies International Conference; 06 - 09 Jul 2006, Durham, U.K.. (Unpublished)

Minors, Helen Julia (2008) Paul Dukas: music, criticism and other arts. In: Lunchtime lectures at the Dukes; 22 Feb 2008, Lancaster, U.K.. (Unpublished)

Minors, Helen Julia (2006) Perpetual malleability: Paul Dukas's La Peri (1911): the phoenix. In: Music Research Forua; 14 Nov 2006, Huddersfield, U.K.. (Unpublished)

Minors, Helen Julia (2011) Psalm 129. In: Musikproduktion Jurgen Hoflich, , (ed.) Psalm 129. Munich, Germany : Musikproduktion Jurgen Horflick.

Minors, Helen Julia (2004) Reassessing Paul Dukas's La Peri (1911). In: 37th Royal Musical Association Annual Music Research Students' Conference; 07 - 10 Jan 2004, London, U.K.. (Unpublished)

Minors, Helen Julia (2009) Wagnerism and Wagner is the Parisian music press. In: Research Seminar series, Centre for Interdisciplinary Music Research; 20 Oct 2009, London, U.K.. (Unpublished)

Minors, Helen Julia (2007) The criticisms of Paul Dukas (1865-1935): interpreting French theatre performance. In: French music: performance and analysis; 15 - 19 Nov 2007, Laie, Hawaii, U.S.. (Unpublished)

Minors, Helen Julia (2011) A gestural analysis of music and dance through live composition. In: Dance and Music: Moving Dialogues; 16 - 19 Feb 2011, Montreal, Canada. (Unpublished)

Minors, Helen Julia (2005) The visual dimension in Paul Dukas's La Peri. In: An introduction to musical iconography, RMA Study Day; 30 Jul 2005, Sheffield, U.K.. (Unpublished)

Minors, Helen Julia (2011) Ambiguous (feminist?) sources and cultural contexts of Paul Dukas's 'La Peri' and 'Ariane et Barbe-Bleue'. In: Fifth Annual Lyrica Dialogues at Harvard: France the lewd - France the prude?: mellifluous and misanthropic musings on morality; 08 Apr 2011, Cambridge, U.S.. (Unpublished)

Minors, HelenHelen Julia (2006) Paul Dukas's concept of drama in music. In: Royal Musical Association Research Students' Conference; 04 - 07 Jan 2006, Leeds, U.K.. (Unpublished)

Minors, Helen Julia (2011) Book Review of: 'Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond' by Peter Dayan. Ars Lyrica, 20, pp. 127-130. ISSN (print) 1043-3848

Minors, Helen Julia (2013) Book Review of: 'Stravinsky's ballets' by Charles M. Joseph. Dance Research Journal, 45(1), pp. 128-131. ISSN (print) 0149-7677

Minors, Helen Julia (2013) Book Review of: 'The Ballets Russes and beyond: music and dance in belle-epoque Paris' by Davinia Caddy. The Slavonic and East European Review (SEER), 91(4), pp. 891-892. ISSN (print) 0037-6795

Minors, Helen Julia (2013) Claude Debussy, La Boite a Joujoux. In: Musikproduktion Jurgen Horflick, , (ed.) Repertoire Explorer & Opera Explorer. Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia and Morris, Geraldine, eds. (2009) Established Scholars' Conference 2008 Proceedings. U.K. : Society for Dance Research. 76p.

Minors, Helen Julia (2013) Experiencing inter-art dialogue in Erik Satie’s Sports et divertissements (1914 / 1922). In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. ISBN 9781472402776 (In Press)

Minors, Helen Julia (2013) Exploring interart cultural dialogue in Erik Satie’s Sports et divertissements (1914/1922). In: Cultural Histories at Kingston Lecture Series -inaugural lecture; 05 Dec 2013, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2013) Exploring interart dialogue and meaning in Erik Satie's 'Sports et divertissements' 1914/1922. In: Musik unserer Zeit - Componisten-Colloquium; 12 Apr 2013, Oldenburg, Germany. (Unpublished)

Minors, Helen Julia (2013) Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922). In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. pp. 115-136. ISBN 9781409434214

Minors, Helen Julia (2013) Exploring interart dialogue in Erik Satie’s Sports et divertissements (1914/1922). In: Music Research Seminar Series; 27 Feb 2013, Liverpool, U.K.. (Unpublished)

Minors, Helen Julia (2013) Fusing words and music: charting the new production of “Midsummer Night's Dreams”. In: Symposium: Opera, Multilingualism and Translation; 25 Oct 2013, London, U.K.. (Unpublished)

Minors, Helen Julia (2011) Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Reseach in Dance and the Society for Ethnomusicology ; 17 - 20 Nov 2011, Philadelphia, U.S.. (Unpublished)

Minors, Helen Julia, ed. (2013) How performance thinks. Kingston upon Thames, U.K. : Practice Research Unit, Kingston University and Performance and Philosophy Working Group, PSi. 219p.

Minors, Helen Julia [Performer], Magnar, Am [Performer], Johnson, Victoria [Performer], Lovlid , Unni [Performer], Ben Horin, Oded [Performer], Fooladi, Erik [Researcher] and Hopia, Anu [Researcher] (2013) Improvisation for the palette. Multimodalities: aesthetic dimensions in music and education practices.

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Minors, Helen Julia [Interviewee] and Louise, Harris [Interviewer] (2013) Interview with Dr. Helen Julia Minors, on the Kingston Soundpainting Ensemble. (Radio Broadcast). Radio Braodcast: Kingston University's Improvisation and Digital Arts Festival. London, U.K. : ResonanceFM.com.

Minors, Helen Julia [Composer] (2012) Kingston Soundpainting Ensemble. A Kingston Soundpainting Ensemble Performance.

Minors, Helen Julia (2009) La Peri, poeme danse (1911-12): a problematic creative-collaborative journey. Dance Research, 27(2), pp. 227-252. ISSN (print) 0264-2875

Minors, Helen Julia (2013) Leisure, fashion and music: Satie's Sports et divertissements. In: Eighth Biennial International Conference on Music Since 1900; 12-15 Sep 2013, Liverpool, U.K.. (Unpublished)

Minors, Helen Julia (2013) Making the most of your creative practice: practice-led research, research-led practice and gaining higher degrees. In: School Away Day: Ealing School of Art, Design and Media, University of West London; 07 Feb 2013, London, U.K.. (Unpublished)

Minors, Helen Julia [Composer] (2013) "Momentum": a soundpainting concert. Improvisation and Digital Arts Festival.

Minors, Helen Julia (2012) Music and movement in dialogue: exploring gesture in soundpainting. Les Cahiers de la Societe quebecoise de recherche en musique, 13(1-2), pp. 87-96. ISSN (print) 1480-1132

Minors, Helen Julia (2013) Music in motion: proposing a gestural and spatial analysis of music-dance works. In: 49th Annual Conference of the Royal Musical Association; 19 - 21 Sep 2013, London, U.K.. (Unpublished)

Minors, Helen Julia (2012) Music, text and translation. London, U.K. : Continuum. 244p. (Bloomsbury Advances in Translation Studies) ISBN 9781441173089

Minors, Helen Julia (2012) Paul Dukas et Claude Debussy: identite dans l'opera francais. In: Terrien, Pascal, (ed.) La musique francaise : esthetique et identite en mutation 1892-1992. Paris, France : Editions Delateur. pp. 227-240. (Collection Pensee Musicale) ISBN 9782752101068

Minors, Helen Julia [Speaker] (2013) Practice-based research in doctoral programmes. In: Embodied cognition: practice-based research in doctoral programmes (Dance, Drama and Music); 30 Apr 2013, Winchester, U.K.. (Unpublished)

Minors, Helen Julia [Speaker] (2013) Pre-Concert Talk: An illustrated talk exploring the compositional styles adopted in the chamber works to be performed in this programme: Mozart: Clarinet Quintet in A major K581; Britten: Phantasy Quartet for oboe; Lars-Eric Larsson: Lyric Fantasy; Beethoven: Septet Op.20 in E flat. In: Nordic Chamber Ensemble; 02 Feb 2013, Claygate, Surrey. (Unpublished)

Minors, Helen Julia (2011) Psalm 24. In: Musikproduktion Jurgen Horflick, , (ed.) Psalm 24 “La terre appartient à l’Eternel” (The earth is the Lord’s). Munich, Germany : Musikproduktion Jurgen Horflick.

Minors, Helen Julia and Thompson, Walter [Interviewee] (2013) Reassessing the thinking body in soundpainting. In: Minors, Helen Julia, (ed.) How performance thinks. Kingston upon Thames, U.K. : Practice Research Unit, Kingston Unievrsity and Performance and Philosophy Working Group, PSi. pp. 142-148.

Minors, Helen Julia and Thompson, Walter [Interviewee] (2012) Reassessing the thinking body in soundpainting. In: How Performance Thinks: An International Conference of the Practice Research Unit and PSi, Performance and Philosophy working group; 13 - 14 Apr 2012, London, U.K..

Minors, Helen Julia (2013) Reputation and remembrance: the tombeau supplement, 'La revue musicale'. In: Eighth Biennial International Conference on Music Since 1900; 12-15 Sep 2013, Liverpool, U.K.. (In Press)

Minors, Helen Julia [Author of introduction, etc.] (2013) Score Preface: Jules Massenet, La Navarraise (with French libretto). In: Musikproduktion Jurgen Hoflich, , (ed.) La Navarraise (with French libretto). Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia (2012) Sound painting: choreographing and composing in the moment. In: Composer/Choreographer/Performer Collaboration Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body; 19th April 2012, London, U.K.. (Unpublished)

Minors, Helen Julia [Performer] and Thomspon, Walter [Composer] (2013) Soundpainting think tank. International Soundpainting Think Tank.

Minors, Helen Julia (2013) Soundpainting: navigating creativity. Choreologica: The Journal of European Association of Dance Historians, 6(1), pp. 79-90. ISSN (print) 1746-5737

Minors, Helen Julia (2012) Soundpainting: navigating the creative space within and between dance and music. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music; 09 - 10 Nov 2012, Paris, France. (Unpublished)

Minors, Helen Julia (2013) Soundpainting: the use of space in creating dance-music pieces. In: Wyres, Marilyn and Glieca, Lorenzo , (eds.) Sound, music and the moving-thinking body. London, U.K. : Cambridge Scholars Press. pp. 27-34. ISBN 9781443852319

Minors, Helen Julia (2012) Soundpainting: thinking through creation in the moment. (film).

Minors, Helen Julia (2011) Surveying a primary source of Dukas’ Ariane et Barbe-Bleue. Ars Lyrica, 20, pp. 80-98. ISSN (print) 1043-3848

Minors, Helen Julia [Research team member], Desblache, Lucile [Research team member] and Di Giovanni, Elena [Research team member] (2013) Translating Music AHRC Opening Seminar and Launch: Mapping Music. In: Translating Music Network: Seminar 1 Mapping Music; 26 June 2013, London, U.K.. (Unpublished)

Minors, Helen Julia (2013) Translating music, translating sense: interpreting meaning in multimodal works. In: Multimodalities: aesthetic dimensions in music and education practices; 18 - 21 Jun 2013, Volda, Norway. (Unpublished)

Minors, Helen Julia [Speaker] (2013) Translating musical forms : rhythm and rhyme. In: AHRC Network, Translating Music, Workshop 3; 29 Nov 2013, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2013) Translating sense and intercultural research. In: Mapping intercultural arts research; 25 Sep 2013, Cambridge, U.K.. (Unpublished)

Minors, Helen Julia [Composer] (2012) A soundpainting concert. Improvisation and Digitial Arts Festival, iDAF.

Moliere, Jean-Baptiste, Waller, A.R. [Translator], Pimlott, Steven [Adapter] and Chambers, Colin [Adapter] (1996) The learned ladies. London, U.K. : Nick Hern Books. 76p. ISBN 1854593757

Mousoutzanis, Aris (2010) "The information belongs to me": trauma, memory and information in contemporary SF media texts. In: Memory, identity and new fantasy cultures; 09 Oct 2010, Kingston upon Thames, U.K.. (Unpublished)

Mullarkey, John (2000) Bergson and Philosophy. Notre Dame, U.S.A. : University of Notre Dame Press. 224p. ISBN 0268021619

Mullarkey, John and Lord, Beth, eds. (2013) The Bloomsbury Companion to Continental Philosophy. London, U.K. : Bloomsbury. 432p. (Bloomsbury Companions) ISBN 9781441131997

Mullarkey, John (2013) Contingent Violence: Bergson and the Comedy of Horrors in Schindler's List. In: Matthews, Graham and Goodman, Sam, (eds.) Violence and the Limits of Representation. London, U.K. : Palgrave-Macmillan. ISBN 9781137296894 (In Press)

Mullarkey, John (2012) Equally Circular: Bergson and the Vague Inventions of Politics. In: Lefebvre, Alexandre and White, Melanie, (eds.) Bergson, Politics and Religion. Durham, U.S.A. : Duke University Press. pp. 61-74. ISBN 9780822352563

Mullarkey, John (2008) Film As Philosophy: A Mission Impossible? In: Trifonova, Temenuga, (ed.) European Film Theory. Abingdon, U.K. : Routledge. pp. 65-79. (AFI Film Readers) ISBN 9780415960441

Mullarkey, John (2011) Films Can't Philosophise (And Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema. In: Carel, Havi and Tuck, Greg, (eds.) New Takes in Film-Philosophy. Basingstoke, U.K. : Palgrave-Macmillan. pp. 86-102. ISBN 9780230250291

Mullarkey, John (2004) Forget the virtual: Bergson, actualism, and the refraction of reality. Continental Philosophy Review, 37(4), pp. 469-493. ISSN (print) 1387-2842

Mullarkey, John (2012) I + I = I: The non-consistency of non-philosophical practice. In: Mullarkey, John and Smith, Anthony Paul, (eds.) Laruelle and Non-Philosophy. Edinburgh, U.K. : Edinburgh University Press. pp. 143-168. (Critical Connections) ISBN 9780748645350

Mullarkey, John (2012) Introduction: The Non-Philosophical Inversion: Laruelle’s Knowledge Without Domination. In: Mullarkey, John and Smith, Anthony Paul, (eds.) Laruelle and Non-Philosophy. Edinburgh, U.K. : Edinburgh University Press. pp. 1-18. (Critical Connections) ISBN 9780748645350

Mullarkey, John (2013) Laruelle Contra Derrida: Performative Realism and The Logics of Consistency. In: Senatore, Mauro, (ed.) Performatives After Deconstruction. London, U.K. : Bloomsbury Academic. (Bloomsbury Studies in Continental Philosophy) ISBN 9781441123466 (In Press)

Mullarkey, John and Smith, Anthony Paul, eds. (2012) Laruelle and non-philosophy. Edinburgh, U.K. : Edinburgh University Press. 272p. (Critical Connections) ISBN 9780748645350

Mullarkey, John (2007) Life, movement and the fabulation of the event. Theory, Culture & Society, 24(6), pp. 53-70. ISSN (print) 0263-2764

Mullarkey, John (2006) Post-Continental Philosophy: An Outline. London, U.K. : Continuum. 272p. (Transversals: New Directions in Philosophy) ISBN 9780826464620

Mullarkey, John (2009) Refractions of reality: philosophy and the moving image. Basingstoke, U.K. : Palgrave-Macmillan. 282p. ISBN 9780230002470

Mullarkey, John (2012) The Tragedy of the Object: Democracy of Vision and the Terrorism of Things in Bazin's Cinematic Realism. Angelaki: Journal of Theoretical Humanities, 17(4), pp. 39-59. ISSN (print) 0969-725X

Mullarkey, John (2007) The Very Life of Things: Thinking Objects and Reversing Thought in Bergsonian Metaphysics. In: UNSPECIFIED, (ed.) Henri Bergson: An Introduction to Metaphysics. Basingstoke, U.K. : Palgrave-Macmillan. (Bergson Centennial Series) ISBN 9780230517233

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Nelson, Richard and Chambers, Colin (1998) Kenneth's first play: a play for young audiences. London, U.K. : Methuen Drama. 64p. ISBN 041372980x

Nelson, Richard, Jones, David and Chambers, Colin [Editor] (1995) Making plays: the writer-director relationship in the theatre today. London, U.K. : Faber and Faber. 165p. ISBN 0571163548

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O'Brien, Catherine (2010) Agape: a maternal narrative. In: Representations of Love in Film and Television; 11-14 November 2010, Milwaukee, U.S.. (Unpublished)

O'Brien, Catherine (2001) Book Review of: Writing otherwise: Atlan, Duras, Giraudon, Redonnet, and Wittig by Jeannette Gaudet. French Studies, 55(2), pp. 276-277. ISSN (print) 0016-1128

O'Brien, Catherine (2007) Mary in film. In: Boss, Sarah Jane, (ed.) Mary: the complete resource. London, U.K. : Continuum. pp. 532-536. ISBN 0860123413

O'Brien, Catherine (2007) Mary in modern European literature. In: Boss, Sarah Jane, (ed.) Mary: the complete resource. London, U.K. : Continuum. pp. 521-531. ISBN 0860123413

O'Brien, Catherine (2006) Mythological readings of Mary's motherhood. In: Theotokos: mother of all people. Mariological Society of America 57th Annual Meeting; 16 - 19 May 2006, Detriot, U.S.. (Unpublished)

O'Brien, Catherine (2006) Mythological readings of Mary's motherhood. Marian Studies, 57, ISSN (print) 0464-9680

O'Brien, Catherine (2007) Sacrificial rituals and wounded hearts: the uses of Christian symbolism in French and German women’s responses to the First World War. In: Fell, Alison S. and Sharp, Ingrid, (eds.) The Women’s Movement in Wartime: International Perspectives, 1914-19. Basingstoke, UK : Palgrave Macmillan. pp. 244-259. ISBN 0230019668

O'Brien, Catherine (2008) The celluloid Madonna : re-visioning the narrative of the mother of Jesus. In: The sacred and the secular; 19 - 21 Sep 2008, Southampton, U.K.. (Unpublished)

O'Brien, Catherine and Duricy, Michael (2009) The life of Mary in film. In: Telling Mary's story: the "life of Mary" through the ages : The Mariological Society of America 60th Annual Program; 26 - 29 May 2009, Florida, U.S.. (Unpublished)

O'Brien, Catherine (2003) The marshmallow effect: writing the life of the Virgin Mary in French culture. In: Society of French Studies Conference; 30 Jun - 02 Jul 2003 , Sheffield, U.K.. (Unpublished)

O'Brien, Catherine (2005) The nature of sacrifice. In: The Gentler Sex? Responses of the women’s movement to the First World War 1914-1919; 8 - 9 Sep 2005, London, U.K.. (Unpublished)

O'Brien, Catherine (2009) An ordinary extraordinary couple: performing the life of Mary and Joseph. In: Performing lives; 06 - 08 Jul 2009, Kingston upon Thames, U.K.. (Unpublished)

O'Brien, Cathy (2010) In Bruges: heaven or hell? In: Urban Mediations: European Network for Cinema and Media Studies Annual Conference; 24 - 27 Jun 2010, Istanbul, Turkey. (Unpublished)

O'Brien, Catherine (2011) "Ave Maria”: sacred spaces in 'Lourdes' and '28 Days Later'. In: 2011 NECS Conference: Sonic Futures: soundscapes and the languages of screen media; 23-26 Jun 2011, London, U.K.. (Unpublished)

O'Brien, Catherine (2012) Biblical tales - a mother's love: adapting the story of Mary and Jesus for the screen. In: Adaptation, Authorship and Ownership - ECRF Annual Conference; 16-18 Jul 2012, Ormskirk, U.K.. (Unpublished)

O'Brien, Catherine (2012) In Bruges: heaven or hell? Literature and Theology, 26(1), pp. 93-105. ISSN (print) 0269-1205

O'Brien, Catherine (2014) "Love, What Have You Done to Me?” Eros and agape in Alfred Hitchcock's I Confess. Journal of Religion and Film, 18(1), ISSN (online) 1092-1311

O'Brien, Catherine (2009) Marian film in the 21st century. Marian Studies, 60, pp. 287-296. ISSN (print) 0464-9680

O'Brien, Catherine (2013) Scorsese’s divine tragedy. In: Digby Stuart Research Seminar; 7 Oct 2013, Roehampton, U.K.. (Unpublished)

O'Brien, Catherine (2011) The celluloid Madonna: from scripture to screen. London, U.K. : Wallflower Press. 192p. ISBN 9781906660277

Osbon, David [Composer] (2007) The Creatures of Frietman. (duet for flute & piano). score and compact disc. (In Press)

Osbon, David (2005) Still waiting for the revolution ... (Piano trio). Score. (Unpublished)

Osbon, David (2005) Symphony no.2. (orchestral music). Score and compact disc. (Unpublished)

P

Pateman, Matthew (2004) My name's Buffy and your history: the myth/misquotation of history. In: The Slayage conference on Buffy the vampire slayer; 28 - 30 May 2004, Nashville, U.S.. (Unpublished)

Pateman, Matthew (2010) Pre-Christian, postmodern apostate: later Lyotard's recursive St.Paul. In: London Graduate School Seminar Series; 22 Nov 2010, Kingston upon Thames, U.K.. (Unpublished)

Pateman, Matthew (2008) 'Shallow like us': claiming the high ground for the Whedonverses. In: Slayage conference on the Whedonverses 3; 05 - 08 Jun 2008, Arkadelphia, U.S.. (Unpublished)

Pateman, Matthew (2007) "That was nifty": Willow Rosenberg saves the world in Buffy the vampire slayer. Shofar: An Interdisciplinary Journal of Jewish Studies, 25(4), pp. 64-77. ISSN (print) 0882-8539

Pateman, Matthew (2010) Who are you freaks? In: Memory, identity and new fantasy cultures; 09 Oct 2010, Kingston upon Thames, U.K.. (Unpublished)

Pateman, Matthew (2003) "You say tomato": Englishness in Buffy the vampire slayer. Cercles, 8, pp. 103-113. ISSN (online) 1292-8968

Pateman, Matthew (2011) '... deposited in traces': Lyotard, Paul, the hyphen. In: Rewriting Lyotard; 11 - 13 Feb 2011, Edmonton, Canada. (Unpublished)

Pateman, Matthew (2004) Julian Barnes. Tavistock, U.K. : Northcote House. 128p. (Writers and their work) ISBN 9780746309780

Pateman, Matthew (2005) Structuring stardom: spacemen & the transmigration of images in David Bowie's music videos. In: Center for Humanities, Arts, and TechnoScience (CHATS) Conference: Structure, Space and Transmigrations; 15 - 17 Apr 2005, Albany, U.S.. (Unpublished)

Pateman, Matthew (2006) The aesthetics of culture in Buffy the Vampire Slayer. Jefferson, North Carolina, U.S. : McFarland. 276p. ISBN 9780786422494

Potter, Caroline (2009) Book Review of: Berlioz and Debussy: sources, contexts and legacies. Essays in honour of Francois Lesure by Barbara L. Kelly and Kerry Murphy (eds.). Nineteenth Century French Studies, 37(3-4), pp. 315-316. ISSN (print) 0146-7891

Potter, Caroline (2010) Book Review of: Deodat de Severac: musical identity in fin de siecle France by Robert F. Waters. Music and Letters, 91(2), pp. 290-291. ISSN (print) 0027-4224

Potter, Caroline (2009) Book Review of: Nadia Boulanger et Lili Boulanger: Temoignages et etudes by Alexandra Laederich (ed.). Music and Letters, 90(1), pp. 135-137. ISSN (print) 0027-4224

Potter, Caroline (2003) Debussy and nature. In: Tresize, Simon, (ed.) The Cambridge companion to Debussy. Cambridge, UK : Cambridge University Press. pp. 137-151. (Cambridge Companion to Music) ISBN 0521654785

Potter, Caroline (2006) Dutilleux at 90. Musical Times, 147(1894), pp. 51-58. ISSN (print) 0027-4666

Potter, Caroline (2006) French music and the Second World War. In: Smith, Richard Langham and Potter, Caroline, (eds.) French music since Berlioz. Aldershot, UK : Ashgate. pp. 281-301. ISBN 0754602826

Potter, Caroline (2006) French musical style and the post-war generation. In: Smith, Richard Langham and Potter, Caroline, (eds.) French music since Berlioz. Aldershot, UK : Ashgate. pp. 331-354. ISBN 0754602826

Potter, Caroline (2002) The French quartet. In: Jarman, Douglas, (ed.) The twentieth-century string quartet. Todmorden, UK : Arc Music. pp. 25-40. ISBN 1900072564

Potter, Caroline (2007) From East to West and back again: contemporary East Asian composers in Paris. In: French music: performance and analysis; 15 - 19 Nov 2007, Laie, Hawaii, U.S.. (Unpublished)

Potter, Caroline (2009) From East to West and back again: towards on Yoshihisa Taira's flute music. In: Sixth Biennial International Conference on Music since 1900; 02 - 05 Jul 2009, Keele, U.K.. (Unpublished)

Potter, Caroline (2011) Henri Dutilleux et le prix de Rome. In: Dratwicki, Alexandre and Lu, Julia, (eds.) Le Concours du prix de Rome de musique (1803-1968). Lyon, France : Symetrie. pp. 445-456. ISBN 9782914373517

Potter, Caroline (1997) Henri Dutilleux, his life and works. Aldershot, U.K. : Ashgate. 236p. ISBN 1859283306

Potter, Caroline (2007) Messiaen and Dutilleux. In: Dingle, Christopher and Simeone, Nigel, (eds.) Olivier Messiaen: Music, Art and Literature. Aldershot, UK : Ashgate. pp. 23-38. (Music and Literature) ISBN 9780754652977

Potter, Caroline (2002) Nadia Boulanger (1887-1979): the teacher in the marketplace. In: Talbot, Michael, (ed.) The Business of Music. Liverpool, U.K. : Liverpool University Press. pp. 152-170. (Liverpool Music Symposium, no. 2) ISBN 0853235384

Potter, Caroline (2006) Nadia and Lili Boulanger. Aldershot, UK : Ashgate. 191p. ISBN 9780754604723

Potter, Caroline (1999) Nadia and Lili Boulanger: sister composers. The Musical Quarterly, 83(4), pp. 536-556. ISSN (print) 0027-4631

Potter, Caroline (2010) The composer, the choreographer and the film star: Henri Dutilleux's music for ballet. Musical Times, 151(1911), pp. 71-82. ISSN (print) 0027-4666

Potter, Caroline (2003) An interview with Edwin Roxburgh. In: O'Hagan, Peter, (ed.) Aspects of British music of the 1990s. Aldershot, UK : Ashgate. pp. 141-148. ISBN 9780754630418

Potter, Caroline (2013) Book Review of 'Le style de Claude Debussy: duplication, repetition et dualite dans les strategies de composition' by Sylveline Bourion. Notes: Quarterly Journal of the Music Library Association, 70(1), pp. 122-124. ISSN (print) 0027-4380

Potter, Caroline (2013) Book review of: 'Ravel Studies' ed. by Deborah Mawer. Music and Letters, 94(3), pp. 536-538. ISSN (print) 0027-4224

Potter, Caroline (2011) Erik Satie's 'Obstacles venimeux'. Ars Lyrica, 20, pp. 101-114. ISSN (print) 1043-3848

Potter, Caroline, ed. (2013) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. 268p. ISBN 9781409434214

Potter, Caroline (2012) 'Marche gaie': a rediscovered work by Lili Boulanger. Notes: Quarterly Journal of the Music Library Association, 68(4), pp. 715-728. ISSN (print) 0027-4380

Potter, Caroline and Rae, Caroline (2010) Preface. Contemporary Music Review, 29(5), pp. 429-430. ISSN (print) 0749-4467

Potter, Caroline (2013) Preface. In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. pp. xiii-xix. ISBN 9781409434214

Potter, Caroline (2013) Satie as poet, playwright and composer. In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. pp. 67-84. ISBN 9781409434214

Potter, Caroline (2010) The end - or is it? Dutilleux's revisions. Contemporary Music Review, 29(5), pp. 515-527. ISSN (print) 0749-4467

Potter, Caroline (2013) The human as machine: Erik Satie's musique d'ameublement. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Q

Quinlivan, Davina (2012) The place of breath in cinema. Edinburgh, U.K. : Edinburgh University Press. 232p. ISBN 9780748648993

R

Rabalska, Carmen (1999) A dark desire for the grotesque. In: Rix, Rob and Rodríguez-Saona, Roberto, (eds.) Spanish Cinema: Calling the Shots. Leeds, UK : Trinity and All Saints, University of Leeds. pp. 91-111. ISBN 9780952563679

Rabalska, Carmen (2004) The grotesque mirror: deformity, mutilation and transgression. In: Santaolalla Ramon, Isabel, (ed.) Bunuel, siglo XXI. Zaragoza, Spain : Prensas Universitarias de Zaragoza. pp. 419-428. ISBN 8477336946

Rabalska, Maria C (1998) National identity and the nascent cinema in Galicia. International Journal of Iberian Studies, 11(3), pp. 143-155. ISSN (print) 1364-971X

Rabalska, Maria C (1996) Women in Spanish cinema in transition. International Journal of Iberian Studies, 9(3), pp. 166-179. ISSN (print) 1364-971X

Rabalska, Maria C (2000) A canon of disability: deformity, illness and transgression in Spanish cinema. International Journal of Iberian Studies, 13(1), pp. 25-33. ISSN (print) 1364-971X

Reid, Trish (2008) Book Review of: The Victorian clown by Jacky Bratton and Ann Featherstone. Theatre Research International, 33(2), p. 211. ISSN (print) 0307-8833

Reid, Trish (2007) "Deformities of the frame" : the theatre of Anthony Neilson. Contemporary Theatre Review, 17(4), pp. 487-498. ISSN (print) 1048-6801

Reid, Trish (2007) 'From scenes like these old Scotia's grandeur springs': the new National Theatre of Scotland. Contemporary Theatre Review, 17(2), pp. 192-201. ISSN (print) 1048-6801

Reid, Trish (2011) Staging Scotland: the National Theatre Scotland and shifting conceptions of Scottish identity. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Reid, Trish (2009) Truth and belief: autobiography in the work of improbable theatre. In: Performing lives; 06 - 08 Jul 2009, Kingston upon Thames, U.K.. (Unpublished)

Reid, Trish (2013) Theatre & Scotland. Basingstoke, U.K. : Palgrave MacMillan. 120p. (Theatre &) ISBN 9780230292611

Reynolds, James (2011) 3-D technology and the site-specific film adaptation. In: Adaptations and the New Technologies; 25 Jan 2011, Leicester, U.K.. (Unpublished)

Reynolds, James (2007) Acting with puppets and objects representation and perception in Robert Lepage's: 'The far side of the Moon'. Performance Research, 12(4), pp. 132-142. ISSN (print) 1352-8165

Reynolds, James (2006) Barker directing Barker. In: Gritzner, Karoline and Rabey, David Ian, (eds.) Theatre of Catastrophe: New Essays on Howard Barker. London, U.K. : Oberon Books. pp. 56-69. ISBN 1840026723

Reynolds, James (2008) Hard work: Robert Lepage's 'Lipsynch' and the pleasures of responsibility. Platform, 3(2), pp. 130-135. ISSN (online) 1751-0171

Reynolds, James (2011) Intermediality and the uncanny in the devised theatre of Robert Lepage and Ex Machina. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Reynolds, James (2009) 'KILL ME SENTIMENT': V For Vendetta and comic-to-film adaptation. Journal of Adaptation in Film & Performance, 2(2), pp. 121-136. ISSN (print) 1753-6421

Reynolds, James (2011) Robert Lepage and authorial process. In: Authoring Theatre; 14-15 July 2011, London, U.K.. (Unpublished)

Reynolds, James (2012) Robert Lepage and authorial process. In: Shepherd, Simon, (ed.) Direction. Basingstoke, U.K. : Palgrave Macmillan. (Readings in Theatre Practice) ISBN 9780230276215

Reynolds, James and Zontou, Zoe (2011) Ten years on the edge: Phil Fox reflects on a decade of recovery from addiction through applied theatre. Journal of Applied Arts & Health, 2(2), pp. 165-172. ISSN (print) 2040-2457

Reynolds, James (2012) Theatre for young audiences in and around London's Royal National Theatre. In: Maguire, Tom and Schuitema, Karian, (eds.) Theatre for young audiences: a critical handbook. Stoke-on-Trent, U.K. : Trentham Books. ISBN 9781858565019

Reynolds, James (2011) Transmediality and the uncanny in the devised theatre performances of Robert Lepage and Ex Machina. In: Technologies of Transmediality; 6-8 Jan 2011, Bristol, U.K.. (Unpublished)

Rinke, Andrea (2006) Eastside stories: singing and dancing for socialism. Film History: an International Journal, 18(1), pp. 73-87. ISSN (print) 0892-2160

Rinke, Andrea (2010) Exploring the underbelly of Berlin: the case of Christiane F. / Wir Kinder vom Bahnhof Zoo. In: Urban Mediations: European Network for Cinema and Media Studies Annual Conference; 24 - 27 Jun 2010, Istanbul, Turkey. (Unpublished)

Rinke, Andrea (2006) Film musicals in the GDR. In: Conrich, Ian and Tincknell, Estella, (eds.) Film's musical moments. Edinburgh, U.K. : Edinburgh University Press. pp. 183-194. (Music and the moving image) ISBN 0748623450

Rinke, Andrea (1995) From Motski to Trotski: representations of East and West German cultural identities on German television after unification. In: Durrani, Osman , Good, Colin and Hilliard, Kevin, (eds.) The new Germany: literature and society after unification. Sheffield, UK : Sheffield Academic Press. pp. 231-351. ISBN 9781850755609

Rinke, Andrea (2003) German films in a German exile. In: Stroinska, Magda and Checcetto, Vittorina, (eds.) Exile, language and identity. Frankfurt am Main, Germany : Peter Lang. pp. 79-91. ISBN 3631394845

Rinke, Andrea (2009) Glamour, drugs, and decadence: performing the legacy of the Third Reich - Fassbinder's Veronika Voss (1982). In: Performing lives; 06 - 08 Jul 2009, Kingston upon Thames, U.K.. (Unpublished)

Rinke, Andrea (2006) Images of women in East German cinema: socialist models, private dreamers and rebels. Lewiston, NY, USA; Lampeter, UK : Edwin Mellen Press. 346p. ISBN 9780773456846

Rinke, Andrea (2010) Liminal bodies in liminal spaces: the depiction of drug addicted youth in the films 'Christiane F' and 'Drifter'. Global Media Journal: Australian Edition, 4(1), ISSN (print) 1835-2340

Rinke, Andrea (1997) Lotte in Weimar und Unser Kurzes Leben: Two cinematic adaptations of literature in the ex-GDR. In: Morrison, Jeff and Krobb, Florian, (eds.) Text into image, image into text : proceedings of the Interdisciplinary Bicentenary Conference held at St. Patrick's College Maynooth (The National University of Ireland) in September 1995. Amsterdam, Netherlands : Rodopi. pp. 297-305. (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, no. 20) ISBN 9042001534

Rinke, Andrea (1998) Models or misfits?: the role of screen heroines in GDR cinema. In: Majer O'Sickey, Ingeborg and von Zadow, Ingeborg, (eds.) Triangulated visions: women in recent German cinema. Albany, N.Y. : State University of New York Press. pp. 207-218. (Feminist criticism and theory) ISBN 0791437183

Rinke, Andrea (2000) Sex and subversion in German Democratic Republic cinema: The legend of Paul and Paula (1973). In: Holmes, Diana and Smith, Alison, (eds.) 100 years of European cinema: entertainment or ideology? Manchester, U.K. : Manchester University Press. pp. 52-63. ISBN 9780719058721

Rinke, Andrea (2006) Sonnenallee - 'Ostalgie' as a comical conspiracy. German as a Foreign Language, 2006(1), pp. 24-45. ISSN (online) 1470-9570

Rinke, Andrea (2007) Sonnenallee: Rock' n' roll and passport control: how an East German comedy colours the past. In: Everett, Wendy, (ed.) Questions of colour in cinema: from paintbrush to pixel. Bern, Switzerland : Peter Lang. pp. 85-102. (New studies in European cinema, no. 6) ISSN (print) 1661-0261 ISBN 9783039113538

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Sagiv, Noam, Ilbeigi, Alireza and Ben-Tal, Oded (2011) Reflections on synaesthesia, perception, and cognition. Intellectica, 55, pp. 81-94. ISSN (print) 0769-4113

Salazar, Diana [Composer] (2009) Bosonica. (Soundscape). 5.1 audio. (Submitted)

Salazar, Diana and Salgado LLopis, Maria (2013) Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Salazar, Diana (2010) Portfolio of original compositions: written commentary. (PhD thesis), University of Manchester.

Salgado LLopis, Maria (2010) Between subject and object: Classical Ballet, Foucault and the dancing body. In: 1st Annual International Conference on Fine and Performing Arts; 7-10 Jun 2010, Athens, Greece. (Unpublished)

Salgado LLopis, Maria (2010) Beyond the surface: articulating the power of the performer. In: Embodying Power: Work over time; 18 - 21 Nov 2010, Seattle, U.S. . (Unpublished)

Salgado LLopis, Maria (2012) Moving bodies: exploring the power of the dance performer. In: Sensible Flesh: Rethinking the Body in the 21st Century ; 13 Feb 2012, London, U.K.. (Unpublished)

Salgado LLopis, Maria (2009) Orthodoxy and heresy: the codification of Natural Movement. In: Moving Naturally: Re-thinking dance 1900s-1930s; 31 Oct 2009, Guildford, U.K.. (Unpublished)

Searby, M D (2009) BBC Pre-concert talk. In: Pre-concert talk; 13 Mar 2009, London, U.K.. (Unpublished)

Searby, Michael [Composer] (2006) Arias and ghosts. (Music).

Searby, Michael (2009) BBC Pre-concert talk. In: Pre-Concert Talk for BBC Symphony Orchestra; 11 Dec 2009, London, U.K.. (Unpublished)

Searby, Michael [Interviewer] and Martland, Steve [Interviewee] (2010) Interview between Mike Searby and Steve Martland (composer) in 5 parts. (speech).

Searby, Michael [Composer] (1998) Lament and dance for solo trumpet. (Music). Oakham, U.K. : Brass Wind Publications.

Searby, Michael [Composer] and Yeh, Jane [Lyricist] (2007) Marabou. (Music). (Unpublished)

Searby, Michael and Ewers, Tim (2000) Peer assessment in composition. In: Hunter, Desmond and Russ, Michael, (eds.) Peer learning in music. Newtownabbey, Northern Ireland : University of Ulster. pp. 106-114. ISBN 1859231438

Searby, Michael [Composer] (1998) Two images. (Music).

Searby, Michael [Composer] (1999) Two images. (Music). Hong Kong : Hugo.

Searby, Michael D. (2009) Ligeti's stylistic crisis: transformation in his musical style 1974-1985. Lanham, U.S. : Scarecrow Press. 220p. ISBN 9780810872509

Searby, Michael David (2005) An investigation of the transformation of compositional process in Gyorgy Ligeti's music, 1974-83 with particular reference to pitch. (PhD thesis), Goldsmiths, University of London.

Searby, Mike (1997) Book Review of: American pioneers by Alan Rich. Tempo, 199, pp. 42-43. ISSN (print) 0040-2982

Searby, Mike and Ewers, Tim (1997) An evaluation of the use of peer assessment in higher education: a case study in the School of Music, Kingston University. Assessment & Evaluation in Higher Education, 22(4), pp. 371-383. ISSN (print) 0260-2938

Searby, Mike (2001) An investigation of phrase structure in the first movement of Ligeti's Horn Trio. In: Theory and Analysis Graduate Students Day (TAGS) ; 24 May 2001, Birmingham, U.K.. (Unpublished)

Searby, M. (1997) Ligeti the post-modernist? Tempo, 1997(199), pp. 9-15. ISSN (print) 0040-2982

Searby, Michael [Composer] (2011) Arias and ghosts. (DVD of Composition with moving images). Rayleigh, Essex : FMR Records. (20 min.)

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Eleven Haiku (after Cage) for solo piano. (Musical score). (Unpublished)

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2001) Ligeti's 'third way': 'non-atonal' elements in the Horn trio. Tempo, 2001(216), pp. 17-22. ISSN (print) 0040-2982

Searby, Michael (1989) Ligeti's Chamber Concerto: summation or turning point? Tempo, 1989(168), pp. 30-34. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Searby, Mike (2004) Ligeti's Le grand macabre: an experiment in postmodernism? In: 36th Royal Musical Association Annual Music Research Students' Conference; 7-10 Jan 2004, London, U.K.. (Unpublished)

Searby, Mike and Ewers, Tim (1996) Peer assessing composition in Higher Education. British Journal of Music Education, 13(2), pp. 155-163. ISSN (print) 0265-0517

Simpson, Diana [Composer] (2006) Broken Nerve. (Soundscape). Sao Paulo : Studio PANaroma. Stereo audio. (Musica Maximalista / Maximal Music, no. Volume 12 - VI CIMESP 2005)

Simpson, Diana [Composer] (2007) Cipher. (Acousmatic). Brazil : PANaroma. (Música Maximalista / Maximal Music , no. 14: VII CIMESP 2007)

Simpson, Diana [Composer] (2006) Kalimba. (Soundscape). Stereo audio.

Simpson, Diana [Composer] (2010) Papyrus. (Soundscape). Portugal : Miso Records. Audio (Stereo). (Electronic Music (Musica Viva Competition Prize Winners), no. Volume IV (2007-09))

Simpson, Diana [Composer] (2008) Topographia. (Soundscape). stereo audio. (Submitted)

Simpson, Diana [Composer] (2007) Pavakoothu. (Music). Score with accompanying Max/MSP patch & stereo audio file. (Unpublished)

Simpson, Diana [Composer] (2008) Spindlesong. (Soundscape). 8-channel audio. (Unpublished)

Simpson, Diana [Composer] (2008) The Spindlesongs installation. Spindlesongs. , 19 - 25 Sep 2008 , Wilmslow, U.K..

Smart, Jackie and Dixon, Steve (2002) The discourse of assessment: language and value in the assessment of group practice in the performing arts. Arts and Humanities in Higher Education, 1(2), pp. 185-204. ISSN (print) 1474-0222

Smart, Jackie (2001) The disruptive dialogue of dance for the camera. Journal of Media Practice, 2(1), pp. 37-47. ISSN (online) 1468-2753

Smart, Jackie (2004) The technology of the real: Wayne McGregor's "Nemesis" and the ecology of perception. In: Carver, Gavin and Beardon, Colin, (eds.) New visions in performance: the impact of digital technologies. Lisse, The Netherlands : Swets & Zeitlinger Publishers. pp. 41-54. ISBN 9026519664

Smart, Jacqueline (2005) The seduction of madness. The seduction of madness. October 2005, Kingston-upon-Thames, United Kingdom.

Smart, Jackie (2010) Sculpting the territory: Gecko's 'The Arab and the Jew' in process. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 165-185. ISBN 9780230573666

Smith, Richard Langham and Potter, Caroline, eds. (2006) French music since Berlioz. Aldershot, UK : Ashgate. 363p. ISBN 0754602826

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Tarr, Carrie (2009) Book Review of: Cinema and sensation: French film and the art of transgression by M. Beugnet. Modern and Contemporary France, 17(4), pp. 468-469. ISSN (print) 0963-9489

Tarr, Carrie (2009) Community, identity and the dynamics of borders in Yasmina Yahiaoui's Rue des Figuiers (2005) and Karin Albou's La Petite Jerusalem (2006). International Journal of Francophone Studies, 12(1), pp. 77-90. ISSN (print) 1368-2679

Tarr, Carrie (1999) Diane Kurys. Manchester, U.K. : Manchester University Press. 162p. (French Film Directors) ISBN 0719050952

Tarr, Carrie (2004) Exile and displacement in the Cinema of Tony Gatlif: 'Les Princes' (1983) and 'Gadjo dilo' (1998). In: Everett, Wendy and Wagstaff, Peter, (eds.) Cultures of Exile: Images of Displacement. New York and London : Berghahn Books. pp. 3-15. (Polygons: Cultural Diversities and Intersections, no. 7) ISBN 1571815910

Tarr, Carrie (2007) Family differences: immigrant Maghrebi families in contemporary French cinema. In: Barnet, Marie-Claire and Welch, Edward, (eds.) Affaires de famille: the family in contemporary French culture and theory. Amsterdam, Netherlands : Rodopi. pp. 209-220. (Faux titre, no. 292) ISBN 9789042021709

Tarr, Carrie (2003) Feminist influences on the work of Yannick Bellon in the 1970s. Studies in French Cinema, 3(1), pp. 55-65. ISSN (print) 1471-5880

Tarr, Carrie (2009) Franco-Arab dialogues in/between French, Maghrebi-French and Maghrebi cinema(s). Contemporary French and Francophone Studies, 13(3), pp. 291-302. ISSN (print) 1740-9292

Tarr, Carrie (1997) French cinema and post-colonial minorities. In: Hargreaves, Alec G. and McKinney, Mark, (eds.) Post-colonial cultures in France. London, U.K. : Routledge. pp. 59-83. ISBN 0415144884

Tarr, Carrie (2010) Gendering diaspora: the work of diasporic women filmmakers in Western Europe. In: Berghahn, Daniela and Sternberg, Claudia, (eds.) European cinema in motion: migrant and diasporic film in contemporary Europe. Basingstoke, U.K. : Palgrave Macmillan. pp. 175-195. ISBN 9780230278981

Tarr, Carrie (2002) "Grrrls in the banlieue": Philippe Faucon's Samia and Fabrice Genestal's La Squale. L'Esprit Createur: a critical quarterly of French literature, 42(3), pp. 28-38. ISSN (print) 0014-0767

Tarr, Carrie (2007) Introduction, French cinema: 'transnational' cinema? Modern and contemporary France, 15(1), pp. 3-7. ISSN (print) 0963-9489

Tarr, Carrie (2010) Jewish-Arab relations in French and Maghrebi cinema(s). In: Higbee, Will and Leahy, Sarah, (eds.) Studies in French Cinema: UK Perspectives 1985-2010. Bristol, U.K. : Intellect. ISBN 9781841503233

Tarr, Carrie (1998) L'Eternel retour: a reflection of the occupation's crisis in French masculinity? SubStance 87: A Review of Theory and Literary Criticism, 27(3), pp. 55-72. ISSN (print) 0049-2426

Tarr, Carrie (2003) Les princes (the princes). Framework: the journal of cinema and media, 44(2), ISSN (print) 0306-7661

Tarr, Carrie (2004) Masculinity and exclusion in post-1995 beur and 'banlieue' films. In: Powrie, Phil , Davies, Ann and Babington, Bruce, (eds.) The trouble with men: masculinities in European and Hollywood cinema. London, U.K. : Wallflower Press. pp. 110-120. ISBN 1904764088

Tarr, Carrie (2010) Mutilating and mutilated bodies: women's takes on "extreme" French cinema. In: Laviosa, Flavia, (ed.) Visions of struggle in women's filmmaking in the Mediterranean. Basingstoke, U.K. : Palgrave Macmillan. pp. 63-82. ISBN 0230617360

Tarr, Carrie (2007) Reassessing French popular culture: L'Esquive. In: Waldron, Darren and Vanderschelden, Isabelle, (eds.) France at the flicks: trends in contemporary French popular cinema. Newcastle, U.K. : Cambridge Scholars Publishing. pp. 130-141. ISBN 9781847183019

Tarr, Carrie (2005) Tran Anh Hung as diasporic filmmaker. In: Robson, Kathryn and Yee, Jennifer, (eds.) France and "Indochina": cultural representations. Marlyland, U.S. : Lexington Books. pp. 153-164. ISBN 0739108409

Tarr, Carrie (2003) Women of Maghrebi origin in recent films from France. In: Levitin, Jacqueline , Plessis, Judith and Raoul, Valerie, (eds.) Women filmmakers: refocusing. New York, U.S. : Routledge. pp. 323-330. ISBN 0415967821

Tarr, Carrie (2010) The mediation of difference in London River. In: Urban Mediations: European Network for Cinema and Media Studies Annual Conference; 24 - 27 Jun 2010, Istanbul, Turkey. (Unpublished)

Tarr, Carrie (2007) The porosity of the hexagon: border crossings in contemporary French cinema. Studies in European cinema, 4(1), pp. 7-20. ISSN (print) 1741-1548

Tynan, Kenneth, Nelson, Richard [Adapter] and Chambers, Colin [Adapter] (2004) Tynan: based on the book The diaries of Kenneth Tynan. London, UK : Faber and Faber. 43p. ISBN 0571227295

V

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

van Elferen, Isabella (2012) The ALI model: towards a theory of game musical immersion. In: Ludomusicology: Game Music Research Approaches and Aesthetics; 16 Apr 2012, Oxford, U.K.. (Unpublished)

van Elferen, Isabella (2009) 'And machine created music': cybergothic music and the phantom voices of the technological uncanny. In: van den Boomen, Marianne , Lammes, Sybille , Lehmann, Ann-Sophie , Raessens, Joost and Schäfer, Mirko Tobias, (eds.) Digital media: tracing new media in everyday life and technology. Amsterdam, Netherlands : Amsterdam University Press. pp. 121-132. (MediaMatters) ISBN 9789089640680

van Elferen, Isabella (2012) Bloody liturgy: Dracula and music. In: Bram Stoker Centenary Conference; 12-14 Apr 2012, Hull / Whitby, U.K.. (Unpublished)

van Elferen, Isabella (2010) Book review of: 'Limits of horror: technology, bodies, gothic' by Fred Botting. Journal of the Fantastic in the Arts, 21(1), pp. 132-135. ISSN (print) 0897-0521

van Elferen, Isabella (2009) Dances with spectres: theorising the cybergothic. Gothic Studies, 11(1), pp. 99-112. ISSN (print) 1362-7937

van Elferen, Isabella (2012) Dream timbre: notes on Lynchian sound design. In: Wierzbecki, James, (ed.) Music, sound and filmmakers: sonic style in cinema. Abingdon, U.K. : Routledge. pp. 175-188. (Routledge music and screen media series) ISBN 9780415898935

van Elferen, Isabella (2011) East German Goth and the spectres of Marx. Popular Music, 30(1), pp. 89-103. ISSN (print) 0261-1430

van Elferen, Isabella (2013) Globalgoth? Unlocatedness in the musical home. In: Byron, Glennis, (ed.) Globalgoth. Manchester, U.K. : Manchester University Press. pp. 91-104. (International Gothic) ISBN 9780719087950

van Elferen, Isabella (2012) The Gothic Bach. Understanding Bach, 7, pp. 9-20. ISSN (online) 1750-3078

van Elferen, Isabella (2012) Gothic music: sounds of the uncanny. In: Rethinking Contemporary Gothic: Postgraudate Study Day 2012; 18 May 2012, Lancaster, U.K.. (Unpublished)

van Elferen, Isabella (2010) Haunted by a melody: ghosts, transgression, and music in 'Twin Peaks'. In: Blanco, Maria del Pilar and Peeren, Esther, (eds.) Popular ghosts: the haunted spaces of everyday culture. New York, U.S. : Continuum. pp. 282-295. ISBN 9781441163691

van Elferen, Isabella (2007) ‘Ihr Augen weint!’: intersubjective tears in the sentimental concert hall. Understanding Bach, 2, pp. 77-94. ISSN (online) 1750-3078

van Elferen, Isabella (2007) Introduction: nostalgia and perversion in Gothic rewriting. In: van Elferen, Isabella, (ed.) Nostalgia or perversion? Gothic rewriting from the eighteenth century until the present day. Newcastle, U.K. : Cambridge Scholars Publishing. pp. 1-11. ISBN 9781847182470

van Elferen, Isabella (2013) 'Lost' in music: Heidegger, the glissando and otherness. In: Donnelly, K. J. and Hayward, Philip, (eds.) Music in science fiction: tuned to the future. Abingdon, U.K. : Routledge. pp. 179-196. ISBN 9780415641074

van Elferen, Isabella (2010) Music of other spheres: diagonal time and metaphysics in 'Lost'. Science Fiction Film and Television, 3(2), pp. 253-270. ISSN (print) 1754-3770

van Elferen, Isabella (2011) Music that sucks and bloody liturgy: Catholicism in vampire movies. In: Hanson, Regina, (ed.) Roman Catholicism in fantastic film: essays on belief, spectacle, ritual and imagery. Jefferson, U.S. : McFarland. pp. 97-113. ISBN 9780786464746

van Elferen, Isabella (2013) Musical dark descents: sonic immersion in psychological horror games. In: Colloquia Lent Term 2013; Jan - Mar 2013, Cambridge, U.K.. (Unpublished)

van Elferen, Isabella (2008) Mystical love in the German baroque: theology, poetry, music. Washington, U.S. : Scarecrow Press. 384p. (Contextual Bach Studies) ISBN 9780810861367

van Elferen, Isabella (2013) Nick Cave and Gothic: ghost stories, fucked organs, spectral liturgy. In: Baker, John, (ed.) The art of Nick Cave: new critical essays. Bristol, U.K. : Intellect. pp. 175-188. ISBN 9781841506272

van Elferen, Isabella, ed. (2007) Nostalgia or perversion? Gothic rewriting from the eighteenth century until the present day. Newcastle, U.K. : Cambridge Scholars Publishing. 266p. ISBN 9781847182470

van Elferen, Isabella (2010) Recht bitter und doch susse: Lutherse theologie en mystieki leifde in de Matthaus-Passion. In: Dirksen, Pieter, (ed.) De geheimen van de Matthäus-Passion: ambacht en mystiek van een meesterwerk. Amsterdam, Netherlands : Balans. pp. 81-91. ISBN 9789050188999

van Elferen, Isabella (2013) Sonic monstrosity. In: Christensen, Jørgen Riber and Christiansen, Steen Ledet, (eds.) Monstrologi: frygtens manifestationer. Aalborg, Denmark : Aalborg Universitetsforlag. pp. 127-146. (Interdisciplinære kulturstudier, no. 4) ISBN 9788771120363

van Elferen, Isabella (2012) Spectral liturgy: transgression, ritual and music in Gothic. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 135-147. (Routledge interdisciplinary perspectives on literature, no. 8) ISBN 9780415806763

van Elferen, Isabella (2011) ¡Un forastero! Issues of virtuality and diegesis in videogame music. Music and The Moving Image, 4(2), pp. 30-39. ISSN (print) 2167-8464

van Elferen, Isabella (2009) The hungry soul: communion mystics and physiology in J. S. Bach's 'St. Matthew Passion'. Bach: Journal of the Riemenschneider Bach Institute, 40(1), pp. 35-57. ISSN (print) 0005-3600

van Heume, Robert and Ferguson, John (2011) Whistle Pig Saloon. International Computer Music Conference. 31 Jul - 05 Aug 2011, Huddersfield, U.K.

van Heumen, Robert [Musician] and Ferguson, John [Musician] (2009) Whistle Pig Saloon. DNK Amsterdam. 16 Mar 2009, Amsterdam, The Netherlands.

W

Weber, Samuel (2010) Benjamin's -abilities. Harvard, U.S. : Harvard University Press. 376p. ISBN 9780674046061

Weber, Samuel (2013) Inquiétantes singularités. Paris, France : Hermann. 320p. (Le Bel Aujourd'hui) ISBN 9782705687915 (In Press)

Weslati, Hager (2010) La pensée du desert: the paradox of 'theory' and the narrative of boom and bust in cultural studies. Tropismes, 16, pp. 47-62. ISSN (print) 0761-2591

Weslati, Hager [Translator] (2013) [Translation] Notion of authority by Alexandre Kojeve. London, U.K. : Verso Books. 224p. ISBN 9781781680957 (In Press)

White, Meredith [Composer] (2012) In Deandra. (music). (Unpublished)

Whittaker, Tom (2011) Between the Dirty and the Pretty: Bodies in Utopia in Dirty Pretty Things (Stephen Frears, 2002). International Journal of Cultural Studies, 14(2), pp. 121-132. ISSN (print) 1367-8779

Whittaker, Tom (2010) Between the dirty and the pretty: bodies in Utopia in Dirty pretty things. In: Urban Mediations: European Network for Cinema and Media Studies Annual Conference; 24 - 27 Jun 2010, Istanbul, Turkey. (Unpublished)

Whittaker, Tom (2011) The Films of Elías Querejeta: A Producer of Landscapes. Cardiff, U.K. : University of Wales Press. (Submitted)

Whittaker, Tom (2009) Frozen Soundscapes in Control (Anton Corbijn) and Radio On (Chris Petit). Journal of British Cinema and Television, 6(3), pp. 424-436. ISSN (print) 1743-4521

Whittaker, Tom (2009) Geographies of anxiety: space, modernization and sexuality in Antxon Eceiza's 'El proximo otono/Next Autumn' and 'De cuerpo presente/Present in Body'. Studies in European cinema, 6(1), pp. 7-16. ISSN (print) 1741-1548

Whittaker, Tom (2007) Infinite landscapes in Gutierrez Aragon's 'Habla, mudita'. Studies in Hispanic Cinemas, 3(2), pp. 89-100. ISSN (print) 1478-0488

Whittaker, Tom (2011) Locating Flamenco disco: soundscapes of resistance in the Spanish Quinqui film. In: Stone, Rob and Shaw, Lisa, (eds.) Singing Signs: Screening Songs in Hispanic and Lusophone Cinema. Edinburgh, U.K. : Edinburgh University of Press. (Submitted)

Whittaker, Tom (2012) Mexico Seen From Without: Geographies of Exile in Buñuel's Mexican Films of the 1950s. In: Stone, Rob and Gutiérrez-Albilla, Julian Daniel, (eds.) The Companion to Luis Buñuel. Oxford, U.K. : Blackwell. (Submitted)

Whittaker, Tom (2008) No-man's land: transitional time and space in Carlos Saura's Deprisa deprisa. Bulletin of Hispanic Studies, 85(5), pp. 679-694. ISSN (print) 1475-3839

Whittaker, Tom (2010) Producing resistance: Elias Querejeta's political landscapes. Jump Cut: a review of contemporary media, 52, ISSN (online) 0146-5546

Whittaker, Tom (2011) The gendering of genre in Pilar Miro's Gary Copper, que estas en los cielos. In: Nair, Parvati and Gutierrez-Albilla, Julian, (eds.) Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Manchester, U.K. : Manchester University Press. (Submitted)

Wilkins, Caroline and Ben-Tal, Oded (2010) The embodiment of music/sound within an multimedia performance space. In: Artech 2010: Envisioning Digital Spaces; 22-23 Apr 2010, Guimaraes, Portugal. ISBN 9789899616318

Williams, Steven (2013) Machines that go pop: producer/technology symbiosis and its abstract sound. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Y

Yilmaz, Aybige (2012) Mediating cosmopolitanism in Turkish media. In: Crossroads 2012; 02 - 06 Jul 2012, Sorbonne, Paris. (Unpublished)

Yilmaz, Aybige (2011) Researching cosmopolitanism and media in non-western contexts. In: Cosmopolitanism, Media and Global Crisis; 04 Jun 2011, Kingston upon Thames, U.K.. (Unpublished)

Yilmaz, Aybige (2010) Time travel as the new psychotherapy? Being Erica, temporality and contemporary concerns with identity. In: Memory, identity and new fantasy cultures; 09 Oct 2010, Kingston upon Thames, U.K.. (Unpublished)

Yilmaz, Aybige (2013) The popularity of time travel in contemporary media: 'Being Erica' and time travel as individualised consumer choice. Science Fiction Film and Television, 6(3), pp. 387-408. ISSN (print) 1754-3770

This list was generated on Sat Apr 19 05:47:44 2014 BST.