Items where Research Area is "Drama, dance and performing arts"

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Article

Baker, Jo, Scott, Daniel, Watkins, Katherine, Keegan-Turcotte, Sheramy and Wyon, Matthew (2010) Self-reported and reported injury patterns in contemporary dance students. Medical Problems of Performing Artists, 25(1), pp. 10-15. ISSN (print) 0885-1158

Barber, Stephen (2008) The last words of Antonin Artaud: on the cinematic dimension of the envisioned final notebooks. Vertigo, 3(8), pp. 10-11. ISSN (print) 0968-7904

Bowell, Pamela and Heap, Brian (2005) Drama on the run: a prelude to mapping the practice of process drama. Journal of Aesthetic Education, 39(4), pp. 58-69. ISSN (print) 0021-8510

Brooker, Will (2009) All our variant futures: the many narratives of Blade runner: the final cut. Popular Communication, 7(2), pp. 79-91. ISSN (print) 1540-5702

Brooker, Will (2005) Book review of 'A short history of cultural studies' by John Hartley. International Journal of Cultural Studies, 8(1), pp. 122-125. ISSN (print) 1367-8779

Brooker, Will (2005) "It is love": the Lewis Carroll Society as fan community. American Behavioral Scientist, 48(7), pp. 859-880. ISSN (print) 0002-7642

Brooker, Will (2004) Book review of 'Matters of gravity: special effects and supermen in the 20th century' by Scott Bukatman. Popular Communication, 2(3), pp. 171-177. ISSN (print) 1540-5702

Brooker, Will (2001) Book review of 'Inside subculture: the postmodern meaning of style' by David Muggleton. International Journal of Cultural Studies, 4(1), pp. 111-127. ISSN (print) 1367-8779

Brooker, Will (2001) Living on Dawson's Creek: teen viewers, cultural convergence and television overflow. International Journal of Cultural Studies, 4(4), pp. 456-472. ISSN (print) 1367-8779

Brooker, Will (2001) Readings of racism: interpretation, stereotyping and The Phantom Menace. Continuum: journal of media and cultural studies, 15(1), pp. 15-32. ISSN (print) 1030-4312

Brown, Ian and Macleod, Muriel Anne (2008) Northern Connections: a case study of a Scoto-Swedish theatre link. Contemporary Theatre Review, 18(3), pp. 403-406. ISSN (print) 1048-6801

Brown, Ian (2007) The Scots leid in modren Scots drama: 'world drama' an 'our national peculiarities'. Lallans(70), pp. 33-44. ISSN (print) 1359-3587

Brown, Ian (2007) The road through Woodstock: counter-Thatcherite strategies in ACGB's drama development between 1984 and 1994. Contemporary Theatre Review, 17(2), pp. 218-229. ISSN (print) 1048-6801

Brown, Ian (2005) In exile from ourselves? Tartanry, Scottish popular theatre, Harry Lauder and Tartan Day. Etudes Ecossaises, 10, pp. 123-141. ISSN (print) 1240-1439

Brown, Ian (2003) Thrawn themes and dramatic experiments: W. Gordon Smith and the paradoxes of creative iconclasm. Scottish Studies Review, 4(2), pp. 98-120. ISSN (print) 1475-7737

Brown, Ian and Ramage, John (2001) Referendum to referendum and beyond: political vitality and Scottish theatre. The Irish Review, 28, pp. 46-57. ISSN (print) 0790-7850

Brown, Ian (2011) Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK. International Journal of Scottish Theatre and Screen, 4(2), pp. 35-50. ISSN (print) 2046-5602

Brown, Ian (2001) The new writing policies of Clive Perry and Stephen MacDonald at the Royal Lyceum Theatre, 1966-79. International Journal of Scottish Theatre, 2(2), ISSN (online) 1471-1598

Brown, Simon (2013) From inventor to renter: the middleman, the production crisis and the formation of the British film industry. Early Popular Visual Culture, 11(2), pp. 100-112. ISSN (print) 1746-0654

Chambers, Colin (2011) Fringe theatre before the fringe. Studies in Theatre and Performance, 31(3), pp. 327-338. ISSN (print) 1468-2761

Ferguson, John and Bell, Paul (2008) The role of ambiguity within musical creativity. Leonardo Electronic Almanac, ISSN (online) 1071-4391

Ferguson, John and Bell, Paul (2008) Tron Lennon discuss collaborative practice. Fool�s Gold: Practice and Improvisation in Performance, 1, xvi-xvi.

Hand, Chris (2011) Do arts audiences act like consumers? Managing Leisure, 16(2), pp. 88-97. ISSN (print) 1360-6719

Knapper, Stephen and Hall, Peter [Interviewee] (2007) Peter Hall in rehearsal. Contemporary Theatre Review, 17(4), pp. 578-581. ISSN (print) 1026-7166

Knapper, Stephen (2004) Complicite's Comintern: internationalism and 'The noise of time'. Contemporary Theatre Review, 14(1), pp. 61-73. ISSN (print) 1048-6801

McQuillan, Martin (2005) "The last Jewish intellectual" Edward W. Said 1935-2003. The Year's Work in Critical and Cultural Theory, 13(1), pp. 1-26. ISSN (print) 1077-4254

McQuillan, Martin (2004) Deconstruction. The Year's Work in Critical and Cultural Theory, 12(1), pp. 255-278. ISSN (print) 1077-4254

McQuillan, Martin (2004) Film. The Year's Work in Critical and Cultural Theory, 12(1), pp. 98-104. ISSN (print) 1077-4254

McQuillan, Martin (2004) Introduction. The Year's Work in Critical and Cultural Theory, 12(1), pp. 1-15. ISSN (print) 1077-4254

McQuillan, Martin (2003) Deconstruction. The Year's Work in Critical and Cultural Theory, 11(1), pp. 290-309. ISSN (print) 1077-4254

McQuillan, Martin (2003) Introduction. The Year's Work in Critical and Cultural Theory, 11(1), pp. 1-5. ISSN (print) 1077-4254

Mermikides, Alex (2013) The scientist center stage. Nature Immunology, 14(5), pp. 416-418. ISSN (print) 1529-2908

Millward, Frank (2011) Visiosonics: developing moving images in direct response to sound: improvising with technology. International Journal of Performance Arts and Digital Media, 7(2), pp. 171-188. ISSN (print) 1479-4713

Minors, Helen Julia (2006) Paul Dukas' La Peri as interpreted by two balletic collaborators. The Opera Quarterly, 22(1), pp. 117-135. ISSN (print) 0736-0053

Minors, Helen Julia (2013) Book Review of: 'The Ballets Russes and beyond: music and dance in belle-epoque Paris' by Davinia Caddy. The Slavonic and East European Review (SEER), 91(4), pp. 891-892. ISSN (print) 0037-6795

Minors, Helen Julia (2013) Soundpainting: navigating creativity. Choreologica: The Journal of European Association of Dance Historians, 6(1), pp. 79-90. ISSN (print) 1746-5737

Minors, Helen Julia (2009) La Peri, poeme danse (1911-12): a problematic creative-collaborative journey. Dance Research, 27(2), pp. 227-252. ISSN (print) 0264-2875

Mullarkey, John (2013) Animal spirits: philosomorphism and the background revolts of cinema. Angelaki, 18(1), pp. 11-29. ISSN (print) 0969-725X

Reid, Trish (2008) Book Review of: The Victorian clown by Jacky Bratton and Ann Featherstone. Theatre Research International, 33(2), p. 211. ISSN (print) 0307-8833

Reid, Trish (2007) "Deformities of the frame" : the theatre of Anthony Neilson. Contemporary Theatre Review, 17(4), pp. 487-498. ISSN (print) 1048-6801

Reid, Trish (2007) 'From scenes like these old Scotia's grandeur springs': the new National Theatre of Scotland. Contemporary Theatre Review, 17(2), pp. 192-201. ISSN (print) 1048-6801

Reynolds, James and Zontou, Zoe (2011) Ten years on the edge: Phil Fox reflects on a decade of recovery from addiction through applied theatre. Journal of Applied Arts & Health, 2(2), pp. 165-172. ISSN (print) 2040-2457

Reynolds, James (2009) 'KILL ME SENTIMENT': V For Vendetta and comic-to-film adaptation. Journal of Adaptation in Film & Performance, 2(2), pp. 121-136. ISSN (print) 1753-6421

Reynolds, James (2008) Hard work: Robert Lepage's 'Lipsynch' and the pleasures of responsibility. Platform, 3(2), pp. 130-135. ISSN (online) 1751-0171

Reynolds, James (2007) Acting with puppets and objects representation and perception in Robert Lepage's: 'The far side of the Moon'. Performance Research, 12(4), pp. 132-142. ISSN (print) 1352-8165

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Smart, Jackie and Dixon, Steve (2002) The discourse of assessment: language and value in the assessment of group practice in the performing arts. Arts and Humanities in Higher Education, 1(2), pp. 185-204. ISSN (print) 1474-0222

Smart, Jackie (2001) The disruptive dialogue of dance for the camera. Journal of Media Practice, 2(1), pp. 37-47. ISSN (online) 1468-2753

Spier, Steven (2007) Inside the knot that two bodies make. Dance Research Journal, 39(1), pp. 49-59. ISSN (print) 0149-7677

Spier, Steven (2005) Dancing and drawing, choreography and architecture. The Journal of Architecture, 10(4), pp. 349-364. ISSN (print) 1360-2365

Tarr, Carrie (2007) Introduction, French cinema: 'transnational' cinema? Modern and contemporary France, 15(1), pp. 3-7. ISSN (print) 0963-9489

Tarr, Carrie (2007) The porosity of the hexagon: border crossings in contemporary French cinema. Studies in European cinema, 4(1), pp. 7-20. ISSN (print) 1741-1548

Tarr, Carrie (2003) Les princes (the princes). Framework: the journal of cinema and media, 44(2), ISSN (print) 0306-7661

Tarr, Carrie (2002) "Grrrls in the banlieue": Philippe Faucon's Samia and Fabrice Genestal's La Squale. L'Esprit Createur: a critical quarterly of French literature, 42(3), pp. 28-38. ISSN (print) 0014-0767

Weber, Samuel (2009) Between part and whole: Benjamin and the single trait. Paragraph, 32(3), pp. 382-399. ISSN (print) 0264-8334

de Vries, Imar and Van Elferen, Isabella (2010) The musical 'Madeleine': communication, performance and identity in musical ringtones. Popular Music and Society, 33(1), pp. 61-74. ISSN (print) 0300-7766

van Elferen, Isabella (2010) Book review of: 'Limits of horror: technology, bodies, gothic' by Fred Botting. Journal of the Fantastic in the Arts, 21(1), pp. 132-135. ISSN (print) 0897-0521

van Elferen, Isabella (2010) Music of other spheres: diagonal time and metaphysics in 'Lost'. Science Fiction Film and Television, 3(2), pp. 253-270. ISSN (print) 1754-3770

van Elferen, Isabella (2007) ‘Ihr Augen weint!’: intersubjective tears in the sentimental concert hall. Understanding Bach, 2, pp. 77-94. ISSN (online) 1750-3078

Book

Barber, Stephen (2010) Hijikata: revolt of the body. Chicago, U.S. : Solar Books. 144p. ISBN 9780982046432

Barber, Stephen (2008) Artaud: terminal curses: the notebooks 1945-48. Chicago, U.S. : Solar Books. 152p. ISBN 9780979984761

Brown, Ian, ed. (2011) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. 248p. (Edinburgh Companions to Scottish Literature ) ISBN 9780748641086

Brown, Ian, ed. (2004) Journey's beginning: the Gateway theatre building and company, 1884-1965. Bristol, U.K. : Intellect Books. 81p. (Theatre and performance) ISBN 1841501085

Brown, Ian (2013) Scottish theatre: diversity, language, continuity. Amsterdam, Netherlands : Rodopi. 260p. ISBN 9789042037434

Chambers, Colin (2011) Black and Asian theatre in Britain: a history. London, U.K. : Routledge. 304p. ISBN 9780415375986

Chambers, Colin (2006) Here we stand: politics, performers and performance: Paul Robeson, Isadora Duncan and Charlie Chaplin. London, UK : Nick Hern Books. 236p. ISBN 1854599208

Chambers, Colin (2004) Inside the Royal Shakespeare Company: creativity and the institution. London, UK : Routledge. 262p. ISBN 0415212022

Chambers, Colin, ed. (2002) The Continuum companion to twentieth century theatre. London, UK : Continuum. 866p. ISBN 082644959x

Chambers, Colin (1997) Peggy: the life of Margaret Ramsay, play agent. London : Nick Hern. 361p. ISBN 1854591193

Chambers, Colin (1989) The story of Unity Theatre. London, U.K. : Lawrence and Wishart. 446p. ISBN 0853155887

Chambers, Colin and Prior, Mike (1987) Playwrights' progress: patterns of post-war British drama. Oxford, U.K. : Amber Lane Press. 208p. ISBN 0906399815

Chambers, Colin (1980) Other spaces: new theatre and the RSC. London, U.K. : Eyre Methuen. 88p. (Methuen Theatrefile) ISBN 0904844322

Chambers, Colin [Author of introduction, etc.] (1980) Theatre London. London, U.K. : London Transport. 200p. ISBN 0853291071

Gottlieb , Vera and Chambers, Colin, eds. (1999) Theatre in a cool climate. Oxford, UK : Amber Lane Press. 222p. ISBN 1872868266

Göranzon, Bo , Hammaren, Maria and Ennals, Richard, eds. (2006) Dialogue, skill and tacit knowledge. Chichester : John Wiley & Sons Ltd. 358p. ISBN 0470019212

Hall, Peter (2003) Shakespeare's advice to the players. New York : Theatre communications group. 212p. ISBN 1559362340

Helguera, Pablo (2009) The Juvenal players: a play. New York : Jorge Pinto Books. 93p. ISBN 9781934978214

Helguera, Pablo (2009) Theatrum Anatomicum (and other performance lectures). New York, U.S. : Jorge Pinto Books. 177p. ISBN 9781934978160

Mermikides, Alex and Smart, Jackie, eds. (2010) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. 194p. ISBN 9780230573666

Minors, Helen Julia, ed. (2010) Dance history scholars: politics, perspectives and practices. London, U.K. : Roehampton University. 93p.

Minors, Helen Julia and Morris, Geraldine, eds. (2009) Established Scholars' Conference 2008 Proceedings. U.K. : Society for Dance Research. 76p.

Moliere, Jean-Baptiste, Waller, A.R. [Translator], Pimlott, Steven [Adapter] and Chambers, Colin [Adapter] (1996) The learned ladies. London, U.K. : Nick Hern Books. 76p. ISBN 1854593757

Nelson, Richard and Chambers, Colin (1998) Kenneth's first play: a play for young audiences. London, U.K. : Methuen Drama. 64p. ISBN 041372980x

Nelson, Richard, Jones, David and Chambers, Colin [Editor] (1995) Making plays: the writer-director relationship in the theatre today. London, U.K. : Faber and Faber. 165p. ISBN 0571163548

Pateman, Matthew (2006) The aesthetics of culture in Buffy the Vampire Slayer. Jefferson, North Carolina, U.S. : McFarland. 276p. ISBN 9780786422494

Reid, Trish (2013) Theatre & Scotland. Basingstoke, U.K. : Palgrave MacMillan. 120p. (Theatre &) ISBN 9780230292611

Tynan, Kenneth, Nelson, Richard [Adapter] and Chambers, Colin [Adapter] (2004) Tynan: based on the book The diaries of Kenneth Tynan. London, UK : Faber and Faber. 43p. ISBN 0571227295

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

Book Section

Brooker, Will (2007) A sort of homecoming: fan viewing and symbolic pilgrimage. In: Gray, Jonathan , Sandvoss, Cornel and Harrington, C. Lee, (eds.) Fandom: identities and communities in a mediated world. New York, U.S. : New York University Press. pp. 149-164. ISBN 9780814731826

Brooker, Will (2004) Living on Dawson's Creek: teen viewers, cultural convergence, and television overflow. In: Allen, Robert C. and Hill, Annette, (eds.) The television studies reader. Abingdon, U.K. : Routledge. pp. 569-580. ISBN 9780415283243

Brooker, Will (2004) New hope: the postmodern project of Star Wars. In: Redmond, Sean, (ed.) Liquid metal: the science fiction film reader. London, U.K. : Wallflower. pp. 298-307. ISBN 1903364876

Brooker, Will (2003) Rescuing Strange days: fan reaction to a critical and commercial failure. In: Jermyn, Deborah and Redmond, Sean, (eds.) The cinema of Kathryn Bigelow: Hollywood transgressor. London, U.K. : Wallflower. pp. 198-219. ISBN 1903364426

Brooker, Will (2002) Book Review of 'Straight reading, resistance, reappropriation, and heterosexuality' by Richard Bradshaw. In: Hague, Angela and Lavery, David, (eds.) Teleparody: predicting/ preventing the tv discourse of tomorrow. London, U.K. : Wallflower. pp. 123-126. ISBN 1903364396

Brooker, Will (2013) Talking to the TARDIS: Doctor Who, Neil Gaiman and cultural mythology. In: Mellor, David and Hills, Matt, (eds.) New dimensions of ‘Doctor Who’: exploring space, time and television. London, U.K. : I.B.Tauris. (Reading Contemporary Television) ISBN 9781845118662

Brown, Ian (2011) Introduction: a lively tradition and creative amnesia. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 1-5. (Edinburgh Companions to Scottish Literature ) ISBN 9780748641086

Brown, Ian (2011) Public and private performance: 1650-1800. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 22-40. (Edinburgh Companions to Scottish Literature ) ISBN 9780748641086

Brown, Ian (2006) Aitken, Sarah Ross (Sadie). In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 8-9. ISBN 0748617132

Brown, Ian (2006) Knight, Mary Joan. In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 199-200. ISBN 0748617132

Brown, Ian (2006) Waddell, Roberta Johanna (Bertha) and Waddell, Janet Jane (Jenny). In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 361-362. ISBN 0748617132

Brown, Ian (2005) 'Bursting through the hoop and dancing on the edge of seediness': five Scottish playwrights talk about John McGrath. In: Bradby, David and Capon, Susanna, (eds.) Freedom's pioneer: John McGrath's work in theatre, film and television. Exeter, U.K. : University of Exeter Press. pp. 100-114. ISBN 0859897486

Brown, Ian (2005) Celtic centres, the fringes and John McGrath. In: Bradby, David and Capon, Susanna, (eds.) Freedom's pioneer: John McGrath's work in theatre, film and television. Exeter, U.K. : University of Exeter Press. pp. 86-99. ISBN 0859897486

Brown, Ian (2004) Gateways from the past to the future. In: Brown, Ian, (ed.) Journey's beginning: the Gateway theatre building and company, 1884-1965. Bristol, U.K. : Intellect Books. pp. 1-14. (Theatre and performance) ISBN 1841501085

Brown, Ian (2001) Le theatre du nouveau Parlement ecossais: identites culturelles et politiques sur fond de devolution. In: Dixon, Keith, (ed.) L'autonomie ecossaise: essais critiques sur une nation britannique. Grenoble, France : ELLUG. pp. 163-184. ISBN 9782843100260

Brown, Ian (2000) Drama and literature in Scots as an economic generator. In: Kirk, John M. and O Baoill, Donall P., (eds.) Language and economic development: Northern Ireland, the Republic of Ireland and Scotland. Belfast, Northern Ireland : Clo Ollscoil na Banriona. pp. 196-203. (Belfast Studies in Language, Culture and Politics, no. 1) ISBN 0853897913

Brown, Simon (2010) Case Study: the X-Files. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 163-166. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon (2010) Cult channels: Showtime, FX and Cult TV. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 155-162. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon and Abbott, Stacey (2010) The art of sp(l)atter: body horror in Dexter. In: Howard, Douglas L., (ed.) Dexter: Investigating Cutting Edge Television. London, U.K. : I.B. Tauris. pp. 205-220. (Investigating Cult TV) ISBN 9781848852655

Brown, Simon (2007) Narrative and pictorialism in post-pioneer Hepworth films. In: Porter, Laraine and Dixon, Bryony, (eds.) Picture Perfect: Landscape, Place and Travel in British Cinema before 1930. Exeter, U.K. : The Exeter Press. pp. 29-36. ISBN 9781905816019

Brown, Ian (2010) 'Guarding against the guardians’: cultural democracy and ACGB/RAA relations in the glory years, 1984-94. In: Dorney, Kate and Merkin, Ros, (eds.) The glory of the garden: English regional theatre and the Arts Council, 1984-2009. Cambridge, U.K. : Cambridge Scholars Publishing. pp. 29-54. ISBN 9781443820592

Brown, Simon (2012) The Brighton School and the quest for natural color – redux. In: Brown, Simon , Street, Sarah and Watkins, Liz, (eds.) Color and the moving image: history, theory, aesthetics, archive. Oxford, U.K. : Routledge. pp. 13-22. (AFI Film Readers) ISBN 9780415892643

Carey, Brycchan (2013) To force a tear: British abolitionism and the eighteenth-century London stage. In: Ahern, Stephen, (ed.) Affect and abolition in the Anglo-Atlantic, 1770-1830. Farnham, U.K. : Ashgate Publishing. pp. 109-128. ISBN 9781409455615

Chambers, Colin (2009) History in the driving seat: Unity Theatre and the embrace of the "real". In: Forsyth, Alison and Megson, Chris, (eds.) Get real : documentary theatre past and present. Basingstoke, U.K. : Palgrave Macmillan. pp. 38-54. (Performance Interventions) ISBN 9780230221154

Chambers, Colin (2004) Developments in the profession of theatre, 1946–2000. In: Kershaw, Baz, (ed.) The Cambridge history of British theatre. Vol.3: Since 1895. Cambridge, UK : Cambridge University Press. pp. 377-396. ISBN 0521651328

Chambers, Colin and Steed, Maggie (2004) Playing on the front foot: actors and audience in British popular theatre, 1970-1990. In: Milling, Jane and Banham, Martin, (eds.) Extraordinary actors: essays on popular performers: studies in honour of Peter Thomson. Exeter, U.K. : University of Exeter Press. pp. 191-209. ISBN 0859897354

Chambers, Colin (2001) 'Home sweet home': Stratford-Upon-Avon and the making of the Royal Shakespeare Company as a national institution. In: Cartmell, Deborah and Scott, Michael, (eds.) Talking Shakespeare: Shakespeare into the millennium. Basingstoke, U.K. : Palgrave. pp. 85-101. ISBN 0333777735

Chambers, Colin (1995) Unity theatre. In: Margolies, David and Joannou, Maroula, (eds.) Heart of the heartless world: essays in cultural resistance in memory of Margot Heinemann. London, U.K. : Pluto Press. ISBN 0745309828

Chambers, Colin (1980) Product into process: actor-based workshops. In: Craig, Sandy, (ed.) Dreams and deconstructions: alternative theatre in Britain. Ambergate, U.K. : Amber Lane Press. ISBN 090639919x

Chambers, Colin (2013) 'A Flute of Praise': Indian theatre in Britain in the early twentieth century. In: Nasta, Susheila, (ed.) India in Britain: South Asian networks and connections, 1858-1950. Basingstoke, U.K. : Palgrave Macmillan. pp. 149-163. ISBN 9780230392717

Chambers, Colin (2012) Images on stage – a historical survey of South Asians in British theatre before 1975. In: Ley, Graham and Dadswell, Sarah, (eds.) Critical Essays on British South Asian Theatre. Exeter, U.K. : University of Exeter Press. pp. 20-40. ISBN 9780859898355

Chambers, Colin (2011) Shakespeare for my time. In: Freeman, John, (ed.) The greatest shows on earth: world theatre from Peter Brook to the Sydney Olympics. Faringdon, Oxfordshire : Libri Publishing. pp. 17-33. ISBN 9781907471544

Chambers, Colin [Author of introduction, etc.] and Riggs, Thomas (1999) Introduction. In: , , (ed.) Contemporary dramatists. 6th ed. Detroit, U.S. : St. James. ISBN 155862371x

Chambers, Colin [Author of introduction, etc.] (1998) Introduction. In: Holman, Robert, (ed.) Bad Weather. London, U.K. : Nick Hern Books. pp. v-vii. ISBN 1854593242

Chambers, Colin [Author of introduction, etc.] (1997) Introduction. In: Nelson, Richard, (ed.) Goodnight children everywhere. London, U.K. : Faber & Faber. pp. vii-x. ISBN 0571194303

Depper, Corin (2009) Theatres of memory and restraint: Matthew Barney amongst the Neo-Platonists. In: Georganta, Konstanta , Collignon, Fabienne and Millim, Anne-Marie, (eds.) The apothecary’s chest: magic, art and medication. Newcastle upon Tyne, U.K. : Cambridge Scholar's Publishing. pp. 71-82. ISBN 1443804940

Hall, Joanna (2013) Rocking the rhythm: dancing identities in drum 'n' bass club culture. In: Dodds, Sherril and Cook, Susan C., (eds.) Bodies of sound: studies across popular music and dance. Farnham, U.K. : Ashgate. pp. 103-116. (Ashgate Popular and Folk Music Series) ISBN 9781409445173

Hall, Joanna Louise (2008) Mapping the multifarious: the genrification of dance music club cultures. In: Lansdale, Janet, (ed.) Decentring dancing texts: the challenge of interpreting dances. Basingstoke, U.K. : Palgrave Macmillan. pp. 177-193. ISBN 9780230542594

Knapper, Stephen (2007) Scaramouche: the mask and the millenium. In: Robb, David, (ed.) Clowns, fools and picaros: popular forms in theatre, fiction and film. Amsterdam, Netherlands : Rodopi. pp. 127-145. (At the interface/Probing the boundaries, no. 43) ISBN 9789042023406

Knapper, Stephen (2006) The master and the mirror: Scaramouche and Molière. In: Bradby, David and Calder, Andrew, (eds.) The Cambridge Companion to Molière. Cambridge, UK : Cambridge University Press. pp. 37-56. ISBN 0521546656

Knapper, Stephen (2002) Sabatini's Scaramouche: the mask and the revolution. In: Ríos Carratalá, Juan A. and Sanderson, John D., (eds.) Relaciones entre el cine y la literatura: lo hispano en el cine Norteamericano/ Personajes literarios en la pantalla. Alicante, Spain : University of Alicante Press. pp. 37-62. ISBN 8479086718

Mermikides, Alex (2014) The appliance of science: devising, dramaturgy and the alternative science play. In: Trencsényi, Katalin and Cochrane, Bernadette, (eds.) New dramaturgy: international perspectives on theory and practice. London, U.K. : Bloomsbury. pp. 125-144. ISBN 9781408177082

Mermikides, Alex (2010) Clash and consensus in Shunt's 'Big shows' and the 'Lounge'. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 147-164. ISBN 9780230573666

Mermikides, Alex (2010) Forced Entertainment - The travels (2002) : the anti-theatrical director. In: Harvie, Jen and Lavender, Andy, (eds.) Making Contemporary Theatre: international rehearsal processes. Manchester, U.K. : Manchester University Press. pp. 101-120. ISBN 9780719074929

Mermikides, Alex and Smart, Jackie (2010) Introduction. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 1-29. ISBN 9780230573666

Millward, Frank (2009) Developing moving images for the multimedia performace 'From anger to sadness' : representation, interpretation and perception. In: Schroeder, Franziska, (ed.) Performing technology: user content and the new digital media: insights from the two thousand + nine symposium. Newcastle upon Tyne, U.K. : Cambridge Scholars. pp. 72-86. ISBN 9781443814454

Minors, Helen Julia (2013) Soundpainting: the use of space in creating dance-music pieces. In: Wyres, Marilyn and Glieca, Lorenzo , (eds.) Sound, music and the moving-thinking body. London, U.K. : Cambridge Scholars Press. pp. 27-34. ISBN 9781443852319

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Reynolds, James (2012) Robert Lepage and authorial process. In: Shepherd, Simon, (ed.) Direction. Basingstoke, U.K. : Palgrave Macmillan. (Readings in Theatre Practice) ISBN 9780230276215

Reynolds, James (2012) Theatre for young audiences in and around London's Royal National Theatre. In: Maguire, Tom and Schuitema, Karian, (eds.) Theatre for young audiences: a critical handbook. Stoke-on-Trent, U.K. : Trentham Books. ISBN 9781858565019

Reynolds, James (2006) Barker directing Barker. In: Gritzner, Karoline and Rabey, David Ian, (eds.) Theatre of Catastrophe: New Essays on Howard Barker. London, U.K. : Oberon Books. pp. 56-69. ISBN 1840026723

Rinke, Andrea (2007) Sonnenallee: Rock' n' roll and passport control: how an East German comedy colours the past. In: Everett, Wendy, (ed.) Questions of colour in cinema: from paintbrush to pixel. Bern, Switzerland : Peter Lang. pp. 85-102. (New studies in European cinema, no. 6) ISSN (print) 1661-0261 ISBN 9783039113538

Rinke, Andrea (2006) Film musicals in the GDR. In: Conrich, Ian and Tincknell, Estella, (eds.) Film's musical moments. Edinburgh, U.K. : Edinburgh University Press. pp. 183-194. (Music and the moving image) ISBN 0748623450

Smart, Jackie (2004) The technology of the real: Wayne McGregor's "Nemesis" and the ecology of perception. In: Carver, Gavin and Beardon, Colin, (eds.) New visions in performance: the impact of digital technologies. Lisse, The Netherlands : Swets & Zeitlinger Publishers. pp. 41-54. ISBN 9026519664

Smart, Jackie (2010) Sculpting the territory: Gecko's 'The Arab and the Jew' in process. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 165-185. ISBN 9780230573666

Tarr, Carrie (2005) Tran Anh Hung as diasporic filmmaker. In: Robson, Kathryn and Yee, Jennifer, (eds.) France and "Indochina": cultural representations. Marlyland, U.S. : Lexington Books. pp. 153-164. ISBN 0739108409

Tarr, Carrie (2004) Masculinity and exclusion in post-1995 beur and 'banlieue' films. In: Powrie, Phil , Davies, Ann and Babington, Bruce, (eds.) The trouble with men: masculinities in European and Hollywood cinema. London, U.K. : Wallflower Press. pp. 110-120. ISBN 1904764088

van Elferen, Isabella (2011) Music that sucks and bloody liturgy: Catholicism in vampire movies. In: Hanson, Regina, (ed.) Roman Catholicism in fantastic film: essays on belief, spectacle, ritual and imagery. Jefferson, U.S. : McFarland. pp. 97-113. ISBN 9780786464746

van Elferen, Isabella (2010) Haunted by a melody: ghosts, transgression, and music in 'Twin Peaks'. In: Blanco, Maria del Pilar and Peeren, Esther, (eds.) Popular ghosts: the haunted spaces of everyday culture. New York, U.S. : Continuum. pp. 282-295. ISBN 9781441163691

Composition

Jones, Kevin [Composer] (2001) The Yellow Bell. (Music).

Millward, Frank [Composer] (2006) Misterioso Buffo. (music).

Millward, Frank [Composer] (2006) U-238. (music).

Conference or Workshop Item

Brown, Ian (2011) Creative choices in Scots language use in contemporary poetry and drama. In: Guest lecture; 30 May 2011, Koln, Germany. (Unpublished)

Brown, Ian (2011) Revisiting tartan. In: Celebrating Saltire: 75 years of Scottish culture; 28 May 2011, Glasgow, U.K.. (Unpublished)

Brown, Ian (2011) Stateless nations and political theatre: the twentieth century visibilities of Irish drama and invisibilities of Scottish drama. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Brown, Ian (2010) Music theatre, politics and dramaturigical imperatives. In: Colloque International RADAC : le musical scenes & ecrans; 21 - 22 Oct 2010, Lille, France. (Unpublished)

Brown, Ian (2010) The ethics of Scottish workplace drama between 1970 and 1995. In: Colloque International de la SFEEc : The work ethic and the Scots = L'ethique du travail et les Ecossais; 15 - 16 Oct 2010, Toulouse, France. (Unpublished)

Brown, Ian (2006) "Quis custodiet ipsos custodes": devolution, delegation, cultural democracy and cultural gatekeepers in the 'glory' years 1984-1994. In: The glory of the garden: regional theatre in Britain since 1980; 02 - 03 Sep 2006, Liverpool, U.K. . (Unpublished)

Brown, Ian (2011) Allan Ramsay and the invisibility cloak: the historiography of Scottish drama? In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Carey, Brycchan (2010) Outer space on the London stage: Aphra Behn's 'Emperor of the Moon'. In: Literary London 2010 : Representations of London in Literature; 07 - 09 Jul 2010, London, U.K.. (Unpublished)

Carey, Brycchan (2009) Abolishing the slave trade on the London stage 1760-1807. In: Lunchtime talk; 19 Mar 2009, London, U.K.. (Unpublished)

Carey, Brycchan (2007) Anti slavery on the 18th century stage. In: Literary London 2007 : Representations of London in Literature; 19 - 20 Jul 2007, London, U.K.. (Unpublished)

Depper, Corin (2006) The visible and the indivisible: Fellini/Morandi/Gehry/Flavin. In: Film and Television Studies Research Seminar; Jan 2006, Norwich, U.K.. (Unpublished)

Ferguson, John [Artist] (2009) Live electronic performance. In: Borealis Festival of Contemporary Music 2009; 27 Mar 2009, Bergen, Norway. (Unpublished)

Ferguson, John and van Heumen, Robert (2008) Whistle Pig Saloon. In: STEIM Open Studio; 12 Nov 2008, Amsterdam, The Netherlands. (Unpublished)

Hillman, Rebecca (2011) Rhymes and resources to face failures: agit-pop plays for difficult days. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Millward, Frank (2010) Visiosonics: the creation of sounds/image works: re-evaluating the idea of composer as ‘sonic designer'. In: Forum for Innovation in Music Production and Composition (FIMPaC); 20 - 21 May 2010, Leeds, U.K.. (Unpublished)

Millward, Frank (2009) Emotive utterance as moving image: representation, interpretation and perception. In: Theatre Noise; 22 - 24 Apr 2009, London, U.K.. (Unpublished)

Millward, Frank (2008) Music, sound and interdisciplinary collaboration in the digital arts. In: Behind the music; 22 Aug 2008, Queensland, Australia.

Minors, Helen Julia (2011) A gestural analysis of music and dance through live composition. In: Dance and Music: Moving Dialogues; 16 - 19 Feb 2011, Montreal, Canada. (Unpublished)

Minors, Helen Julia (2009) Gesture as a tool for analysing music and dance. In: Bewegungen zwischen Horen und Sehen: Musik, Tanz, Theater, Performance und Film; 19 - 21 Nov 2009, Bayreuth, Germany. (Unpublished)

Minors, Helen Julia (2009) Gesture between music and dance. In: Research Seminar series, Centre for Interdisciplinary Music Research; 27 Oct 2009, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) Disappointment and imagination: Paul Dukas's French theatre criticisms. In: Research Seminar series, Centre for Interdisciplinary Music Research; 30 Jan 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: practical learning through gesture. In: Dance, Timing and Musical Gesture; 13 - 15 Jun 2008, Edinbrugh, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: teaching performing arts. In: Research Seminar series, Centre for Interdisciplinary Music Research; 20 Nov 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) La Peri (1911-12): creative-collaborative journeys. In: Dance Research Conference; 15 Mar 2008, London, U.K..

Minors, Helen Julia (2005) Paul Dukas's La Peri as interpreted by two balletic collaborators. In: Sound moves: an international conference on music and dance; 05 - 06 Nov 2005, Roehampton, England.

Minors, Helen Julia (2014) How can music deliver the story of A Midsummer Night’s Dream? In: Kingston Connections 2014; 21 - 29 Jun 2014, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2011) Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Reseach in Dance and the Society for Ethnomusicology ; 17 - 20 Nov 2011, Philadelphia, U.S.. (Unpublished)

Reid, Trish (2011) Staging Scotland: the National Theatre Scotland and shifting conceptions of Scottish identity. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Reid, Trish (2009) Truth and belief: autobiography in the work of improbable theatre. In: Performing lives; 06 - 08 Jul 2009, Kingston upon Thames, U.K.. (Unpublished)

Reynolds, James (2011) 3-D technology and the site-specific film adaptation. In: Adaptations and the New Technologies; 25 Jan 2011, Leicester, U.K.. (Unpublished)

Reynolds, James (2011) Intermediality and the uncanny in the devised theatre of Robert Lepage and Ex Machina. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Reynolds, James (2011) Robert Lepage and authorial process. In: Authoring Theatre; 14-15 July 2011, London, U.K.. (Unpublished)

Reynolds, James (2011) Transmediality and the uncanny in the devised theatre performances of Robert Lepage and Ex Machina. In: Technologies of Transmediality; 6-8 Jan 2011, Bristol, U.K.. (Unpublished)

Salazar, Diana and Salgado LLopis, Maria (2013) Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Salgado LLopis, Maria (2012) Moving bodies: exploring the power of the dance performer. In: Sensible Flesh: Rethinking the Body in the 21st Century ; 13 Feb 2012, London, U.K.. (Unpublished)

Salgado LLopis, Maria (2010) Between subject and object: Classical Ballet, Foucault and the dancing body. In: 1st Annual International Conference on Fine and Performing Arts; 7-10 Jun 2010, Athens, Greece. (Unpublished)

Salgado LLopis, Maria (2010) Beyond the surface: articulating the power of the performer. In: Embodying Power: Work over time; 18 - 21 Nov 2010, Seattle, U.S. . (Unpublished)

Salgado LLopis, Maria (2009) Orthodoxy and heresy: the codification of Natural Movement. In: Moving Naturally: Re-thinking dance 1900s-1930s; 31 Oct 2009, Guildford, U.K.. (Unpublished)

Warnell, Phillip (2011) Projections of animality. In: Unruly creatures: the art and politics of the animal; 14 Jun 2011, London, U.K.. (Unpublished)

van Elferen, Isabella (2013) Musical dark descents: sonic immersion in psychological horror games. In: Colloquia Lent Term 2013; Jan - Mar 2013, Cambridge, U.K.. (Unpublished)

Monograph

Brown, Ian and Tomlinson, Roger (2004) Revealing the vision of Caithness: an arts development study of Caithness. (Project Report) Wick, U.K. : Highland Council. 91 p.

Brown, Ian (2003) A polyphony of potential: cultural training provision and needs in Armenia, Azerbaijan and Georgia. (Project Report) Strasbourg, France : Council of Europe. 69 p. (no. DGIV/CULT/STAGE(2003)7)

Performance/Live Event

Davies, Rachel [Artist] (2013) They tuck you up your Mum and Dad.

Hall, Peter [Producer] (2005) Waiting for Godot. Waiting for Godot. 16th August to 3rd September 2005, Bath, U.K.

Hall, Peter [Producer] (2004) Man and superman. Man and superman. July - August 2004, Bath, United Kingdom.

Hall, Peter (2004) Shakespeare's 'As you like it'. Shakespeare's 'As You Like It'. 30 Nov - 18 Dec 2004, Kingston, United Kingdom.

Jones, Kevin [Composer] (2007) The Antarctic sonata: music inspired by Antarctic research. Music inspired by Antarctic research. 11 Sep 2007, London, U.K.

Knapper, Stephen (2004) Fellini and the commedia dell'arte. Fellini Il Maestro - NFT Study Day. 18 September 2004, London, United Kingdom.

Mermikides, Alex, Lavender, Andy and Rebellato, Dan (2004) Here's what I did with my body one day : a genetic detective thriller. Here's what I did with my body one day : a genetic detective thriller. October 2004, London, United Kingdom.

Millward, Frank [Composer] (2011) From anger to sadness #4. TaPRA Conference 2011.

Millward, Frank [Composer] (2009) From anger to sadness #3. National Review of Live Art 2009.

Millward, Frank [Composer] (2007) From anger to sadness #2. Intimacy: Across Visceral and Digital Performance.

Millward, Frank [Composer] (2006) From anger to sadness #1. From anger to sadness #1.

Pinnock, Winsome (2001) Water. Water. 2001, Tricycle Theatre. 50 min.

Smart, Jacqueline (2005) The seduction of madness. The seduction of madness. October 2005, Kingston-upon-Thames, United Kingdom.

Sound Recording

Ferguson, John [Performer] and vah Heumen, Robert [Performer] (2009) Whistle Pig Saloon. (Improvisation with Performing Technologies ). Lisboa, Portugal : Creative Sources Recordings.

Thesis

Bugge, Christian Stewart (2002) The end of youth subculture? Dance culture and youth marketing 1988-2000. (PhD thesis), Kingston University.

Cvejic, Bojana (2013) Choreographing problems: expressive concepts in European contemporary dance. (PhD thesis), Kingston University.

Greenwood, Mark (2012) The performing body in the event of writing: 'Lad Broke', Camp & Furnace, Liverpool, April 2012. (PhD thesis), Kingston University.

Jones, Claire (2006) A pretty choice set of devils: the actress in the eighteenth-century. (MA(R) thesis), Kingston University.

Keefe, John (2012) A spectatorial dramaturgy: ethical principles of recycling, habitus and estrangement. (PhD thesis), Kingston University.

Mayhew, Steve (2013) Becoming John Ford: the silent period 1914 – 1930. (PhD thesis), Kingston University.

McKean, Kathy (2009) 'If you sit in the dark long enough something scary's bound to happen': the ghosts of Phyllis Nagy. (PhD thesis), Kingston University.

Melia, Matthew (2007) Architecture and cruelty in the writings of Antonin Artaud, Jean Genet and Samuel Beckett. (PhD thesis), Kingston University.

Stapleton, Erin Kathleen Loveday (2014) The intoxication of destruction: Georges Bataille’s economy of expenditure and sovereignty in visual cultures. (PhD thesis), Kingston University.

Other

Searby, Mike (2011) DVD Liner notes for Ligeti's 'Le Grand Macabre'. Halle/Saale, Germany : Arthaus Musik.

This list was generated on Thu Dec 18 13:37:12 2014 GMT.