Items where Research Area is "Drama, dance and performing arts"

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Number of items at this level: 295.

A

Anderson, Kamaira (2014) Approaches to scenery and practice for the amateur stage: a framework for entry into contemporary production design practice. (MA(R) thesis), Kingston University.

B

Baker, Jo, Scott, Daniel, Watkins, Katherine, Keegan-Turcotte, Sheramy and Wyon, Matthew (2010) Self-reported and reported injury patterns in contemporary dance students. Medical Problems of Performing Artists, 25(1), pp. 10-15. ISSN (print) 0885-1158

Barber, Stephen (2010) Hijikata: revolt of the body. Chicago, U.S. : Solar Books. 144p. ISBN 9780982046432

Barber, Stephen (2008) Artaud: terminal curses: the notebooks 1945-48. Chicago, U.S. : Solar Books. 152p. ISBN 9780979984761

Barber, Stephen (2008) The last words of Antonin Artaud: on the cinematic dimension of the envisioned final notebooks. Vertigo, 3(8), pp. 10-11. ISSN (print) 0968-7904

Beaton, Alistair, Drummond, Rob, Pearson, Morna, Neilson, Anthony, Hurley, Kieran and Reid, Trish [Author of introduction, etc.] (2014) Contemporary Scottish plays. London, U.K. : Bloomsbury Methuen Drama. 376p. ISBN 9781472574435

Bowell, Pamela and Heap, Brian (2005) Drama on the run: a prelude to mapping the practice of process drama. Journal of Aesthetic Education, 39(4), pp. 58-69. ISSN (print) 0021-8510

Brar, Dhanveer Singh (2015) 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN (print) 0261-1430

Brooker, Will and Hughes, Rebecca (2016) Being Bowie. NECSUS : European journal of media studies, ISSN (print) 2215-1222

Brooker, Will (2013) Talking to the TARDIS: Doctor Who, Neil Gaiman and cultural mythology. In: Mellor, David and Hills, Matt, (eds.) New dimensions of ‘Doctor Who’: exploring space, time and television. London, U.K. : I.B.Tauris. (Reading Contemporary Television) ISBN 9781845118662

Brooker, Will (2009) All our variant futures: the many narratives of Blade runner: the final cut. Popular Communication, 7(2), pp. 79-91. ISSN (print) 1540-5702

Brooker, Will (2007) A sort of homecoming: fan viewing and symbolic pilgrimage. In: Gray, Jonathan , Sandvoss, Cornel and Harrington, C. Lee, (eds.) Fandom: identities and communities in a mediated world. New York, U.S. : New York University Press. pp. 149-164. ISBN 9780814731826

Brooker, Will (2005) Book review of 'A short history of cultural studies' by John Hartley. International Journal of Cultural Studies, 8(1), pp. 122-125. ISSN (print) 1367-8779

Brooker, Will (2005) "It is love": the Lewis Carroll Society as fan community. American Behavioral Scientist, 48(7), pp. 859-880. ISSN (print) 0002-7642

Brooker, Will (2004) Book review of 'Matters of gravity: special effects and supermen in the 20th century' by Scott Bukatman. Popular Communication, 2(3), pp. 171-177. ISSN (print) 1540-5702

Brooker, Will (2004) Living on Dawson's Creek: teen viewers, cultural convergence, and television overflow. In: Allen, Robert C. and Hill, Annette, (eds.) The television studies reader. Abingdon, U.K. : Routledge. pp. 569-580. ISBN 9780415283243

Brooker, Will (2004) New hope: the postmodern project of Star Wars. In: Redmond, Sean, (ed.) Liquid metal: the science fiction film reader. London, U.K. : Wallflower. pp. 298-307. ISBN 1903364876

Brooker, Will (2003) Rescuing Strange days: fan reaction to a critical and commercial failure. In: Jermyn, Deborah and Redmond, Sean, (eds.) The cinema of Kathryn Bigelow: Hollywood transgressor. London, U.K. : Wallflower. pp. 198-219. ISBN 1903364426

Brooker, Will (2002) Book Review of 'Straight reading, resistance, reappropriation, and heterosexuality' by Richard Bradshaw. In: Hague, Angela and Lavery, David, (eds.) Teleparody: predicting/ preventing the tv discourse of tomorrow. London, U.K. : Wallflower. pp. 123-126. ISBN 1903364396

Brooker, Will (2001) Book review of 'Inside subculture: the postmodern meaning of style' by David Muggleton. International Journal of Cultural Studies, 4(1), pp. 111-127. ISSN (print) 1367-8779

Brooker, Will (2001) Living on Dawson's Creek: teen viewers, cultural convergence and television overflow. International Journal of Cultural Studies, 4(4), pp. 456-472. ISSN (print) 1367-8779

Brooker, Will (2001) Readings of racism: interpretation, stereotyping and The Phantom Menace. Continuum: journal of media and cultural studies, 15(1), pp. 15-32. ISSN (print) 1030-4312

Brown, Ian (2013) Scottish theatre: diversity, language, continuity. Amsterdam, Netherlands : Rodopi. 260p. ISBN 9789042037434

Brown, Ian (2011) Allan Ramsay and the invisibility cloak: the historiography of Scottish drama? In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Brown, Ian (2011) Creative choices in Scots language use in contemporary poetry and drama. In: Guest lecture; 30 May 2011, Koln, Germany. (Unpublished)

Brown, Ian, ed. (2011) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. 248p. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Introduction: a lively tradition and creative amnesia. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 1-5. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK. International Journal of Scottish Theatre and Screen, 4(2), pp. 35-50. ISSN (print) 2046-5602

Brown, Ian (2011) Public and private performance: 1650-1800. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 22-40. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Revisiting tartan. In: Celebrating Saltire: 75 years of Scottish culture; 28 May 2011, Glasgow, U.K.. (Unpublished)

Brown, Ian (2011) Stateless nations and political theatre: the twentieth century visibilities of Irish drama and invisibilities of Scottish drama. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Brown, Ian (2010) 'Guarding against the guardians’: cultural democracy and ACGB/RAA relations in the glory years, 1984-94. In: Dorney, Kate and Merkin, Ros, (eds.) The glory of the garden: English regional theatre and the Arts Council, 1984-2009. Cambridge, U.K. : Cambridge Scholars Publishing. pp. 29-54. ISBN 9781443820592

Brown, Ian (2010) Music theatre, politics and dramaturigical imperatives. In: Colloque International RADAC : le musical scenes & ecrans; 21 - 22 Oct 2010, Lille, France. (Unpublished)

Brown, Ian (2010) The ethics of Scottish workplace drama between 1970 and 1995. In: Colloque International de la SFEEc : The work ethic and the Scots = L'ethique du travail et les Ecossais; 15 - 16 Oct 2010, Toulouse, France. (Unpublished)

Brown, Ian and Macleod, Muriel Anne (2008) Northern Connections: a case study of a Scoto-Swedish theatre link. Contemporary Theatre Review, 18(3), pp. 403-406. ISSN (print) 1048-6801

Brown, Ian (2007) The Scots leid in modren Scots drama: 'world drama' an 'our national peculiarities'. Lallans(70), pp. 33-44. ISSN (print) 1359-3587

Brown, Ian (2007) The road through Woodstock: counter-Thatcherite strategies in ACGB's drama development between 1984 and 1994. Contemporary Theatre Review, 17(2), pp. 218-229. ISSN (print) 1048-6801

Brown, Ian (2006) Aitken, Sarah Ross (Sadie). In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 8-9. ISBN 0748617132

Brown, Ian (2006) Knight, Mary Joan. In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 199-200. ISBN 0748617132

Brown, Ian (2006) "Quis custodiet ipsos custodes": devolution, delegation, cultural democracy and cultural gatekeepers in the 'glory' years 1984-1994. In: The glory of the garden: regional theatre in Britain since 1980; 02 - 03 Sep 2006, Liverpool, U.K.. (Unpublished)

Brown, Ian (2006) Waddell, Roberta Johanna (Bertha) and Waddell, Janet Jane (Jenny). In: Ewan, Elizabeth , Innes, Sue and Reynolds, Sian, (eds.) The biographical dictionary of Scottish women: from the earliest times to 2004. Edinburgh, U.K. : Edinburgh University Press. pp. 361-362. ISBN 0748617132

Brown, Ian (2005) 'Bursting through the hoop and dancing on the edge of seediness': five Scottish playwrights talk about John McGrath. In: Bradby, David and Capon, Susanna, (eds.) Freedom's pioneer: John McGrath's work in theatre, film and television. Exeter, U.K. : University of Exeter Press. pp. 100-114. ISBN 0859897486

Brown, Ian (2005) Celtic centres, the fringes and John McGrath. In: Bradby, David and Capon, Susanna, (eds.) Freedom's pioneer: John McGrath's work in theatre, film and television. Exeter, U.K. : University of Exeter Press. pp. 86-99. ISBN 0859897486

Brown, Ian (2005) In exile from ourselves? Tartanry, Scottish popular theatre, Harry Lauder and Tartan Day. Etudes Ecossaises, 10, pp. 123-141. ISSN (print) 1240-1439

Brown, Ian (2004) Gateways from the past to the future. In: Brown, Ian, (ed.) Journey's beginning: the Gateway theatre building and company, 1884-1965. Bristol, U.K. : Intellect Books. pp. 1-14. (Theatre and performance) ISBN 1841501085

Brown, Ian, ed. (2004) Journey's beginning: the Gateway theatre building and company, 1884-1965. Bristol, U.K. : Intellect Books. 81p. (Theatre and performance) ISBN 1841501085

Brown, Ian and Tomlinson, Roger (2004) Revealing the vision of Caithness: an arts development study of Caithness. (Project Report) Wick, U.K. : Highland Council. 91 p.

Brown, Ian (2003) Thrawn themes and dramatic experiments: W. Gordon Smith and the paradoxes of creative iconclasm. Scottish Studies Review, 4(2), pp. 98-120. ISSN (print) 1475-7737

Brown, Ian (2003) A polyphony of potential: cultural training provision and needs in Armenia, Azerbaijan and Georgia. (Project Report) Strasbourg, France : Council of Europe. 69 p. (no. DGIV/CUL)

Brown, Ian (2001) Le theatre du nouveau Parlement ecossais: identites culturelles et politiques sur fond de devolution. In: Dixon, Keith, (ed.) L'autonomie ecossaise: essais critiques sur une nation britannique. Grenoble, France : ELLUG. pp. 163-184. ISBN 9782843100260

Brown, Ian and Ramage, John (2001) Referendum to referendum and beyond: political vitality and Scottish theatre. The Irish Review, 28, pp. 46-57. ISSN (print) 0790-7850

Brown, Ian (2001) The new writing policies of Clive Perry and Stephen MacDonald at the Royal Lyceum Theatre, 1966-79. International Journal of Scottish Theatre, 2(2), ISSN (online) 1471-1598

Brown, Ian (2000) Drama and literature in Scots as an economic generator. In: Kirk, John M. and O Baoill, Donall P., (eds.) Language and economic development: Northern Ireland, the Republic of Ireland and Scotland. Belfast, Northern Ireland : Clo Ollscoil na Banriona. pp. 196-203. (Belfast Studies in Language, Culture and Politics, no. 1) ISBN 0853897913

Brown, Simon (2013) From inventor to renter: the middleman, the production crisis and the formation of the British film industry. Early Popular Visual Culture, 11(2), pp. 100-112. ISSN (print) 1746-0654

Brown, Simon (2012) The Brighton School and the quest for natural color – redux. In: Brown, Simon , Street, Sarah and Watkins, Liz, (eds.) Color and the moving image: history, theory, aesthetics, archive. Oxford, U.K. : Routledge. pp. 13-22. (AFI Film Readers) ISBN 9780415892643

Brown, Simon (2010) Case Study: the X-Files. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 163-166. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon (2010) Cult channels: Showtime, FX and Cult TV. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 155-162. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon and Abbott, Stacey (2010) The art of sp(l)atter: body horror in Dexter. In: Howard, Douglas L., (ed.) Dexter: Investigating Cutting Edge Television. London, U.K. : I.B. Tauris. pp. 205-220. (Investigating Cult TV) ISBN 9781848852655

Brown, Simon (2007) Narrative and pictorialism in post-pioneer Hepworth films. In: Porter, Laraine and Dixon, Bryony, (eds.) Picture Perfect: Landscape, Place and Travel in British Cinema before 1930. Exeter, U.K. : The Exeter Press. pp. 29-36. ISBN 9781905816019

Bugge, Christian Stewart (2002) The end of youth subculture? Dance culture and youth marketing 1988-2000. (PhD thesis), Kingston University.

C

Carey, Brycchan (2013) To force a tear: British abolitionism and the eighteenth-century London stage. In: Ahern, Stephen, (ed.) Affect and abolition in the Anglo-Atlantic, 1770-1830. Farnham, U.K. : Ashgate Publishing. pp. 109-128. ISBN 9781409455615

Carey, Brycchan (2010) Outer space on the London stage: Aphra Behn's 'Emperor of the Moon'. In: Literary London 2010 : Representations of London in Literature; 07 - 09 Jul 2010, London, U.K.. (Unpublished)

Carey, Brycchan (2009) Abolishing the slave trade on the London stage 1760-1807. In: Lunchtime talk; 19 Mar 2009, London, U.K.. (Unpublished)

Carey, Brycchan (2007) Anti slavery on the 18th century stage. In: Literary London 2007 : Representations of London in Literature; 19 - 20 Jul 2007, London, U.K.. (Unpublished)

Catalano, Elena (2014) Shaping experience in dance: perspectives on body–mind relationships in Odissi. Journal of Dance and Somatic Practices, 6(1), pp. 9-28. ISSN (print) 1757-1871

Chambers, Colin (2013) 'A Flute of Praise': Indian theatre in Britain in the early twentieth century. In: Nasta, Susheila, (ed.) India in Britain: South Asian networks and connections, 1858-1950. Basingstoke, U.K. : Palgrave Macmillan. pp. 149-163. ISBN 9780230392717

Chambers, Colin (2012) Images on stage – a historical survey of South Asians in British theatre before 1975. In: Ley, Graham and Dadswell, Sarah, (eds.) Critical Essays on British South Asian Theatre. Exeter, U.K. : University of Exeter Press. pp. 20-40. ISBN 9780859898355

Chambers, Colin (2011) Black and Asian theatre in Britain: a history. London, U.K. : Routledge. 304p. ISBN 9780415375986

Chambers, Colin (2011) Fringe theatre before the fringe. Studies in Theatre and Performance, 31(3), pp. 327-338. ISSN (print) 1468-2761

Chambers, Colin (2011) Shakespeare for my time. In: Freeman, John, (ed.) The greatest shows on earth: world theatre from Peter Brook to the Sydney Olympics. Faringdon, Oxfordshire : Libri Publishing. pp. 17-33. ISBN 9781907471544

Chambers, Colin (2009) History in the driving seat: Unity Theatre and the embrace of the "real". In: Forsyth, Alison and Megson, Chris, (eds.) Get real : documentary theatre past and present. Basingstoke, U.K. : Palgrave Macmillan. pp. 38-54. (Performance Interventions) ISBN 9780230221154

Chambers, Colin (2006) Here we stand: politics, performers and performance: Paul Robeson, Isadora Duncan and Charlie Chaplin. London, UK : Nick Hern Books. 236p. ISBN 1854599208

Chambers, Colin (2004) Developments in the profession of theatre, 1946–2000. In: Kershaw, Baz, (ed.) The Cambridge history of British theatre. Vol.3: Since 1895. Cambridge, UK : Cambridge University Press. pp. 377-396. ISBN 0521651328

Chambers, Colin (2004) Inside the Royal Shakespeare Company: creativity and the institution. London, UK : Routledge. 262p. ISBN 0415212022

Chambers, Colin and Steed, Maggie (2004) Playing on the front foot: actors and audience in British popular theatre, 1970-1990. In: Milling, Jane and Banham, Martin, (eds.) Extraordinary actors: essays on popular performers: studies in honour of Peter Thomson. Exeter, U.K. : University of Exeter Press. pp. 191-209. ISBN 0859897354

Chambers, Colin, ed. (2002) The Continuum companion to twentieth century theatre. London, UK : Continuum. 866p. ISBN 082644959x

Chambers, Colin (2001) 'Home sweet home': Stratford-Upon-Avon and the making of the Royal Shakespeare Company as a national institution. In: Cartmell, Deborah and Scott, Michael, (eds.) Talking Shakespeare: Shakespeare into the millennium. Basingstoke, U.K. : Palgrave. pp. 85-101. ISBN 0333777735

Chambers, Colin [Author of introduction, etc.] and Riggs, Thomas (1999) Introduction. In: UNSPECIFIED, (ed.) Contemporary dramatists. 6th ed. Detroit, U.S. : St. James. ISBN 155862371x

Chambers, Colin [Author of introduction, etc.] (1998) Introduction. In: Holman, Robert, (ed.) Bad Weather. London, U.K. : Nick Hern Books. pp. v-vii. ISBN 1854593242

Chambers, Colin [Author of introduction, etc.] (1997) Introduction. In: Nelson, Richard, (ed.) Goodnight children everywhere. London, U.K. : Faber & Faber. pp. vii-x. ISBN 0571194303

Chambers, Colin (1997) Peggy: the life of Margaret Ramsay, play agent. London : Nick Hern. 361p. ISBN 1854591193

Chambers, Colin (1995) Unity theatre. In: Margolies, David and Joannou, Maroula, (eds.) Heart of the heartless world: essays in cultural resistance in memory of Margot Heinemann. London, U.K. : Pluto Press. ISBN 0745309828

Chambers, Colin (1989) The story of Unity Theatre. London, U.K. : Lawrence and Wishart. 446p. ISBN 0853155887

Chambers, Colin and Prior, Mike (1987) Playwrights' progress: patterns of post-war British drama. Oxford, U.K. : Amber Lane Press. 208p. ISBN 0906399815

Chambers, Colin (1980) Other spaces: new theatre and the RSC. London, U.K. : Eyre Methuen. 88p. (Methuen Theatrefile) ISBN 0904844322

Chambers, Colin (1980) Product into process: actor-based workshops. In: Craig, Sandy, (ed.) Dreams and deconstructions: alternative theatre in Britain. Ambergate, U.K. : Amber Lane Press. ISBN 090639919x

Chambers, Colin [Author of introduction, etc.] (1980) Theatre London. London, U.K. : London Transport. 200p. ISBN 0853291071

Clarke, Norma (2014) All Grub Street was preparing its advice. In: Garrick and Shakespeare; 25 - 27 Jun 2014, Kingston Upon Thames, U.K.. (Unpublished)

Cruice, Mari and Perselli, Victoria [Performer] (2015) Play (1 act performance): “Keeping the lights on” – Exploring theory & practice after Higher Education. In: The Pedagogy of Ambiguity: Creative Practice and Arts-based Forms of Learning & Assessment Within and Beyond the Arts & Humanities; 04 Dec 2015, London, U.K.. (Unpublished)

Culley, Sheena (2015) Comfort : bodies and their boundaries. (PhD thesis), Kingston University.

Cvejic, Bojana (2013) Choreographing problems: expressive concepts in European contemporary dance. (PhD thesis), Kingston University.

D

Davies, Rachel [Artist] (2013) They tuck you up your Mum and Dad.

Depper, Corin (2016) Metaphors of memory : from the classical world to modernity. In: Groes, Sebastian, (ed.) Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities, and Sciences. Palgrave Macmillan. pp. 27-37. ISBN 9781137520579 (In Press)

Depper, Corin (2009) Theatres of memory and restraint: Matthew Barney amongst the Neo-Platonists. In: Georganta, Konstanta , Collignon, Fabienne and Millim, Anne-Marie, (eds.) The apothecary’s chest: magic, art and medication. Newcastle upon Tyne, U.K. : Cambridge Scholar's Publishing. pp. 71-82. ISBN 1443804940

Depper, Corin (2006) The visible and the indivisible: Fellini/Morandi/Gehry/Flavin. In: Film and Television Studies Research Seminar; Jan 2006, Norwich, U.K.. (Unpublished)

Domene, Pablo A. (2015) Efficacy of Latin dance as a health-enhancing leisure activity for adults. (PhD thesis), Kingston University.

de Vries, Imar and Van Elferen, Isabella (2010) The musical 'Madeleine': communication, performance and identity in musical ringtones. Popular Music and Society, 33(1), pp. 61-74. ISSN (print) 0300-7766

E

Evans, Alex and Osbon, David (2014) From Vox Rosa to Follow the Sun: a journey through mixedmedia performance. In: Performart '14; 20 - 21 Dec 2014, Istanbul, Turkey.

F

Ferguson, John [Artist] (2009) Live electronic performance. In: Borealis Festival of Contemporary Music 2009; 27 Mar 2009, Bergen, Norway. (Unpublished)

Ferguson, John [Performer] and vah Heumen, Robert [Performer] (2009) Whistle Pig Saloon. (Improvisation with Performing Technologies). Lisboa, Portugal : Creative Sources Recordings.

Ferguson, John and Bell, Paul (2008) Tron Lennon discuss collaborative practice. Fool�s Gold: Practice and Improvisation in Performance, 1, xvi-xvi.

Ferguson, John and van Heumen, Robert (2008) Whistle Pig Saloon. In: STEIM Open Studio; 12 Nov 2008, Amsterdam, The Netherlands. (Unpublished)

Ferguson, John and Bell, Paul (2008) The role of ambiguity within musical creativity. Leonardo Electronic Almanac, ISSN (online) 1071-4391

Fletcher, Abbe (2016) 2/60 48 Köpfe aus dem Szondi-Test [2/60 48 Heads from the Szondi-Test]. In: Hamlyn, Nicky , Payne, Simon and Rees, A. L., (eds.) Kurt Kren : structural films. Bristol, U.K. : Intellect Books. pp. 29-38. ISBN 9781783205516

G

Gottlieb, Vera and Chambers, Colin, eds. (1999) Theatre in a cool climate. Oxford, UK : Amber Lane Press. 222p. ISBN 1872868266

Greenhough, Amy (2012) Barbie dolls, witches and feminists : the changing representations of women in cinematic revisions of Rapunzel. In: After Grimm: Fairy Tales and the Art of Storytelling; 06 - 08 Sep 2012, Kingston upon Thames, U.K.. (Unpublished)

Greenwood, Mark (2012) The performing body in the event of writing: 'Lad Broke', Camp & Furnace, Liverpool, April 2012. (PhD thesis), Kingston University.

Göranzon, Bo , Hammaren, Maria and Ennals, Richard, eds. (2006) Dialogue, skill and tacit knowledge. Chichester : John Wiley & Sons Ltd. 358p. ISBN 0470019212

H

Hall, Joanna (2013) Rocking the rhythm: dancing identities in drum 'n' bass club culture. In: Dodds, Sherril and Cook, Susan C., (eds.) Bodies of sound: studies across popular music and dance. Farnham, U.K. : Ashgate. pp. 103-116. (Ashgate Popular and Folk Music Series) ISBN 9781409445173

Hall, Joanna Louise (2008) Mapping the multifarious: the genrification of dance music club cultures. In: Lansdale, Janet, (ed.) Decentring dancing texts: the challenge of interpreting dances. Basingstoke, U.K. : Palgrave Macmillan. pp. 177-193. ISBN 9780230542594

Hall, Peter [Producer] (2005) Waiting for Godot. Waiting for Godot. 16th August to 3rd September 2005, Bath, U.K.

Hall, Peter [Producer] (2004) Man and superman. Man and superman. July - August 2004, Bath, United Kingdom.

Hall, Peter (2004) Shakespeare's 'As you like it'. Shakespeare's 'As You Like It'. 30 Nov - 18 Dec 2004, Kingston, United Kingdom.

Hall, Peter (2003) Shakespeare's advice to the players. New York : Theatre communications group. 212p. ISBN 1559362340

Hand, Chris (2011) Do arts audiences act like consumers? Managing Leisure, 16(2), pp. 88-97. ISSN (print) 1360-6719

Helguera, Pablo (2009) The Juvenal players: a play. New York : Jorge Pinto Books. 93p. ISBN 9781934978214

Helguera, Pablo (2009) Theatrum Anatomicum (and other performance lectures). New York, U.S. : Jorge Pinto Books. 177p. ISBN 9781934978160

Hickey-Moody, Anna, Palmer, Helen and Sayers, Esther (2016) Diffractive pedagogies: dancing across new materialist imaginaries. Gender and Education, 28(2), pp. 213-229. ISSN (print) 0954-0253

Hillman, Rebecca (2011) Rhymes and resources to face failures: agit-pop plays for difficult days. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Hunt, Andrew (2017) Gonzo curating. Art Monthly(403), pp. 6-11. ISSN (print) 0142-6702

Hunt, Andrew and Spooner, Cally, eds. (2016) Cally Spooner : Scripts. London, U.K. : Slimvolume. 198p. (Slimvolume Synthesis) ISBN 9781910516027

Hunt, Andrew [Curator of an exhibition] and Casser, Anja [Curator of an exhibition] (2016) Concerning concrete poetry. Concerning concrete poetry. .

Hunt, Andrew (2016) Focal Point Gallery : a new institutional model? Architecture and Culture, 4(1), pp. 91-113. ISSN (print) 2050-7828

Hunt, Andrew (2016) Introduction by Andrew Hunt. In: Hunt, Andrew and Spooner, Cally, (eds.) Cally Spooner : Scripts. London, U.K. : Slimvolume. pp. 5-7. (Slimvolume Synthesis) ISBN 9781910516027

Hunt, Andrew (2016) Letter from Cuba. Art Monthly, 402, p. 35. ISSN (print) 0142-6702

Hunt, Andrew, ed. (2016) Paul Buck ' Disappearing Curtains '. London, U.K. : Slimvolume. 180p. ISBN 9781910516034

Hunt, Andrew [Curator of an exhibition] (2016) Scott King : Keep the home fires burning and Mother and Child (Luton). Scott King : Keep the home fires burning and Mother and Child (Luton). .

Hunt, Andrew [Curator of an exhibition] (2016) The green ray. The green ray. .

Hunt, Andrew (2016) The green ray. In: Hunt, Andrew, (ed.) Paul Buck ' Disappearing Curtains '. London, U.K. : Slimvolume. pp. 167-168. ISBN 9781910516034

I

Ikoniadou, Eleni (2014) Abstract time and affective perception in the sonic work of art. Body & Society, 20(3&4), pp. 140-161. ISSN (print) 1357-034X

J

Jones, Claire (2006) A pretty choice set of devils: the actress in the eighteenth-century. (MA(R) thesis), Kingston University.

Jones, Kevin [Composer] (2007) The Antarctic sonata: music inspired by Antarctic research. Music inspired by Antarctic research. 11 Sep 2007, London, U.K.

Jones, Kevin [Composer] (2001) The Yellow Bell. (Music).

K

Keefe, John (2012) A spectatorial dramaturgy: ethical principles of recycling, habitus and estrangement. (PhD thesis), Kingston University.

Knapper, Stephen and Hall, Peter [Interviewee] (2007) Peter Hall in rehearsal. Contemporary Theatre Review, 17(4), pp. 578-581. ISSN (print) 1026-7166

Knapper, Stephen (2007) Scaramouche: the mask and the millenium. In: Robb, David, (ed.) Clowns, fools and picaros: popular forms in theatre, fiction and film. Amsterdam, Netherlands : Rodopi. pp. 127-145. (At the interface/Probing the boundaries, no. 43) ISBN 9789042023406

Knapper, Stephen (2006) The master and the mirror: Scaramouche and Molière. In: Bradby, David and Calder, Andrew, (eds.) The Cambridge Companion to Molière. Cambridge, UK : Cambridge University Press. pp. 37-56. ISBN 0521546656

Knapper, Stephen (2004) Complicite's Comintern: internationalism and 'The noise of time'. Contemporary Theatre Review, 14(1), pp. 61-73. ISSN (print) 1048-6801

Knapper, Stephen (2004) Fellini and the commedia dell'arte. Fellini Il Maestro - NFT Study Day. 18 September 2004, London, United Kingdom.

Knapper, Stephen (2002) Sabatini's Scaramouche: the mask and the revolution. In: Ríos Carratalá, Juan A. and Sanderson, John D., (eds.) Relaciones entre el cine y la literatura: lo hispano en el cine Norteamericano/ Personajes literarios en la pantalla. Alicante, Spain : University of Alicante Press. pp. 37-62. ISBN 8479086718

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Lachmann, Piotr, Lease, Bryce [Translator] and Mancewicz, Aneta [Translator] (2016) Gliwice Hamlet. Bologna, Italy : Cue Press. 41p. (In Press)

Linton, David (2016) Performing dialogues of race and culture. In: UNSPECIFIED, (ed.) Hamlet. Twickenham, U.K. : Aurora Metro Books. pp. iv-xv. ISBN 9781911501015

Linton, David and Platt, Len (2014) Dover Street to Dixie and the politics of cultural transfer and exchange. In: Platt, Len , Becker, Tobias and Linton, David, (eds.) Popular musical theatre in London and Berlin 1890-1939. Cambridge, U.K. : Cambridge University Press. pp. 170-186. ISBN 9781107051003

Linton, David , Platt, Len and Becker, Tobias, eds. (2014) Popular musical theatre in London and Berlin, 1890-1939. Cambridge, U.K. : Cambridge University Press. 227p. ISBN 9781107051003

Linton, David (2013) New insecurities, new form, new identity - national identity and raciologies in Eightpence A Mile (1913). Studies in Musical Theatre, 7(1), pp. 9-22. ISSN (print) 1750-3159

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Mancewicz, Aneta (2016) Performing Shakespeare in Europe. Literature Compass, 13(11), pp. 711-723. ISSN (online) 1741-4113

Mancewicz, Aneta (2015) Book review of: 'OuterSpeares: Shakespeare, intermedia, and the limits of adaptation' by Daniel Fischlin. English Studies in Canada, 41(2-3), pp. 226-228. ISSN (print) 0317-0802

Mancewicz, Aneta (2014) Intermedial Shakespeares on European stages. Basingstoke, U.K. : Palgrave Macmillan. 202p. (Palgrave studies in performance and technology) ISBN 9781137360038

Mancewicz, Aneta (2014) Looking back at the audience : The RSC & The Wooster Group's Troilus and Cressida (2012). Multicultural Shakespeare : Translation, Appropriation and Performance, 11(26), pp. 65-79. ISSN (print) 2083-8530

Mancewicz, Aneta (2011) The stage as a page and the stage as a screen : intermediality in Stephan Pucher's The Tempest (Munchner Kammerspiele, 2007). Forum Modernes Theater, 26(1-2), pp. 7-19. ISSN (print) 0930-5874

Mayhew, Steve (2013) Becoming John Ford: the silent period 1914 – 1930. (PhD thesis), Kingston University.

McKean, Kathy (2009) 'If you sit in the dark long enough something scary's bound to happen': the ghosts of Phyllis Nagy. (PhD thesis), Kingston University.

McQuillan, Martin (2005) "The last Jewish intellectual" Edward W. Said 1935-2003. The Year's Work in Critical and Cultural Theory, 13(1), pp. 1-26. ISSN (print) 1077-4254

McQuillan, Martin (2004) Deconstruction. The Year's Work in Critical and Cultural Theory, 12(1), pp. 255-278. ISSN (print) 1077-4254

McQuillan, Martin (2004) Film. The Year's Work in Critical and Cultural Theory, 12(1), pp. 98-104. ISSN (print) 1077-4254

McQuillan, Martin (2004) Introduction. The Year's Work in Critical and Cultural Theory, 12(1), pp. 1-15. ISSN (print) 1077-4254

McQuillan, Martin (2003) Deconstruction. The Year's Work in Critical and Cultural Theory, 11(1), pp. 290-309. ISSN (print) 1077-4254

McQuillan, Martin (2003) Introduction. The Year's Work in Critical and Cultural Theory, 11(1), pp. 1-5. ISSN (print) 1077-4254

Melia, Matthew (2007) Architecture and cruelty in the writings of Antonin Artaud, Jean Genet and Samuel Beckett. (PhD thesis), Kingston University.

Mermikides, Alex and Smart, Jacqueline (2016) Doing what comes naturally?: Women and devising in the UK today. In: Syssoyeva, Kathryn M and Proudfit, Scott, (eds.) Women, collective creation, and devised performance: the rise of women theatre artists in the twentieth and twenty-first centuries. New York, U.S.A. : Palgrave Macmillan. pp. 253-267. ISBN 9781137603272

Mermikides, Alex and Bouchard, Gianna, eds. (2016) Performance and the Medical Body. London, UK : Bloomsbury Methuen. 272p. (Performance and Science: Interdisciplinary Dialogues) ISBN 9781472570789

Mermikides, Alex (2014) The appliance of science: devising, dramaturgy and the alternative science play. In: Trencsényi, Katalin and Cochrane, Bernadette, (eds.) New dramaturgy: international perspectives on theory and practice. London, U.K. : Bloomsbury. pp. 125-144. ISBN 9781408177082

Mermikides, Alex [Director], Mermikides, Milton [Collaborator], Weitkamp, Emma [Collaborator], Van De Velde, Ann [Collaborator], Nasrat, Andrew [Collaborator], Lofthouse, Caroline [Collaborator], Law, Rebecca [Performer], Kirkham, Adam [Performer], Rocha, Viv [Performer] and Tanczos, Anna [Performer] (2013) Bloodlines. Bloodlines.

Mermikides, Alex (2013) Brilliant theatre-making at the National: devising, collective creation and the director's brand. Studies in Theatre and Performance, 33(2), pp. 153-167. ISSN (print) 1468-2761

Mermikides, Alex (2013) Collective creation and the "creative industries": the British context. In: Syssoyeva, Kathryn and Proudfit, Scott, (eds.) Collective Creation in Contemporary Performance. Palgrave Macmillan. pp. 51-70. ISBN 9781137331267

Mermikides, Alex (2013) The scientist center stage. Nature Immunology, 14(5), pp. 416-418. ISSN (print) 1529-2908

Mermikides, Alex (2010) Clash and consensus in Shunt's 'Big shows' and the 'Lounge'. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 147-164. ISBN 9780230573666

Mermikides, Alex and Smart, Jackie, eds. (2010) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. 194p. ISBN 9780230573666

Mermikides, Alex (2010) Forced Entertainment - The travels (2002) : the anti-theatrical director. In: Harvie, Jen and Lavender, Andy, (eds.) Making Contemporary Theatre: international rehearsal processes. Manchester, U.K. : Manchester University Press. pp. 101-120. ISBN 9780719074929

Mermikides, Alex and Smart, Jackie (2010) Introduction. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 1-29. ISBN 9780230573666

Mermikides, Alex, Lavender, Andy and Rebellato, Dan (2004) Here's what I did with my body one day : a genetic detective thriller. Here's what I did with my body one day : a genetic detective thriller. October 2004, London, United Kingdom.

Miller, Louise May Whilhemina (2014) Classical mythology and the contemporary playwright. (PhD thesis), Kingston University.

Millward, Frank [Composer] (2011) From anger to sadness #4. TaPRA Conference 2011.

Millward, Frank (2011) Visiosonics: developing moving images in direct response to sound: improvising with technology. International Journal of Performance Arts and Digital Media, 7(2), pp. 171-188. ISSN (print) 1479-4713

Millward, Frank (2010) Visiosonics: the creation of sounds/image works: re-evaluating the idea of composer as ‘sonic designer'. In: Forum for Innovation in Music Production and Composition (FIMPaC); 20 - 21 May 2010, Leeds, U.K.. (Unpublished)

Millward, Frank (2009) Developing moving images for the multimedia performace 'From anger to sadness' : representation, interpretation and perception. In: Schroeder, Franziska, (ed.) Performing technology: user content and the new digital media: insights from the two thousand + nine symposium. Newcastle upon Tyne, U.K. : Cambridge Scholars. pp. 72-86. ISBN 9781443814454

Millward, Frank (2009) Emotive utterance as moving image: representation, interpretation and perception. In: Theatre Noise; 22 - 24 Apr 2009, London, U.K.. (Unpublished)

Millward, Frank [Composer] (2009) From anger to sadness #3. National Review of Live Art 2009.

Millward, Frank (2008) Music, sound and interdisciplinary collaboration in the digital arts. In: Behind the music; 22 Aug 2008, Queensland, Australia.

Millward, Frank [Composer] (2007) From anger to sadness #2. Intimacy: Across Visceral and Digital Performance.

Millward, Frank [Composer] (2006) From anger to sadness #1. From anger to sadness #1.

Millward, Frank [Composer] (2006) Misterioso Buffo. (music).

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Minors, Helen Julia [Reviewer] (2016) Book Review of: 'Modernist mysteries : Persephone' by Tamara Levitz. H-France Review, 16, ISSN (online) 1553-9172 (In Press)

Minors, Helen Julia and Jordan, Stephanie (2016) Interrelationships in and between music and dance : analysing music-dance gesture. In: Cultural Histories at Kingston 15-16; 27 Apr 2016, Kingston Upon Thames, U.K.. (Unpublished)

Minors, Helen Julia [Composer] (2016) 'This….' Kingston Soundpainting Ensemble Performance. Kingston Onstage 2016.

Minors, Helen Julia (2014) How can music deliver the story of A Midsummer Night’s Dream? In: Kingston Connections 2014; 21 - 29 Jun 2014, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2013) Book Review of: 'The Ballets Russes and beyond: music and dance in belle-epoque Paris' by Davinia Caddy. The Slavonic and East European Review (SEER), 91(4), pp. 891-892. ISSN (print) 0037-6795

Minors, Helen Julia (2013) Soundpainting: navigating creativity. Choreologica: The Journal of European Association of Dance Historians, 6(1), pp. 79-90. ISSN (print) 1746-5737

Minors, Helen Julia (2013) Soundpainting: the use of space in creating dance-music pieces. In: Wyres, Marilyn and Glieca, Lorenzo, (eds.) Sound, music and the moving-thinking body. London, U.K. : Cambridge Scholars Press. pp. 27-34. ISBN 9781443852319

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Minors, Helen Julia (2011) Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Reseach in Dance and the Society for Ethnomusicology; 17 - 20 Nov 2011, Philadelphia, U.S.. (Unpublished)

Minors, Helen Julia (2011) A gestural analysis of music and dance through live composition. In: Dance and Music: Moving Dialogues; 16 - 19 Feb 2011, Montreal, Canada. (Unpublished)

Minors, Helen Julia, ed. (2010) Dance history scholars: politics, perspectives and practices. London, U.K. : Roehampton University. 93p.

Minors, Helen Julia and Morris, Geraldine, eds. (2009) Established Scholars' Conference 2008 Proceedings. U.K. : Society for Dance Research. 76p.

Minors, Helen Julia (2009) Gesture as a tool for analysing music and dance. In: Bewegungen zwischen Horen und Sehen: Musik, Tanz, Theater, Performance und Film; 19 - 21 Nov 2009, Bayreuth, Germany. (Unpublished)

Minors, Helen Julia (2009) Gesture between music and dance. In: Research Seminar series, Centre for Interdisciplinary Music Research; 27 Oct 2009, London, U.K.. (Unpublished)

Minors, Helen Julia (2009) La Peri, poeme danse (1911-12): a problematic creative-collaborative journey. Dance Research, 27(2), pp. 227-252. ISSN (print) 0264-2875

Minors, Helen Julia (2008) Disappointment and imagination: Paul Dukas's French theatre criticisms. In: Research Seminar series, Centre for Interdisciplinary Music Research; 30 Jan 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: practical learning through gesture. In: Dance, Timing and Musical Gesture; 13 - 15 Jun 2008, Edinbrugh, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: teaching performing arts. In: Research Seminar series, Centre for Interdisciplinary Music Research; 20 Nov 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) La Peri (1911-12): creative-collaborative journeys. In: Dance Research Conference; 15 Mar 2008, London, U.K..

Minors, Helen Julia (2006) Paul Dukas' La Peri as interpreted by two balletic collaborators. The Opera Quarterly, 22(1), pp. 117-135. ISSN (print) 0736-0053

Minors, Helen Julia (2005) Paul Dukas's La Peri as interpreted by two balletic collaborators. In: Sound moves: an international conference on music and dance; 05 - 06 Nov 2005, Roehampton, England.

Moliere, Jean-Baptiste, Waller, A.R. [Translator], Pimlott, Steven [Adapter] and Chambers, Colin [Adapter] (1996) The learned ladies. London, U.K. : Nick Hern Books. 76p. ISBN 1854593757

Mullarkey, John (2013) Animal spirits: philosomorphism and the background revolts of cinema. Angelaki, 18(1), pp. 11-29. ISSN (print) 0969-725X

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Neilson, Anthony and Reid, Trish [Author of introduction, etc.] (2015) The wonderful world of Dissocia. London, U.K. : Bloomsbury Methuen Drama. 110p. (Methuen Drama Modern Classics) ISBN 9781472509598

Nelson, Richard and Chambers, Colin (1998) Kenneth's first play: a play for young audiences. London, U.K. : Methuen Drama. 64p. ISBN 041372980x

Nelson, Richard, Jones, David and Chambers, Colin [Editor] (1995) Making plays: the writer-director relationship in the theatre today. London, U.K. : Faber and Faber. 165p. ISBN 0571163548

Norman, Karen (2015) International Nurses Day: Nursing's got talent! British Journal of Nursing, 24(11), p. 562. ISSN (print) 0966-0461

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Olson, Grant (2014) Rediscovering 'invisible communication': a re-evaluation of Stanislavski's Communion via 'radiation'. (PhD thesis), Kingston University.

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Pateman, Matthew (2006) The aesthetics of culture in Buffy the Vampire Slayer. Jefferson, North Carolina, U.S. : McFarland. 276p. ISBN 9780786422494

Perazzo Domm, Daniela (2017) The 'making' of movement and words : a po(i)etic reading of Charlotte Spencer's Walking Stories. Choreographic Practices, ISSN (print) 2040-5669 (In Press)

Perazzo Domm, Daniela (2012) The 'struggle' of the subject: productive ambiguity in Jonathan Burrows' choreography. Choreographic Practices, 3(1), pp. 99-117. ISSN (print) 2040-5669

Perazzo Domm, Daniela (2010) Traces of history: Jonathan Burrows' rethinking of the choreographic past. Contemporary Theatre Review, 20(3), pp. 267-282. ISSN (print) 1048-6801

Perazzo Domm, Daniela (2008) Jonathan Burrows and Matteo Fargion’s Both Sitting Duet (2002): A Discursive Choreomusical Collaboration. In: Lansdale, Janet, (ed.) Decentring Dancing Texts: The Challenge of Interpreting Dances. Palgrave Macmillan. pp. 125-142. ISBN 9780230542594

Perselli, Victoria, Bayley, Annouchka, Agnello, Mary Frances and Cruice, Mari (2016) Whose world-view is this anyway? Contextualising close-to-practice research as educational reclamation. In: BERA Annual Conference 2016; 12-15 Sep 2016, Leeds, U.K.. (Unpublished)

Phillippy, Patricia (2014) The poet in stone: Garrick's Temple and Southwark Cathedral. In: Garrick and Shakespeare; 25 - 27 Jun 2014, Kingston Upon Thames, U.K.. (Unpublished)

Pinnock, Winsome (2001) Water. Water. 2001, Tricycle Theatre. 50 min.

Pratt, Lande (2014) Research reflections: conversations with practitioners: creative enterprise in an age of digital borrowing and appropriation. Creativeworks London,

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Quinlivan, Davina (2014) Film, healing and the body in crisis: a twenty-first century aesthetics of hope and reparation. Screen, 55(1), pp. 103-117. ISSN (print) 0036-9543

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Reid, Trish (2016) Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall. Contemporary Theatre Review, ISSN (print) 1048-6801 (In Press)

Reid, Trish (2014) 'Breid, barley-bree an paintit room': history, identity and utopianism in Lyndsay's Thrie Estaitis and Greig's Glasgow Girls. In: Brown, I. and Berton, J., (eds.) Roots and Fruits of Scottish Culture: Scottish Identities, History and Contemporary Literature. Glasgow, U.K. : Scottish Literature International. pp. 1-16. ISBN 9781908980076

Reid, Trish (2014) Caledonian dreaming : the performance of a different Scotland in Keiran Hurley's Rantin. In: Annual TaPRA Conference; 3-5 Sep 2014, Egham, U.K.. (Unpublished)

Reid, Trish (2014) Staging Scotland: National Theatre of Scotland and shifting conceptions of Scottish identity. In: Jones, Huw David, (ed.) The media in Europe’s small nations. Newcastle, U.K. : Cambridge Scholars Publishing. pp. 105-122. ISBN 9781443854177

Reid, Trish (2014) The performance of 'histories', notions of 'truth' and Paul Bright's Confessions of a Justified Sinner (2013). In: 23rd Annual CDE Conference: Theatre and History: Cultural Transformations; 19-22 Jun 2014, Hamburg, Germany. (Unpublished)

Reid, Trish (2013) "Angels and modern myth": grid iron and the new Scottish theatre. In: Duggan, Patrick and Ukaegbu, Victor, (eds.) Reverberations across small-scale British theatre: politics, aesthetics and forms. Bristol, U.K. : Intellect. pp. 175-193. ISBN 9781783202973

Reid, Trish (2013) Theatre & Scotland. Basingstoke, U.K. : Palgrave MacMillan. 120p. (Theatre &) ISBN 9780230292611

Reid, Trish (2012) Anthony Neilson. In: Sierz, Aleks, (ed.) Modern British playwriting. The 1990s: voices, documents, new interpretations. London, U.K. : Bloomsbury. pp. 137-163. (Decades of modern British playwriting) ISBN 9781408129265

Reid, Trish (2012) Scottish theatre and the alternative tradition. In: Theatrical Histories: the American Society for Theatre Research Annual Conference; 01-04 Nov 2012, Nashville, U.S.A.. (Unpublished)

Reid, Trish (2011) Post-devolutionary drama. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 188-199. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Reid, Trish (2011) Staging Scotland: the National Theatre Scotland and shifting conceptions of Scottish identity. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Reid, Trish (2009) Truth and belief: autobiography in the work of improbable theatre. In: Performing lives; 06 - 08 Jul 2009, Kingston upon Thames, U.K.. (Unpublished)

Reid, Trish (2008) Book Review of: The Victorian clown by Jacky Bratton and Ann Featherstone. Theatre Research International, 33(2), p. 211. ISSN (print) 0307-8833

Reid, Trish (2008) Scottish Arts Council wields the axe. Contemporary Theatre Review, 18(3), pp. 398-401. ISSN (print) 1048-6801

Reid, Trish (2007) "Deformities of the frame" : the theatre of Anthony Neilson. Contemporary Theatre Review, 17(4), pp. 487-498. ISSN (print) 1048-6801

Reid, Trish (2007) 'From scenes like these old Scotia's grandeur springs': the new National Theatre of Scotland. Contemporary Theatre Review, 17(2), pp. 192-201. ISSN (print) 1048-6801

Reynolds, James and Zontou, Zoe, eds. (2014) Addiction and performance. Newcastle upon Tyne, U.K. : Cambridge Scholars Publishing. 397p. ISBN 9781443856577

Reynolds, James and Zontou, Zoe (2014) Introduction. In: Reynolds, James and Zontou, Zoe, (eds.) Addiction and performance. Newcastle upon Tyne, U.K. : Cambridge Scholars Publishing. pp. 1-20. ISBN 9781443856577

Reynolds, James (2012) Robert Lepage and authorial process. In: Shepherd, Simon, (ed.) Direction. Basingstoke, U.K. : Palgrave Macmillan. (Readings in Theatre Practice) ISBN 9780230276215

Reynolds, James (2012) Theatre for young audiences in and around London's Royal National Theatre. In: Maguire, Tom and Schuitema, Karian, (eds.) Theatre for young audiences: a critical handbook. Stoke-on-Trent, U.K. : Trentham Books. ISBN 9781858565019

Reynolds, James (2011) 3-D technology and the site-specific film adaptation. In: Adaptations and the New Technologies; 25 Jan 2011, Leicester, U.K.. (Unpublished)

Reynolds, James (2011) Intermediality and the uncanny in the devised theatre of Robert Lepage and Ex Machina. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Reynolds, James (2011) Robert Lepage and authorial process. In: Authoring Theatre; 14-15 July 2011, London, U.K.. (Unpublished)

Reynolds, James and Zontou, Zoe (2011) Ten years on the edge: Phil Fox reflects on a decade of recovery from addiction through applied theatre. Journal of Applied Arts & Health, 2(2), pp. 165-172. ISSN (print) 2040-2457

Reynolds, James (2011) Transmediality and the uncanny in the devised theatre performances of Robert Lepage and Ex Machina. In: Technologies of Transmediality; 6-8 Jan 2011, Bristol, U.K.. (Unpublished)

Reynolds, James (2009) 'KILL ME SENTIMENT': V For Vendetta and comic-to-film adaptation. Journal of Adaptation in Film & Performance, 2(2), pp. 121-136. ISSN (print) 1753-6421

Reynolds, James (2008) Hard work: Robert Lepage's 'Lipsynch' and the pleasures of responsibility. Platform, 3(2), pp. 130-135. ISSN (online) 1751-0171

Reynolds, James (2007) Acting with puppets and objects representation and perception in Robert Lepage's: 'The far side of the Moon'. Performance Research, 12(4), pp. 132-142. ISSN (print) 1352-8165

Reynolds, James (2006) Barker directing Barker. In: Gritzner, Karoline and Rabey, David Ian, (eds.) Theatre of Catastrophe: New Essays on Howard Barker. London, U.K. : Oberon Books. pp. 56-69. ISBN 1840026723

Rinke, Andrea (2013) Fear and (self-)loathing in East Berlin : gender and melodrama in The lives of others/Das Leben der Andren. In: Cooke, Paul, (ed.) The Lives of others and contemporary German Film. Berlin, Germany : De Gruyter. pp. 101-119. (Companions to contemporary German culture, no. 3) ISBN 9783110268102

Rinke, Andrea (2007) Sonnenallee: Rock' n' roll and passport control: how an East German comedy colours the past. In: Everett, Wendy, (ed.) Questions of colour in cinema: from paintbrush to pixel. Bern, Switzerland : Peter Lang. pp. 85-102. (New studies in European cinema, no. 6) ISSN (print) 1661-0261 ISBN 9783039113538

Rinke, Andrea (2006) Film musicals in the GDR. In: Conrich, Ian and Tincknell, Estella, (eds.) Film's musical moments. Edinburgh, U.K. : Edinburgh University Press. pp. 183-194. (Music and the moving image) ISBN 0748623450

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Salazar, Diana and Salgado LLopis, Maria (2013) Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Salgado LLopis, Maria (2012) Moving bodies: exploring the power of the dance performer. In: Sensible Flesh: Rethinking the Body in the 21st Century; 13 Feb 2012, London, U.K.. (Unpublished)

Salgado LLopis, Maria (2010) Between subject and object: Classical Ballet, Foucault and the dancing body. In: 1st Annual International Conference on Fine and Performing Arts; 7-10 Jun 2010, Athens, Greece. (Unpublished)

Salgado LLopis, Maria (2010) Beyond the surface: articulating the power of the performer. In: Embodying Power: Work over time; 18 - 21 Nov 2010, Seattle, U.S.. (Unpublished)

Salgado LLopis, Maria (2009) Orthodoxy and heresy: the codification of Natural Movement. In: Moving Naturally: Re-thinking dance 1900s-1930s; 31 Oct 2009, Guildford, U.K.. (Unpublished)

Searby, Michael (2016) Humour in opera: a case study of Ligeti’s use of humour in his opera 'Le Grand Macabre'. In: Campos, Luis and Schopf, Fiona Jane, (eds.) Music on Stage. Newcastle upon Tyne, U.K. : Cambridge Scholars Publishing. pp. 258-270. ISBN 9781443896863

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Searby, Mike (2011) DVD Liner notes for Ligeti's 'Le Grand Macabre'. Halle/Saale, Germany : Arthaus Musik.

Smart, Jackie (2014) The feeling of devising: emotion and mind in the devising process. In: Trencsényi, K. and Cochrane, B., (eds.) New dramaturgy: international perspectives on theory and practice. London, U.K. : Bloomsbury Methuen Drama. pp. 101-114. ISBN 9781408177082

Smart, Jackie (2010) Sculpting the territory: Gecko's 'The Arab and the Jew' in process. In: Mermikides, Alex and Smart, Jackie, (eds.) Devising in process. Basingstoke, U.K. : Palgrave Macmillan. pp. 165-185. ISBN 9780230573666

Smart, Jackie (2004) The technology of the real: Wayne McGregor's "Nemesis" and the ecology of perception. In: Carver, Gavin and Beardon, Colin, (eds.) New visions in performance: the impact of digital technologies. Lisse, The Netherlands : Swets & Zeitlinger Publishers. pp. 41-54. ISBN 9026519664

Smart, Jackie and Dixon, Steve (2002) The discourse of assessment: language and value in the assessment of group practice in the performing arts. Arts and Humanities in Higher Education, 1(2), pp. 185-204. ISSN (print) 1474-0222

Smart, Jackie (2001) The disruptive dialogue of dance for the camera. Journal of Media Practice, 2(1), pp. 37-47. ISSN (online) 1468-2753

Smart, Jacqueline (2016) Breaking ranks: forging partnership across boundaries of discipline and status. In: HEA Inspire - sharing great practice in learning and teaching in the arts and humanities; 3-4 Mar 2016, Brighton, UK. (Unpublished)

Smart, Jacqueline (2005) The seduction of madness. The seduction of madness. October 2005, Kingston-upon-Thames, United Kingdom.

Spier, Steven (2007) Inside the knot that two bodies make. Dance Research Journal, 39(1), pp. 49-59. ISSN (print) 0149-7677

Spier, Steven (2005) Dancing and drawing, choreography and architecture. The Journal of Architecture, 10(4), pp. 349-364. ISSN (print) 1360-2365

Stapleton, Erin Kathleen Loveday (2014) The intoxication of destruction: Georges Bataille’s economy of expenditure and sovereignty in visual cultures. (PhD thesis), Kingston University.

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Tarr, Carrie (2007) Introduction, French cinema: 'transnational' cinema? Modern and contemporary France, 15(1), pp. 3-7. ISSN (print) 0963-9489

Tarr, Carrie (2007) The porosity of the hexagon: border crossings in contemporary French cinema. Studies in European cinema, 4(1), pp. 7-20. ISSN (print) 1741-1548

Tarr, Carrie (2005) Tran Anh Hung as diasporic filmmaker. In: Robson, Kathryn and Yee, Jennifer, (eds.) France and "Indochina": cultural representations. Marlyland, U.S. : Lexington Books. pp. 153-164. ISBN 0739108409

Tarr, Carrie (2004) Masculinity and exclusion in post-1995 beur and 'banlieue' films. In: Powrie, Phil , Davies, Ann and Babington, Bruce, (eds.) The trouble with men: masculinities in European and Hollywood cinema. London, U.K. : Wallflower Press. pp. 110-120. ISBN 1904764088

Tarr, Carrie (2003) Les princes (the princes). Framework: the journal of cinema and media, 44(2), ISSN (print) 0306-7661

Tarr, Carrie (2002) "Grrrls in the banlieue": Philippe Faucon's Samia and Fabrice Genestal's La Squale. L'Esprit Createur: a critical quarterly of French literature, 42(3), pp. 28-38. ISSN (print) 0014-0767

Tynan, Kenneth, Nelson, Richard [Adapter] and Chambers, Colin [Adapter] (2004) Tynan: based on the book The diaries of Kenneth Tynan. London, UK : Faber and Faber. 43p. ISBN 0571227295

V

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

van Elferen, Isabella (2014) Un/mogliche welten. Wolken, quanten und weird [Im/possible worlds: cloud, quantum and weird]. In: Klenke, Pascale , Muth, Laura , Seibel, Klaudia and Simonis, Annette, (eds.) Writing worlds: welten- und raummodelle der fantastik. Heidelberg, Germany : Universitätsverlag Winter. pp. 51-68. (Beiträge zur Literaturtheorie und Wissenspoetik, no. 1) ISBN 9783825363796

van Elferen, Isabella (2013) Musical dark descents: sonic immersion in psychological horror games. In: Colloquia Lent Term 2013; Jan - Mar 2013, Cambridge, U.K.. (Unpublished)

van Elferen, Isabella (2011) Music that sucks and bloody liturgy: Catholicism in vampire movies. In: Hanson, Regina, (ed.) Roman Catholicism in fantastic film: essays on belief, spectacle, ritual and imagery. Jefferson, U.S. : McFarland. pp. 97-113. ISBN 9780786464746

van Elferen, Isabella (2010) Book review of: 'Limits of horror: technology, bodies, gothic' by Fred Botting. Journal of the Fantastic in the Arts, 21(1), pp. 132-135. ISSN (print) 0897-0521

van Elferen, Isabella (2010) Haunted by a melody: ghosts, transgression, and music in 'Twin Peaks'. In: Blanco, Maria del Pilar and Peeren, Esther, (eds.) Popular ghosts: the haunted spaces of everyday culture. New York, U.S. : Continuum. pp. 282-295. ISBN 9781441163691

van Elferen, Isabella (2010) Music of other spheres: diagonal time and metaphysics in 'Lost'. Science Fiction Film and Television, 3(2), pp. 253-270. ISSN (print) 1754-3770

van Elferen, Isabella (2007) ‘Ihr Augen weint!’: intersubjective tears in the sentimental concert hall. Understanding Bach, 2, pp. 77-94. ISSN (online) 1750-3078

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Warnell, Phillip (2011) Projections of animality. In: Unruly creatures: the art and politics of the animal; 14 Jun 2011, London, U.K.. (Unpublished)

Weber, Samuel (2009) Between part and whole: Benjamin and the single trait. Paragraph, 32(3), pp. 382-399. ISSN (print) 0264-8334

Weinberg, David (2015) American influence on the alternative theatre movement in Britain 1956-1980. (PhD thesis), Kingston University.

Weitkamp, Emma and Mermikides, Alex (2016) Medical performance and the 'inaccessible' experience of illness: an exploratory study. Medical Humanities, 42(3), pp. 186-193. ISSN (print) 1468-215X

Whittaker, Tom (2012) Soundscapes of resistance in the Spanish Quinqui film. In: Stone, Rob and Shaw, Lisa, (eds.) Screening songs in Hispanic and Lusophone cinema. Manchester, U.K. : Manchester University Press. ISBN 9780719083808

Wilson, Scott (2014) The nonsense of detection: truth between science and the real. In: Connole, Edia , Ennis, Paul J. and Masciandaro, Nicola, (eds.) True detection. Schism Press. pp. 146-163. ISBN 9780692277379

This list was generated on Tue Feb 14 04:09:02 2017 GMT.