2012

Ben-Tal, Oded (2012) Characterising musical gestures. Musicae Scientiae, 16(3), pp. 247-261. ISSN (print) 1029-8649

Ben-Tal, Oded [Composer] (2012) Day after day, night after night. (music).

Ben-Tal, Oded [Composer] (2012) Hypnagogic states. (music).

Blumstein, Daniel T., Bryant, Gregory A. and Kaye, Peter (2012) The sound of arousal in music is context-dependent. Biology Letters, 8(5), pp. 744-747. ISSN (print) 1744-9561

Botting, Fred (2012) Love your zombie: horror, ethics, excess. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 19-36. (Routledge interdisciplinary perspectives on literature, (8)) ISBN 9780415806763

Brooker, Will (2012) Cloaked in shadow: an anti-hero for our times. Film review of: 'The Dark Knight rises' directed by Christopher Nolan. Times Higher Education(2,059), pp. 44-45. ISSN (print) 0049-3929

Brooker, Will (2012) Hunting the Dark Knight: Batman in Twenty-first Century Popular Culture. London, U.K. : I.B. Tauris. 272p. ISBN 9781848852792

Brown, Simon (2012) The Brighton School and the quest for natural color – redux. In: Brown, Simon , Street, Sarah and Watkins, Liz, (eds.) Color and the moving image: history, theory, aesthetics, archive. Oxford, U.K. : Routledge. pp. 13-22. (AFI Film Readers) ISBN 9780415892643

Brown, Simon (2012) Censorship under siege : the BBFC in the silent era. In: Lamberti, Edward, (ed.) Behind the scenes at the BBFC : film classification from the silver screen to the digital age. London, U.K. : Palgrave Macmillan. pp. 3-14. ISBN 9781844574766

Chambers, Colin (2012) Images on stage – a historical survey of South Asians in British theatre before 1975. In: Ley, Graham and Dadswell, Sarah, (eds.) Critical Essays on British South Asian Theatre. Exeter, U.K. : University of Exeter Press. pp. 20-40. ISBN 9780859898355

Chambers, Colin (2012) A concise introduction to political theatre. DT+ Fundamentals.

Chambon, Phil (2012) Beyond the bedroom studio: teaching popular music production at university level. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Evans, Alex (2012) That was then...this is now: fundamental changes in the music business. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Howarth, Anita and Ibrahim, Yasmin (2012) Threat and suffering: the liminal space of 'The Jungle'. In: Andrews, Hazel and Roberts, Les, (eds.) Liminal landscapes: travel, experience and space. Abingdon, U.K. : Routledge. pp. 200-216. (Routledge studies in contemporary geographies of leisure, tourism, and mobility, (30)) ISBN 9780415668842

Howarth, Anita (2012) A hunger strike - the ecology of a protest: the case of Bahraini activist Abdulhadi al-Khawaja. M/C Journal, 15(3), ISSN (online) 1441-2616

Kardos, Leah [Composer] (2012) The Closeness of Distance. (Electronic music). Headphone Commute.

Kardos, Leah (2012) How music technology can make sound and music worlds accessible to student composers in Further Education colleges. British Journal of Music Education, 29(2), pp. 143-151. ISSN (print) 0265-0517

Mader McGuinness, Caoimhe (2012) Book Review of: 'Agency and embodiment : performing gestures/producing culture' by Carrie Noland. Contemporary Theatre Review, 22(2), pp. 274-275. ISSN (print) 1048-6801

Mellor, Noha (2012) ‘My eyes were there’: a comparative analysis of war reporters’ testimonies. Journal of War & Culture Studies, 5(2), pp. 157-171. ISSN (print) 1752-6272

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Minors, Helen Julia [Composer] (2012) Kingston Soundpainting Ensemble. A Kingston Soundpainting Ensemble Performance.

Minors, Helen Julia (2012) Music and movement in dialogue: exploring gesture in soundpainting. Les Cahiers de la Societe quebecoise de recherche en musique, 13(1-2), pp. 87-96. ISSN (print) 1480-1132

Minors, Helen Julia (2012) Paul Dukas et Claude Debussy: identite dans l'opera francais. In: Terrien, Pascal, (ed.) La musique francaise : esthetique et identite en mutation 1892-1992. Paris, France : Editions Delateur. pp. 227-240. (Collection Pensee Musicale) ISBN 9782752101068

Minors, Helen Julia and Thompson, Walter [Interviewee] (2012) Reassessing the thinking body in soundpainting. In: How Performance Thinks: An International Conference of the Practice Research Unit and PSi, Performance and Philosophy working group; 13 - 14 Apr 2012, London, U.K..

Minors, Helen Julia (2012) Sound painting: choreographing and composing in the moment. In: Composer/Choreographer/Performer Collaboration Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body; 19th April 2012, London, U.K.. (Unpublished)

Minors, Helen Julia (2012) Soundpainting: navigating the creative space within and between dance and music. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music; 09 - 10 Nov 2012, Paris, France. (Unpublished)

Minors, Helen Julia (2012) Soundpainting: thinking through creation in the moment. (film).

Minors, Helen Julia [Composer] (2012) A soundpainting concert. Improvisation and Digitial Arts Festival, iDAF.

Mullarkey, John (2012) Equally Circular: Bergson and the Vague Inventions of Politics. In: Lefebvre, Alexandre and White, Melanie, (eds.) Bergson, Politics and Religion. Durham, U.S.A. : Duke University Press. pp. 61-74. ISBN 9780822352563

Mullarkey, John (2012) I + I = I: The non-consistency of non-philosophical practice. In: Mullarkey, John and Smith, Anthony Paul, (eds.) Laruelle and Non-Philosophy. Edinburgh, U.K. : Edinburgh University Press. pp. 143-168. (Critical Connections) ISBN 9780748645350

Mullarkey, John (2012) Introduction: The Non-Philosophical Inversion: Laruelle’s Knowledge Without Domination. In: Mullarkey, John and Smith, Anthony Paul, (eds.) Laruelle and Non-Philosophy. Edinburgh, U.K. : Edinburgh University Press. pp. 1-18. (Critical Connections) ISBN 9780748645350

Mullarkey, John and Smith, Anthony Paul, eds. (2012) Laruelle and non-philosophy. Edinburgh, U.K. : Edinburgh University Press. 272p. (Critical Connections) ISBN 9780748645350

Mullarkey, John (2012) The Tragedy of the Object: Democracy of Vision and the Terrorism of Things in Bazin's Cinematic Realism. Angelaki: Journal of Theoretical Humanities, 17(4), pp. 39-59. ISSN (print) 0969-725X

O'Brien, Catherine (2012) Biblical tales - a mother's love: adapting the story of Mary and Jesus for the screen. In: Adaptation, Authorship and Ownership - ECRF Annual Conference; 16-18 Jul 2012, Ormskirk, U.K.. (Unpublished)

O'Brien, Catherine (2012) In Bruges: heaven or hell? Literature and Theology, 26(1), pp. 93-105. ISSN (print) 0269-1205

Perazzo Domm, Daniela (2012) The 'struggle' of the subject: productive ambiguity in Jonathan Burrows' choreography. Choreographic Practices, 3(1), pp. 99-117. ISSN (print) 2040-5669

Potter, Caroline (2012) 'Marche gaie': a rediscovered work by Lili Boulanger. Notes: Quarterly Journal of the Music Library Association, 68(4), pp. 715-728. ISSN (print) 0027-4380

Quinlivan, Davina (2012) The place of breath in cinema. Edinburgh, U.K. : Edinburgh University Press. 232p. ISBN 9780748648993

Reid, Trish (2012) Anthony Neilson. In: Sierz, Aleks, (ed.) Modern British playwriting. The 1990s: voices, documents, new interpretations. London, U.K. : Bloomsbury. pp. 137-163. (Decades of modern British playwriting) ISBN 9781408129265

Reid, Trish (2012) Scottish theatre and the alternative tradition. In: Theatrical Histories: the American Society for Theatre Research Annual Conference; 01-04 Nov 2012, Nashville, U.S.A.. (Unpublished)

Reynolds, James (2012) Robert Lepage and authorial process. In: Shepherd, Simon, (ed.) Direction. Basingstoke, U.K. : Palgrave Macmillan. (Readings in Theatre Practice) ISBN 9780230276215

Reynolds, James (2012) Theatre for young audiences in and around London's Royal National Theatre. In: Maguire, Tom and Schuitema, Karian, (eds.) Theatre for young audiences: a critical handbook. Stoke-on-Trent, U.K. : Trentham Books. ISBN 9781858565019

Salgado LLopis, Maria (2012) Moving bodies: exploring the power of the dance performer. In: Sensible Flesh: Rethinking the Body in the 21st Century; 13 Feb 2012, London, U.K.. (Unpublished)

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Eleven Haiku (after Cage) for solo piano. (Musical score). (Unpublished)

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his Hamburg Concerto. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Smart, Jackie (2012) The dialogic dramaturgy of Matthew Bourne's 'Dorian Gray'. Studies in Theatre and Performance, 32(2), pp. 179-191. ISSN (print) 1468-2761

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

White, Meredith [Composer] (2012) In Deandra. (music). (Unpublished)

Whittaker, Tom (2012) Soundscapes of resistance in the Spanish Quinqui film. In: Stone, Rob and Shaw, Lisa, (eds.) Screening songs in Hispanic and Lusophone cinema. Manchester, U.K. : Manchester University Press. ISBN 9780719083808

Whittaker, Tom (2012) The politics of pathos in Pilar Miró’s Gary Cooper, que estás en los cielos (1980). In: Nair, Parvati and Gutierrez-Albilla, Julian, (eds.) Hispanic and Lusophone Women Filmmakers: Theory, practice and difference. Manchester, U.K. : Manchester University Press. ISBN 9780719083570

Yilmaz, Aybige (2012) Mediating cosmopolitanism in Turkish media. In: Crossroads 2012; 02 - 06 Jul 2012, Sorbonne, Paris. (Unpublished)

van Elferen, Isabella (2012) The ALI model: towards a theory of game musical immersion. In: Ludomusicology: Game Music Research Approaches and Aesthetics; 16 Apr 2012, Oxford, U.K.. (Unpublished)

van Elferen, Isabella (2012) Bloody liturgy: Dracula and music. In: Bram Stoker Centenary Conference; 12-14 Apr 2012, Hull / Whitby, U.K.. (Unpublished)

van Elferen, Isabella (2012) Dream timbre: notes on Lynchian sound design. In: Wierzbecki, James, (ed.) Music, sound and filmmakers: sonic style in cinema. Abingdon, U.K. : Routledge. pp. 175-188. (Routledge music and screen media series) ISBN 9780415898935

van Elferen, Isabella (2012) The Gothic Bach. Understanding Bach, 7, pp. 9-20. ISSN (online) 1750-3078

van Elferen, Isabella (2012) Gothic music: sounds of the uncanny. In: Rethinking Contemporary Gothic: Postgraudate Study Day 2012; 18 May 2012, Lancaster, U.K.. (Unpublished)

van Elferen, Isabella (2012) Spectral liturgy: transgression, ritual and music in Gothic. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 135-147. (Routledge interdisciplinary perspectives on literature, (8)) ISBN 9780415806763