Whistle Pig Saloon

van Heumen, Robert [Musician] and Ferguson, John [Musician] (2009) Whistle Pig Saloon. DNK Amsterdam. 16 Mar 2009, Amsterdam, The Netherlands.

Abstract

Wide and disjointed, blending a fractured pulse with dynamic texture, this is an immersive and disorientating music; sometimes subtle, often invasive, always close. In capturing a moment and inscribing agency, the motionblur of the cover art offers a suitable metaphor for this duo’s musical interactions. Live sampled source sounds are gesturally manipulated and reworked within open ended narratives, sounding like an air whistle blasting out from an old steam locomotive as it emerges at speed from a tunnel. Whilst the whistle pig/groundhog (day) reference explores cycles of repetition beyond episodic improvisation, emphasising the value of revisiting and re-appropriating a previous moment. John configures the electric guitar as a site for multiple simultaneous points of interaction and queries the iconic cultural status of his instrument via feet, fingers and feedback. Robert crunches, growls and smashes both John’s live sampled sound as well as his private stack of industrial bits and organic beats.

Item Type: Performance/Live Event
Event Title: DNK Amsterdam
Research Area: Art and design
Music
Computer science and informatics
Faculty, School or Research Centre: Faculty of Arts and Social Sciences > School of Performance and Screen Studies
Depositing User: John Ferguson
Date Deposited: 17 May 2011 07:47
Last Modified: 17 May 2011 07:47
URI: http://eprints.kingston.ac.uk/id/eprint/19088

Actions (Repository Editors)

Item Control Page Item Control Page