Article

Ben-Tal, Oded (2012) Characterising musical gestures. Musicae Scientiae, 16(3), pp. 247-261. ISSN (print) 1029-8649

Blumstein, Daniel T., Bryant, Gregory A. and Kaye, Peter (2012) The sound of arousal in music is context-dependent. Biology Letters, 8(5), pp. 744-747. ISSN (print) 1744-9561

Brooker, Will (2012) Cloaked in shadow: an anti-hero for our times. Film review of: 'The Dark Knight rises' directed by Christopher Nolan. Times Higher Education(2,059), pp. 44-45. ISSN (print) 0049-3929

Howarth, Anita (2012) A hunger strike - the ecology of a protest: the case of Bahraini activist Abdulhadi al-Khawaja. M/C Journal, 15(3), ISSN (online) 1441-2616

Kardos, Leah (2012) How music technology can make sound and music worlds accessible to student composers in Further Education colleges. British Journal of Music Education, 29(2), pp. 143-151. ISSN (print) 0265-0517

Mader McGuinness, Caoimhe (2012) Book Review of: 'Agency and embodiment : performing gestures/producing culture' by Carrie Noland. Contemporary Theatre Review, 22(2), pp. 274-275. ISSN (print) 1048-6801

Mellor, Noha (2012) ‘My eyes were there’: a comparative analysis of war reporters’ testimonies. Journal of War & Culture Studies, 5(2), pp. 157-171. ISSN (print) 1752-6272

Minors, Helen Julia (2012) Music and movement in dialogue: exploring gesture in soundpainting. Les Cahiers de la Societe quebecoise de recherche en musique, 13(1-2), pp. 87-96. ISSN (print) 1480-1132

Mullarkey, John (2012) The Tragedy of the Object: Democracy of Vision and the Terrorism of Things in Bazin's Cinematic Realism. Angelaki: Journal of Theoretical Humanities, 17(4), pp. 39-59. ISSN (print) 0969-725X

O'Brien, Catherine (2012) In Bruges: heaven or hell? Literature and Theology, 26(1), pp. 93-105. ISSN (print) 0269-1205

Perazzo Domm, Daniela (2012) The 'struggle' of the subject: productive ambiguity in Jonathan Burrows' choreography. Choreographic Practices, 3(1), pp. 99-117. ISSN (print) 2040-5669

Potter, Caroline (2012) 'Marche gaie': a rediscovered work by Lili Boulanger. Notes: Quarterly Journal of the Music Library Association, 68(4), pp. 715-728. ISSN (print) 0027-4380

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his Hamburg Concerto. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Smart, Jackie (2012) The dialogic dramaturgy of Matthew Bourne's 'Dorian Gray'. Studies in Theatre and Performance, 32(2), pp. 179-191. ISSN (print) 1468-2761

van Elferen, Isabella (2012) The Gothic Bach. Understanding Bach, 7, pp. 9-20. ISSN (online) 1750-3078

Book

Brooker, Will (2012) Hunting the Dark Knight: Batman in Twenty-first Century Popular Culture. London, U.K. : I.B. Tauris. 272p. ISBN 9781848852792

Mullarkey, John and Smith, Anthony Paul, eds. (2012) Laruelle and non-philosophy. Edinburgh, U.K. : Edinburgh University Press. 272p. (Critical Connections) ISBN 9780748645350

Quinlivan, Davina (2012) The place of breath in cinema. Edinburgh, U.K. : Edinburgh University Press. 232p. ISBN 9780748648993

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

Book Section

Botting, Fred (2012) Love your zombie: horror, ethics, excess. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 19-36. (Routledge interdisciplinary perspectives on literature, (8)) ISBN 9780415806763

Brown, Simon (2012) The Brighton School and the quest for natural color – redux. In: Brown, Simon , Street, Sarah and Watkins, Liz, (eds.) Color and the moving image: history, theory, aesthetics, archive. Oxford, U.K. : Routledge. pp. 13-22. (AFI Film Readers) ISBN 9780415892643

Brown, Simon (2012) Censorship under siege : the BBFC in the silent era. In: Lamberti, Edward, (ed.) Behind the scenes at the BBFC : film classification from the silver screen to the digital age. London, U.K. : Palgrave Macmillan. pp. 3-14. ISBN 9781844574766

Chambers, Colin (2012) Images on stage – a historical survey of South Asians in British theatre before 1975. In: Ley, Graham and Dadswell, Sarah, (eds.) Critical Essays on British South Asian Theatre. Exeter, U.K. : University of Exeter Press. pp. 20-40. ISBN 9780859898355

Howarth, Anita and Ibrahim, Yasmin (2012) Threat and suffering: the liminal space of 'The Jungle'. In: Andrews, Hazel and Roberts, Les, (eds.) Liminal landscapes: travel, experience and space. Abingdon, U.K. : Routledge. pp. 200-216. (Routledge studies in contemporary geographies of leisure, tourism, and mobility, (30)) ISBN 9780415668842

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Minors, Helen Julia (2012) Paul Dukas et Claude Debussy: identite dans l'opera francais. In: Terrien, Pascal, (ed.) La musique francaise : esthetique et identite en mutation 1892-1992. Paris, France : Editions Delateur. pp. 227-240. (Collection Pensee Musicale) ISBN 9782752101068

Mullarkey, John (2012) Equally Circular: Bergson and the Vague Inventions of Politics. In: Lefebvre, Alexandre and White, Melanie, (eds.) Bergson, Politics and Religion. Durham, U.S.A. : Duke University Press. pp. 61-74. ISBN 9780822352563

Mullarkey, John (2012) I + I = I: The non-consistency of non-philosophical practice. In: Mullarkey, John and Smith, Anthony Paul, (eds.) Laruelle and Non-Philosophy. Edinburgh, U.K. : Edinburgh University Press. pp. 143-168. (Critical Connections) ISBN 9780748645350

Mullarkey, John (2012) Introduction: The Non-Philosophical Inversion: Laruelle’s Knowledge Without Domination. In: Mullarkey, John and Smith, Anthony Paul, (eds.) Laruelle and Non-Philosophy. Edinburgh, U.K. : Edinburgh University Press. pp. 1-18. (Critical Connections) ISBN 9780748645350

Reid, Trish (2012) Anthony Neilson. In: Sierz, Aleks, (ed.) Modern British playwriting. The 1990s: voices, documents, new interpretations. London, U.K. : Bloomsbury. pp. 137-163. (Decades of modern British playwriting) ISBN 9781408129265

Reynolds, James (2012) Robert Lepage and authorial process. In: Shepherd, Simon, (ed.) Direction. Basingstoke, U.K. : Palgrave Macmillan. (Readings in Theatre Practice) ISBN 9780230276215

Reynolds, James (2012) Theatre for young audiences in and around London's Royal National Theatre. In: Maguire, Tom and Schuitema, Karian, (eds.) Theatre for young audiences: a critical handbook. Stoke-on-Trent, U.K. : Trentham Books. ISBN 9781858565019

Whittaker, Tom (2012) Soundscapes of resistance in the Spanish Quinqui film. In: Stone, Rob and Shaw, Lisa, (eds.) Screening songs in Hispanic and Lusophone cinema. Manchester, U.K. : Manchester University Press. ISBN 9780719083808

Whittaker, Tom (2012) The politics of pathos in Pilar Miró’s Gary Cooper, que estás en los cielos (1980). In: Nair, Parvati and Gutierrez-Albilla, Julian, (eds.) Hispanic and Lusophone Women Filmmakers: Theory, practice and difference. Manchester, U.K. : Manchester University Press. ISBN 9780719083570

van Elferen, Isabella (2012) Dream timbre: notes on Lynchian sound design. In: Wierzbecki, James, (ed.) Music, sound and filmmakers: sonic style in cinema. Abingdon, U.K. : Routledge. pp. 175-188. (Routledge music and screen media series) ISBN 9780415898935

van Elferen, Isabella (2012) Spectral liturgy: transgression, ritual and music in Gothic. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 135-147. (Routledge interdisciplinary perspectives on literature, (8)) ISBN 9780415806763

Composition

Ben-Tal, Oded [Composer] (2012) Day after day, night after night. (music).

Ben-Tal, Oded [Composer] (2012) Hypnagogic states. (music).

Kardos, Leah [Composer] (2012) The Closeness of Distance. (Electronic music). Headphone Commute.

Searby, Michael (2012) Eleven Haiku (after Cage) for solo piano. (Musical score). (Unpublished)

White, Meredith [Composer] (2012) In Deandra. (music). (Unpublished)

Conference or Workshop Item

Chambon, Phil (2012) Beyond the bedroom studio: teaching popular music production at university level. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Evans, Alex (2012) That was then...this is now: fundamental changes in the music business. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia and Thompson, Walter [Interviewee] (2012) Reassessing the thinking body in soundpainting. In: How Performance Thinks: An International Conference of the Practice Research Unit and PSi, Performance and Philosophy working group; 13 - 14 Apr 2012, London, U.K..

Minors, Helen Julia (2012) Sound painting: choreographing and composing in the moment. In: Composer/Choreographer/Performer Collaboration Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body; 19th April 2012, London, U.K.. (Unpublished)

Minors, Helen Julia (2012) Soundpainting: navigating the creative space within and between dance and music. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music; 09 - 10 Nov 2012, Paris, France. (Unpublished)

O'Brien, Catherine (2012) Biblical tales - a mother's love: adapting the story of Mary and Jesus for the screen. In: Adaptation, Authorship and Ownership - ECRF Annual Conference; 16-18 Jul 2012, Ormskirk, U.K.. (Unpublished)

Reid, Trish (2012) Scottish theatre and the alternative tradition. In: Theatrical Histories: the American Society for Theatre Research Annual Conference; 01-04 Nov 2012, Nashville, U.S.A.. (Unpublished)

Salgado LLopis, Maria (2012) Moving bodies: exploring the power of the dance performer. In: Sensible Flesh: Rethinking the Body in the 21st Century; 13 Feb 2012, London, U.K.. (Unpublished)

Yilmaz, Aybige (2012) Mediating cosmopolitanism in Turkish media. In: Crossroads 2012; 02 - 06 Jul 2012, Sorbonne, Paris. (Unpublished)

van Elferen, Isabella (2012) The ALI model: towards a theory of game musical immersion. In: Ludomusicology: Game Music Research Approaches and Aesthetics; 16 Apr 2012, Oxford, U.K.. (Unpublished)

van Elferen, Isabella (2012) Bloody liturgy: Dracula and music. In: Bram Stoker Centenary Conference; 12-14 Apr 2012, Hull / Whitby, U.K.. (Unpublished)

van Elferen, Isabella (2012) Gothic music: sounds of the uncanny. In: Rethinking Contemporary Gothic: Postgraudate Study Day 2012; 18 May 2012, Lancaster, U.K.. (Unpublished)

Moving Image/Broadcast

Minors, Helen Julia (2012) Soundpainting: thinking through creation in the moment. (film).

Performance/Live Event

Minors, Helen Julia [Composer] (2012) Kingston Soundpainting Ensemble. A Kingston Soundpainting Ensemble Performance.

Minors, Helen Julia [Composer] (2012) A soundpainting concert. Improvisation and Digitial Arts Festival, iDAF.

Database or Web Resource

Chambers, Colin (2012) A concise introduction to political theatre. DT+ Fundamentals.