Article

Quinlivan, Davina [Reviewer] (2021) Book Review of: 'Contemporary cinema and the philosophy of Iris Murdoch' by Lucy Bolton. Film-Philosophy, 25(2), pp. 220-223. ISSN (online) 1466-4615

Quinlivan, Davina (2020) Composite memory, reparative pleasure and the shedding of a filmic skin : Joanna Hogg’s 'The Souvenir'. Free Associations: Psychoanalysis and Culture, Media, Groups, Politics, 79, pp. 142-153. ISSN (online) 2047-0622

Chamarette, Jenny, Mayer, So and Quinlivan, Davina (2019) Towards a queer feminist vernacular : Dr Katharina Linder's film bodies. MAI : Feminism and Visual Culture, 3, ISSN (online) 2003-1673

Quinlivan, Davina (2018) An architecture of light and air, a rhythm of stillness : absence in Joanna Hogg's Exhibition (2013). Screening the Past(43), ISSN (online) 1328-9756

Quinlivan, Davina (2017) Teaching Innocence (2004, Lucile Hadzihalilovic). The CineFiles(13), ISSN (online) 2156-9096

Quinlivan, Davina (2015) On how queer cinema might feel. Music, Sound, and the Moving Image, 9(1), pp. 63-77. ISSN (print) 1753-0768

Quinlivan, Davina (2014) Hopefulness, healing and its contestation in film. LOLA(5),

Quinlivan, Davina (2014) Girls on film. Times Higher Education(2159), ISSN (print) 0049-3929

Quinlivan, Davina (2014) Film, healing and the body in crisis : a twenty-first century aesthetics of hope and reparation. Screen, 55(1), pp. 103-117. ISSN (print) 0036-9543

Quinlivan, Davina (2013) The French female butterfly collector : Hadzihalilovic, Denis, de Van and the cinema du corps. Studies in European Cinema, 10(1), pp. 35-44. ISSN (print) 1741-1548

Quinlivan, Davina (2009) Material hauntings: The kinaesthesia of sound in Innocence (Hadzihalilovic, 2004). Studies in French Cinema, 9(3), pp. 215-224. ISSN (print) 1471-5880

Book

Quinlivan, Davina (2020) Joanna Hogg : new British art cinema, female identity and aesthetics. Edinburgh, U.K. : Edinburgh University Press. (In Press)

Quinlivan, Davina (2015) Filming the body in crisis : trauma, healing and hopefulness. Basingstoke, U.K. : Palgrave Macmillan. 200p. ISBN 9781137361363

Quinlivan, Davina (2012) The place of breath in cinema. Edinburgh, U.K. : Edinburgh University Press. 232p. ISBN 9780748648993

Book Section

Quinlivan, Davina (2021) Siren : ghostships and projections in Dorothy Cross and Claire Oakley's British and post-colonial film and video. In: Mee, Sharon Jane and Robinson, Luke, (eds.) Sound affects : a user's guide. Routledge. (In Press)

Quinlivan, Davina (2019) Her skin against the rocks, the rocks against the sky : revisiting Weir's 'Picnic at Hanging Rock' (1975) after Morley's 'The Falling' (2014) and Freud's fable of female hysteria. In: Piotrowska, Agnieszka and Tyrer, Ben, (eds.) Femininity and psychoanalysis : cinema, culture, theory. Abingdon, U.K. : Routledge. pp. 37-47.

Quinlivan, Davina (2019) Lace, leather, indigo, green, ways of looking and being seen : abstraction through 'The Favourite' (Yorgos Lanthimos, 2019). In: Falvey, Eddie, (ed.) Yorgos Lanthimos : a cinema of apathy. Routledge. (In Press)

Quinlivan, Davina (2017) A dark and shiny place : the disembodied female voice, Irigarayan subjectivity, and the political erotics of hearing Her (Spike Jonze, 2013). In: Whittaker, Tom and Wright, Sarah, (eds.) Locating the voice in film: critical approaches and global practices. New York, U.S. : Oxford University Press. pp. 295-309. ISBN 9780190261122