Article

Brown, Simon (2017) Adapting Stephen King : text, context and the case of 'Cell' (2016). Pennywise Dreadful, 1(1), pp. 42-56.

Brown, Simon (2017) Stephen King's Vampire Kingdom : Supernatural EVIL and Human evil in TV adaptations of Salem's Lot (1979, 2004). Horror Studies, 8(2), p. 223. ISSN (print) 2040-3275

Brown, Simon (2017) Alternate version of the same reality : adapting Under the Dome as a SF TV series. Science Fiction Film and Television, 10(2), pp. 267-283. ISSN (print) 1754-3770

Brown, Simon (2013) From novelty to normal: 3DTV as special effect. Critical Studies in Television, 8(3), pp. 33-46. ISSN (print) 1749-6020

Brown, Simon (2013) From inventor to renter: the middleman, the production crisis and the formation of the British film industry. Early Popular Visual Culture, 11(2), pp. 100-112. ISSN (print) 1746-0654

Brown, Simon (2013) Memento mori: The slow death of The X-Files. Science Fiction Film and Television, 6(1), pp. 7-22. ISSN (print) 1754-3770

Brown, Simon (2011) Anywhere but Scotland? Transnationalism and new Scottish cinema. International Journal of Scottish Theatre and Screen, 4(1), ISSN (online) 2046-5602

Brown, Simon (2009) Book Review of: The mass image: a social history of photomechanical reproduction in Victorian London by Gerry Beegan. Journal of British Cinema and Television, 6(1), pp. 141-143. ISSN (print) 1743-4521

Brown, Simon (2009) Colouring the nation: spectacle, reality and British natural colour in the silent and early sound era. Film History: an International Journal, 21(2), pp. 139-149. ISSN (print) 0892-2160

Brown, Simon (2007) Flicker alley: Cecil Court and the emergence of the British film industry. Film Studies, 10, pp. 21-33. ISSN (print) 1469-0314

Brown, Simon (2005) Coming soon to a hall near you: some notes on 16mm road-show distribution in the 1930s. Journal of British Cinema and Television, 2(2), pp. 299-309. ISSN (print) 1743-4521

Brown, Simon (2005) Early cinema in Britain and the smoking concert film. Early Popular Visual Culture, 3(2), pp. 165-178. ISSN (print) 1746-0654

Brown, S. (2003) The greatest documentary ever made?: James Cameron's Titanic. Interdisciplinary Literary Studies: a journal of criticism and theory, 5(1), pp. 78-88. ISSN (print) 1524-8429

Book

Brown, Simon (2019) Creepshow. Leighton Buzzard : Auteur Press. (Devil's Advocate) ISBN 9781911325918

Brown, Simon (2019) Creepshow. Leighton Buzzard : Auteur Publishing. 106p. (Devil's Advocates) ISBN 9781911325918

Brown, Simon (2018) Screening Stephen King : adaptation and the horror genre in film and television. Austin, U.S. : University of Texas Press. 240p. ISBN 9781477314920

Brown, Simon (2016) Cecil Hepworth and the rise of the British film industry 1899-1911. Exeter, U.K. : University of Exeter Press. 256p. (Exeter studies in film history) ISBN 9780859898904

Brown, Simon , Street, Sarah and Watkins, Liz, eds. (2013) British colour cinema : practices and theories. London, U.K. : British Film Institute. 280p. ISBN 9781844574148

Abbott, Stacey and Brown, Simon, eds. (2007) Investigating Alias: secrets and spies. London, U.K. : I. B. Tauris. 238p. (Investigating cult TV) ISBN 9781845114053

Book Section

Brown, Simon (2023) Stephen King and vampires. In: Bacon, Simon, (ed.) The Palgrave Handbook of the Vampire. London, U.K. : Palgrave McMillan Cham. (Epub Ahead of Print)

Abbott, Stacey and Brown, Simon (2021) Gothic and silent cinema. In: Spooner, Catherine and Townshend, Dale, (eds.) Gothic in the twentieth and twenty-first centuries. Cambridge, U.K. : Cambridge University Press. pp. 22-42. (The Cambridge History of the Gothic, 3) ISBN 9781108624268

Brown, Simon (2019) Remaking Stephen King : texts and contexts. In: Piatti-Farnell, Lorna, (ed.) Gothic afterlives : reincarnations of horror in film and television. Lanham, Maryland, U.S. : Lexington Books. (In Press)

Brown, Simon and Abbott, Stacey (2019) Inspiration as adaptation : TV horror, seriality and the adapted text. In: Kaklamanidoy, Betty, (ed.) Adaptation 4.0 : a state of polymorphia. Detroit, U.S. : Wayne State University Press. (In Press)

Brown, Simon (2019) Stephen King’s Full Dark No Stars (2010) – Stephen King. In: Bacon, Simon, (ed.) Horror: a Companion. Oxford : Peter Lang. pp. 235-240. ISBN 9781787079199

Brown, Simon (2012) The Brighton School and the quest for natural color – redux. In: Brown, Simon , Street, Sarah and Watkins, Liz, (eds.) Color and the moving image: history, theory, aesthetics, archive. Oxford, U.K. : Routledge. pp. 13-22. (AFI Film Readers) ISBN 9780415892643

Brown, Simon (2012) Censorship under siege : the BBFC in the silent era. In: Lamberti, Edward, (ed.) Behind the scenes at the BBFC : film classification from the silver screen to the digital age. London, U.K. : Palgrave Macmillan. pp. 3-14. ISBN 9781844574766

Brown, Simon (2011) Renegades and Wayward Sons : Supernatural and the '70s. In: Abbott, Stacey and Lavery, David, (eds.) TV Goes to Hell: An Unofficial Road Map of Supernatural. Toronto, Canada : ECW Press. pp. 60-74. ISBN 9781770410206

Brown, Simon (2010) Cult channels: Showtime, FX and Cult TV. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 155-162. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon (2010) Case Study: the X-Files. In: Abbott, Stacey, (ed.) The cult TV book. London, U.K. : I.B. Tauris. pp. 163-166. (Investigating Cult TV) ISBN 9781848850262

Brown, Simon and Abbott, Stacey (2010) The art of sp(l)atter: body horror in Dexter. In: Howard, Douglas L., (ed.) Dexter: Investigating Cutting Edge Television. London, U.K. : I.B. Tauris. pp. 205-220. (Investigating Cult TV) ISBN 9781848852655

Brown, Simon and Abbott, Stacey (2007) Can't live with 'em, can shoot 'em: Alias and the (thermo) nuclear family. In: Abbott, Stacey and Brown, Simon, (eds.) Investigating Alias: secrets and spies. London, U.K. : I. B. Tauris. pp. 87-100. (Investigating cult TV) ISBN 9781845114053

Brown, Simon and Abbott, Stacey (2007) Introduction: 'serious spy stuff': the cult pleasures of Alias. In: Abbott, Stacey and Brown, Simon, (eds.) Investigating Alias: secrets and spies. London, U.K. : I. B. Tauris. pp. 1-8. (Investigating cult TV) ISBN 9781845114053

Brown, Simon (2007) Narrative and pictorialism in post-pioneer Hepworth films. In: Porter, Laraine and Dixon, Bryony, (eds.) Picture Perfect: Landscape, Place and Travel in British Cinema before 1930. Exeter, U.K. : The Exeter Press. pp. 29-36. ISBN 9781905816019

Conference or Workshop Item

Brown, Simon (2015) An American werewolf in America : Stephen King's 'Cycle of the werewolf' and 'Silver bullet'. In: Open graves, open minds : The company of wolves : Sociality, animality, and subjectivity in literary and cultural narratives - werewolves, shapeshifters, and feral humans; 03 - 05 Sep 2015, Hatfield, U.K.. (Unpublished)

Brown, Simon [Speaker] (2008) Blanche MacIntosh: first lady of screen crime. In: Rats, Rascals and Ruffians: the Globalisation of Crime and the British Silent Film : 11th British Silent Cinema Festival; 03 - 06 Apr 2008, Nottingham, U.K.. (Unpublished)

Brown, Simon [Speaker] (2004) World War I & the British horror film. In: ‘Goodbye to all that’ British Silent Cinema and World War I; 05-19 Apr 2004, Nottingham, U.K.. (Unpublished)