Minors, Helen Julia (2012) Soundpainting: navigating the creative space within and between dance and music. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music; 09 - 10 Nov 2012, Paris, France. (Unpublished)
Full text not available from this archive.Abstract
‘Soundpainting’ challenges traditional views dance-music relations in theatre performance. I aim to explicate how an active notion of space is embodied by dancers and musicians. This creative method acts out the ‘struggle’ between dance and music, using the ‘problem of language’ (Jordan, 2000) and fear of mickey-mousing (White, 2006) as a positive creative foundation, which utilises ‘space [as] a practiced place’ (Certeau, 1984). With reference to space (Lefebvre, 1991 and Certeau, 1984) and engagement with gesture (Larson, 2006 and Zbikowski, 2011), I ask: in what way is space as an active, conceptual, literal, physical and creative notion, utilised to foster dance-music works?
| Item Type: | Conference or Workshop Item (Paper) |
|---|---|
| Event Title: | En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music |
| Organising Body: | European Association of Dance Historians |
| Research Area: | Music |
| Faculty, School or Research Centre: | Faculty of Arts and Social Sciences > School of Performance and Screen Studies |
| Depositing User: | Helen Julia Minors |
| Date Deposited: | 14 Sep 2012 14:03 |
| Last Modified: | 16 Nov 2012 14:54 |
| URI: | http://eprints.kingston.ac.uk/id/eprint/23560 |
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