Artefact/Device

Kenning, Dean [Artist] (2012) Untitled. (Kinetic sound sculpture installation).

Article

Ben-Tal, Oded (2012) Characterising musical gestures. Musicae Scientiae, 16(3), pp. 247-261. ISSN (print) 1029-8649

Blumstein, Daniel T., Bryant, Gregory A. and Kaye, Peter (2012) The sound of arousal in music is context-dependent. Biology Letters, 8(5), pp. 744-747. ISSN (print) 1744-9561

Kardos, Leah (2012) How music technology can make sound and music worlds accessible to student composers in Further Education colleges. British Journal of Music Education, 29(2), pp. 143-151. ISSN (print) 0265-0517

Knifton, Robert (2012) Popular music beyond text: an academic perspective on popular music in the museum. Social History in Museums, 36, pp. 21-25. ISSN (print) 1350-9551

Minors, Helen Julia (2012) Music and movement in dialogue: exploring gesture in soundpainting. Les Cahiers de la Societe quebecoise de recherche en musique, 13(1-2), pp. 87-96. ISSN (print) 1480-1132

Potter, Caroline (2012) 'Marche gaie': a rediscovered work by Lili Boulanger. Notes: Quarterly Journal of the Music Library Association, 68(4), pp. 715-728. ISSN (print) 0027-4380

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his Hamburg Concerto. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

van Elferen, Isabella (2012) The Gothic Bach. Understanding Bach, 7, pp. 9-20. ISSN (online) 1750-3078

Book

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

Book Section

Botting, Fred (2012) Love your zombie: horror, ethics, excess. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 19-36. (Routledge interdisciplinary perspectives on literature, (8)) ISBN 9780415806763

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Minors, Helen Julia (2012) Paul Dukas et Claude Debussy: identite dans l'opera francais. In: Terrien, Pascal, (ed.) La musique francaise : esthetique et identite en mutation 1892-1992. Paris, France : Editions Delateur. pp. 227-240. (Collection Pensee Musicale) ISBN 9782752101068

Wilson, Scott (2012) Amusia, noise and the drive: towards a theory of the audio unconscious. In: Goddard, Michael , Halligan, Benjamin and Hegarty, Paul, (eds.) Reverberations : the philosophy, aesthetics and politics of noise. Continuum International Publishing. pp. 26-39. ISBN 9781441160652

van Elferen, Isabella (2012) Dream timbre: notes on Lynchian sound design. In: Wierzbecki, James, (ed.) Music, sound and filmmakers: sonic style in cinema. Abingdon, U.K. : Routledge. pp. 175-188. (Routledge music and screen media series) ISBN 9780415898935

van Elferen, Isabella (2012) Spectral liturgy: transgression, ritual and music in Gothic. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 135-147. (Routledge interdisciplinary perspectives on literature, (8)) ISBN 9780415806763

Composition

Ben-Tal, Oded [Composer] (2012) Day after day, night after night. (music).

Ben-Tal, Oded [Composer] (2012) Hypnagogic states. (music).

Kardos, Leah [Composer] (2012) The Closeness of Distance. (Electronic music). Headphone Commute.

Searby, Michael (2012) Eleven Haiku (after Cage) for solo piano. (Musical score). (Unpublished)

White, Meredith [Composer] (2012) In Deandra. (music). (Unpublished)

Conference or Workshop Item

Chambon, Phil (2012) Beyond the bedroom studio: teaching popular music production at university level. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Evans, Alex (2012) That was then...this is now: fundamental changes in the music business. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia and Thompson, Walter [Interviewee] (2012) Reassessing the thinking body in soundpainting. In: How Performance Thinks: An International Conference of the Practice Research Unit and PSi, Performance and Philosophy working group; 13 - 14 Apr 2012, London, U.K..

Minors, Helen Julia (2012) Sound painting: choreographing and composing in the moment. In: Composer/Choreographer/Performer Collaboration Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body; 19th April 2012, London, U.K.. (Unpublished)

Minors, Helen Julia (2012) Soundpainting: navigating the creative space within and between dance and music. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music; 09 - 10 Nov 2012, Paris, France. (Unpublished)

Stephens-Himonides, Cynthia (2012) Exploring piano teaching and learning from a socio-cultural perspective. In: SEMPRE 50th Anniversary Conference; 14-15 Sep 2012, London, U.K.. (Unpublished)

van Elferen, Isabella (2012) The ALI model: towards a theory of game musical immersion. In: Ludomusicology: Game Music Research Approaches and Aesthetics; 16 Apr 2012, Oxford, U.K.. (Unpublished)

van Elferen, Isabella (2012) Bloody liturgy: Dracula and music. In: Bram Stoker Centenary Conference; 12-14 Apr 2012, Hull / Whitby, U.K.. (Unpublished)

van Elferen, Isabella (2012) Gothic music: sounds of the uncanny. In: Rethinking Contemporary Gothic: Postgraudate Study Day 2012; 18 May 2012, Lancaster, U.K.. (Unpublished)

Moving Image/Broadcast

Minors, Helen Julia (2012) Soundpainting: thinking through creation in the moment. (film).

Performance/Live Event

Millward, Frank [Composer], Stevens, Gary [Director] and Keens, Heather [Performer] (2012) Conversations with my voice. Brisbane Festive 2012. 35 min.

Minors, Helen Julia [Composer] (2012) Kingston Soundpainting Ensemble. A Kingston Soundpainting Ensemble Performance.

Minors, Helen Julia [Composer] (2012) A soundpainting concert. Improvisation and Digitial Arts Festival, iDAF.