Exploring interart dialogue in Erik Satie’s Sports et divertissements (1914/1922)

Minors, Helen Julia (2013) Exploring interart dialogue in Erik Satie’s Sports et divertissements (1914/1922). In: Music Research Seminar Series; 27 Feb 2013, Liverpool, U.K.. (Unpublished)

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Abstract

Due to the visual emphasis of the work, presented as a large musical score (with images attached to each piece) able to be rested on the piano stand, for performance at the piano, there is an invitation to enquire how a performer, spectator or researcher may interact with the work. This seminar offers a fresh analysis of the multi-art processes at play between Satie’s music and text (printed in facsimile) and Charles Martin’s images in this collage album. In what way can one, and might one, mediate the interart experience of Sports et divertissements?

Item Type: Conference or Workshop Item (Lecture)
Event Title: Music Research Seminar Series
Organising Body: Music, Liverpool Hope University
Research Area: Music
Faculty, School or Research Centre: Faculty of Arts and Social Sciences > School of Performance and Screen Studies
Depositing User: Helen Minors
Date Deposited: 06 Feb 2013 10:11
Last Modified: 06 Feb 2013 10:11
URI: http://eprints.kingston.ac.uk/id/eprint/24324

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