Article

Brooker, Will (2011) Hero of the beach: Flex Mentallo at the end of the worlds. Journal of Graphic Novels & Comics, 2(1), pp. 25-37. ISSN (print) 2150-4857

Brown, Ian (2011) Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK. International Journal of Scottish Theatre and Screen, 4(2), pp. 35-50. ISSN (print) 2046-5602

Brown, Simon (2011) Anywhere but Scotland? Transnationalism and new Scottish cinema. International Journal of Scottish Theatre and Screen, 4(1), ISSN (online) 2046-5602

Chambers, Colin (2011) Fringe theatre before the fringe. Studies in Theatre and Performance, 31(3), pp. 327-338. ISSN (print) 1468-2761

Mancewicz, Aneta (2011) The stage as a page and the stage as a screen : intermediality in Stephan Pucher's The Tempest (Munchner Kammerspiele, 2007). Forum Modernes Theater, 26(1-2), pp. 7-19. ISSN (print) 0930-5874

Minors, Helen Julia (2011) Book Review of: 'Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond' by Peter Dayan. Ars Lyrica, 20, pp. 127-130. ISSN (print) 1043-3848

Minors, Helen Julia (2011) Surveying a primary source of Dukas’ Ariane et Barbe-Bleue. Ars Lyrica, 20, pp. 80-98. ISSN (print) 1043-3848

Potter, Caroline (2011) Erik Satie's 'Obstacles venimeux'. Ars Lyrica, 20, pp. 101-114. ISSN (print) 1043-3848

Reynolds, James and Zontou, Zoe (2011) Ten years on the edge: Phil Fox reflects on a decade of recovery from addiction through applied theatre. Journal of Applied Arts & Health, 2(2), pp. 165-172. ISSN (print) 2040-2457

Sagiv, Noam, Ilbeigi, Alireza and Ben-Tal, Oded (2011) Reflections on synaesthesia, perception, and cognition. Intellectica, 55, pp. 81-94. ISSN (print) 0769-4113

Whittaker, Tom (2011) Between the Dirty and the Pretty: Bodies in Utopia in Dirty Pretty Things (Stephen Frears, 2002). International Journal of Cultural Studies, 14(2), pp. 121-132. ISSN (print) 1367-8779

van Elferen, Isabella (2011) East German Goth and the spectres of Marx. Popular Music, 30(1), pp. 89-103. ISSN (print) 0261-1430

van Elferen, Isabella (2011) ¡Un forastero! Issues of virtuality and diegesis in videogame music. Music and The Moving Image, 4(2), pp. 30-39. ISSN (print) 2167-8464

Book

Brown, Ian, ed. (2011) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. 248p. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Chambers, Colin (2011) Black and Asian theatre in Britain: a history. London, U.K. : Routledge. 304p. ISBN 9780415375986

O'Brien, Catherine (2011) The celluloid Madonna: from scripture to screen. London, U.K. : Wallflower Press. 192p. ISBN 9781906660277

Whittaker, Tom (2011) The Films of Elías Querejeta: A Producer of Landscapes. Cardiff, U.K. : University of Wales Press. 240p. ISBN 9780708324370

Book Section

Brown, Ian (2011) Introduction: a lively tradition and creative amnesia. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 1-5. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Public and private performance: 1650-1800. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 22-40. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Simon (2011) Renegades and Wayward Sons : Supernatural and the '70s. In: Abbott, Stacey and Lavery, David, (eds.) TV Goes to Hell: An Unofficial Road Map of Supernatural. Toronto, Canada : ECW Press. pp. 60-74. ISBN 9781770410206

Carter, Fan (2011) Between ephemera and posterity: the commemorative magazine issue. In: Andrews, Maggie , Bagot Jewitt, Charles and Hunt, Nigel, (eds.) Lest we forget: remembrance & commemoration. Stroud, U.K. : The History Press. pp. 82-86. ISBN 9780752473345

Chambers, Colin (2011) Shakespeare for my time. In: Freeman, John, (ed.) The greatest shows on earth: world theatre from Peter Brook to the Sydney Olympics. Faringdon, Oxfordshire : Libri Publishing. pp. 17-33. ISBN 9781907471544

Minors, Helen Julia (2011) Du fond de l'abime, Psalm 130. In: Musikproduktion Jurgen Hoflich, (ed.) Du fond de l'abime, Psalm 130. Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia (2011) Psalm 129. In: Musikproduktion Jurgen Hoflich, (ed.) Psalm 129. Munich, Germany : Musikproduktion Jurgen Horflick.

Minors, Helen Julia (2011) Psalm 24. In: Musikproduktion Jurgen Horflick, (ed.) Psalm 24 “La terre appartient à l’Eternel” (The earth is the Lord’s). Munich, Germany : Musikproduktion Jurgen Horflick.

Mullarkey, John (2011) Films Can't Philosophise (And Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema. In: Carel, Havi and Tuck, Greg, (eds.) New Takes in Film-Philosophy. Basingstoke, U.K. : Palgrave-Macmillan. pp. 86-102. ISBN 9780230250291

Potter, Caroline (2011) Henri Dutilleux et le prix de Rome. In: Dratwicki, Alexandre and Lu, Julia, (eds.) Le Concours du prix de Rome de musique (1803-1968). Lyon, France : Symetrie. pp. 445-456. ISBN 9782914373517

Reid, Trish (2011) Post-devolutionary drama. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 188-199. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

van Elferen, Isabella (2011) Music that sucks and bloody liturgy: Catholicism in vampire movies. In: Hanson, Regina, (ed.) Roman Catholicism in fantastic film: essays on belief, spectacle, ritual and imagery. Jefferson, U.S. : McFarland. pp. 97-113. ISBN 9780786464746

Composition

Ewers, Tim [Composer] (2011) Wonderlands. (music).

Conference or Workshop Item

Brown, Ian (2011) Allan Ramsay and the invisibility cloak: the historiography of Scottish drama? In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Brown, Ian (2011) Creative choices in Scots language use in contemporary poetry and drama. In: Guest lecture; 30 May 2011, Koln, Germany. (Unpublished)

Brown, Ian (2011) Revisiting tartan. In: Celebrating Saltire: 75 years of Scottish culture; 28 May 2011, Glasgow, U.K.. (Unpublished)

Brown, Ian (2011) Stateless nations and political theatre: the twentieth century visibilities of Irish drama and invisibilities of Scottish drama. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Ferguson, John (2011) Imagined agency: technology, unpredictability and ambiguity. In: The Improvised Space: Techniques, Traditions and Technologies; 06 Apr 2011, Kingston upon Thames, U.K.. (Unpublished)

Ferguson, John [Artist] (2011) Performing technologies. In: Research Seminar; 14 Mar 2011, Kingston upon Thames, U.K.. (Unpublished)

Fox, Phil and Reynolds, James (2011) Political health and the ethics of provocation : choice and denial in the work of Outside Edge. In: Health Acts : Applied Theatre, Health and Well-being; 27 - 28 Apr 2011, Exeter, U.K.. (Unpublished)

Hillman, Rebecca (2011) Rhymes and resources to face failures: agit-pop plays for difficult days. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Mencia, Maria [Speaker] (2011) Open meaning in digital writing. In: Open Media Research Seminar series; 8 Feb 2011, Coventry, U.K..

Mencia, Maria [Artist] (2011) The surface materiality: performing generative writing. In: e-poetry 2011: International Digital Language, Media, Arts Festival; 18 - 21 May 2011, Buffalo, U.S..

Minors, Helen Julia (2011) Ambiguous (feminist?) sources and cultural contexts of Paul Dukas's 'La Peri' and 'Ariane et Barbe-Bleue'. In: Fifth Annual Lyrica Dialogues at Harvard: France the lewd - France the prude?: mellifluous and misanthropic musings on morality; 08 Apr 2011, Cambridge, U.S.. (Unpublished)

Minors, Helen Julia (2011) Creating a soundpainting: gesture and music in live composition. In: Research Seminar Series; 07 Feb 2011, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2011) Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Reseach in Dance and the Society for Ethnomusicology; 17 - 20 Nov 2011, Philadelphia, U.S.. (Unpublished)

Minors, Helen Julia [Speaker] (2011) Improvisation, guided improvisation or real-time composition: a workshop in soundpainting. In: The Improvised Space: Techniques, Traditions and Technologies; 06 Apr 2011, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2011) A gestural analysis of music and dance through live composition. In: Dance and Music: Moving Dialogues; 16 - 19 Feb 2011, Montreal, Canada. (Unpublished)

O'Brien, Catherine (2011) "Ave Maria”: sacred spaces in 'Lourdes' and '28 Days Later'. In: 2011 NECS Conference: Sonic Futures: soundscapes and the languages of screen media; 23-26 Jun 2011, London, U.K.. (Unpublished)

Pateman, Matthew (2011) '... deposited in traces': Lyotard, Paul, the hyphen. In: Rewriting Lyotard; 11 - 13 Feb 2011, Edmonton, Canada. (Unpublished)

Reid, Trish (2011) Staging Scotland: the National Theatre Scotland and shifting conceptions of Scottish identity. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Reynolds, James (2011) 3-D technology and the site-specific film adaptation. In: Adaptations and the New Technologies; 25 Jan 2011, Leicester, U.K.. (Unpublished)

Reynolds, James (2011) Intermediality and the uncanny in the devised theatre of Robert Lepage and Ex Machina. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Reynolds, James (2011) Robert Lepage and authorial process. In: Authoring Theatre; 14-15 July 2011, London, U.K.. (Unpublished)

Reynolds, James (2011) Transmediality and the uncanny in the devised theatre performances of Robert Lepage and Ex Machina. In: Technologies of Transmediality; 6-8 Jan 2011, Bristol, U.K.. (Unpublished)

Yilmaz, Aybige (2011) Researching cosmopolitanism and media in non-western contexts. In: Cosmopolitanism, Media and Global Crisis; 04 Jun 2011, Kingston upon Thames, U.K.. (Unpublished)

Moving Image/Broadcast

Archbold, Paul [Director] and Still, Colin [Director] (2011) Arditti Quartet. (podcast films).

Performance/Live Event

Ferguson, John Robert [Musician] and van Heumen, Robert [Musician] (2011) Whistle Pig Saloon. Sonorities Festival of Contemporary Music. 08 Apr 2011, Belfast, Northern Ireland.

Ferguson, John Robert [Musician] and Hogg, Bennett [Musician] (2011) Wormhole. The Improvised Space: Techniques, Traditions and Technologies. 06 Apr 2011, Kingston upon Thames, U.K.

van Heume, Robert and Ferguson, John (2011) Whistle Pig Saloon. International Computer Music Conference. 31 Jul - 05 Aug 2011, Huddersfield, U.K.

Sound Recording

Kardos, Leah [Composer] (2011) Feather Hammer. (Electronic music). London, U.K. : Bigo & Twigetti. Audio Recordings.

Searby, Michael [Composer] (2011) Arias and ghosts. (DVD of Composition with moving images). Rayleigh, Essex : FMR Records. (20 min.)

Thesis

Lee, Michael James (2011) Composing music to explore and teach compositional techniques of twentieth century and contemporary music at GCE Advanced Level. (MA(R) thesis), Kingston University, .

Other

Searby, Mike (2011) DVD Liner notes for Ligeti's 'Le Grand Macabre'. Halle/Saale, Germany : Arthaus Musik.