Items where Kingston Author is "Searby, Michael"
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Number of items: 32.
Searby, Michael (2016) Humour in opera: a case study of Ligeti’s use of humour in his opera 'Le Grand Macabre'. In: Campos, Luis and Schopf, Fiona Jane, (eds.) Music on Stage. Newcastle upon Tyne, U.K. : Cambridge Scholars Publishing. pp. 258-270. ISBN 9781443896863
Searby, Mike (2014) Ligeti the maverick? An examination of Ligeti’s ambivalent role in contemporary music. In: Gyorgy Ligeti and the Future of Maverick Modernity Conference; 14 Jul 2014, Maccagno, Italy. (Unpublished)
Searby, Michael (2013) Ligeti and musical form: an examination of Gyorgy Ligeti's changing approach towards form in his music. In: Ligeti 2013 Florida Conference; 10 - 12 Oct 2013, Tallahassee, Florida, U.S.. (Unpublished)
Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467
Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982
Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982
Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982
Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his Hamburg Concerto. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467
Searby, Michael [Interviewer] and Martland, Steve [Interviewee] (2010) Interview between Mike Searby and Steve Martland (composer) in 5 parts. (speech).
Searby, Michael D. (2009) Ligeti's stylistic crisis: transformation in his musical style 1974-1985. Lanham, U.S. : Scarecrow Press. 220p. ISBN 9780810872509
Searby, Michael David (2005) An investigation of the transformation of compositional process in Gyorgy Ligeti's music, 1974-83 with particular reference to pitch. (PhD thesis), Goldsmiths, University of London.
Searby, Mike (2004) Ligeti's Le grand macabre: an experiment in postmodernism? In: 36th Royal Musical Association Annual Music Research Students' Conference; 7-10 Jan 2004, London, U.K.. (Unpublished)
Searby, Mike (2001) An investigation of phrase structure in the first movement of Ligeti's Horn Trio. In: Theory and Analysis Graduate Students Day (TAGS) ; 24 May 2001, Birmingham, U.K.. (Unpublished)
Searby, Michael (2001) Ligeti's 'third way': 'non-atonal' elements in the Horn trio. Tempo, 2001(216), pp. 17-22. ISSN (print) 0040-2982
Searby, Michael and Ewers, Tim (2000) Peer assessment in composition. In: Hunter, Desmond and Russ, Michael, (eds.) Peer learning in music. Newtownabbey, Northern Ireland : University of Ulster. pp. 106-114. ISBN 1859231438
Searby, Mike and Ewers, Tim (1997) An evaluation of the use of peer assessment in higher education: a case study in the School of Music, Kingston University. Assessment & Evaluation in Higher Education, 22(4), pp. 371-383. ISSN (print) 0260-2938
Searby, Michael (1989) Ligeti's Chamber Concerto: summation or turning point? Tempo, 1989(168), pp. 30-34. ISSN (print) 0040-2982