Items where Faculty is "Kingston School of Art > School of Critical Studies and Creative Industries"

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Number of items: 18.

Angwin, Ben (2019) The Omega Workshops and the modern artistic interior on the British stage, 1914–1918, with special reference to 'The Wynmartens' (1914). Interiors, 10(1-2), pp. 7-38. ISSN (print) 2041-9112

Brooker, Will (2019) Why Bowie matters. London : William Collins. 308p. ISBN 9780008313722

Brown, Simon (2019) Creepshow. Leighton Buzzard : Auteur Publishing. 106p. (Devil's Advocates) ISBN 9781911325918

Brown, Simon and Abbott, Stacey (2019) Inspiration as adaptation : TV horror, seriality and the adapted text. In: Kaklamanidoy, Betty, (ed.) Adaptation 4.0 : a state of polymorphia. Detroit, U.S. : Wayne State University Press. (In Press)

Brown, Simon (2019) Remaking Stephen King : texts and contexts. In: Piatti-Farnell, Lorna, (ed.) Gothic afterlives : reincarnations of horror in film and television. Lanham, Maryland, U.S. : Lexington Books. (In Press)

Chamarette, Jenny, Mayer, So and Quinlivan, Davina (2019) Towards a queer feminist vernacular : Dr Katharina Linder's film bodies. MAI : Feminism and Visual Culture, 3, ISSN (online) 2003-1673

Conway, Clare, Hodges, Harry and Kumari, Sonia (2019) Embedding employability into the curriculum through service learning: a Creative & Cultural Industries case study. In: Festival of Learning 2019: Supporting student success through inclusive learning and teaching practice; 25 June 2019, Kingston University, England. (Unpublished)

Ferguson, Nicholas (2019) Dwelling as resistance. Places, ISSN (online) 2164-7798

Micallef, Katya (2019) Understanding the context of contemporary visual art in Malta from 1989 to 2018 : a curator's perspective. (PhD thesis), Kingston University, .

O'brien, Sorcha [Curator] (2019) Kitchen power: women's experiences of rural electrification. Kitchen power: women's experiences of rural electrification. .

Quinlivan, Davina (2019) Her skin against the rocks, the rocks against the sky : revisiting Weir's 'Picnic at Hanging Rock' (1975) after Morley's 'The Falling' (2014) and Freud's fable of female hysteria. In: Piotrowska, Agnieszka and Tyrer, Ben, (eds.) Femininity and psychoanalysis : cinema, culture, theory. Abingdon, U.K. : Routledge. pp. 37-47.

Quinlivan, Davina (2019) Lace, leather, indigo, green, ways of looking and being seen : abstraction through 'The Favourite' (Yorgos Lanthimos, 2019). In: Falvey, Eddie, (ed.) Yorgos Lanthimos : a cinema of apathy. Routledge. (In Press)

Raeymaekers, Sven (2019) “Never a neutral emptiness” : theory, history, and philosophy of silence in the sound film. (PhD thesis), Kingston University, .

Scholze, Jana (2019) Be-Wundern: Die Grenzen von Wert, Schönheit und des Anderen. In: Ludwig, Andreas, (ed.) Zeitgeschichte der Dinge. Germany : Böhlau. ISBN 9783412511067 (In Press)

Sonzogni, Annalisa, Carullo, Valeria, Borden, Iain, Loreti, Silvia, Mattiucci, Cristina, Gurrea, Mikel, Bendiner-Viani, Gabrielle, Stoppani, Teresa, Bernath, Doreen, Tommasini, Matthew, Lopez, Jon, Nissanke, Hikaru and Bejer, Simon (2019) Gabriele Basilico : postcards (Milan, 1978-80). The Journal of Architecture, 24(8), pp. 1149-1173. ISSN (print) 1360-2365

Wickstead, Helen (2019) Cults of the distribution map : geography, utopia and the making of modern archaeology. In: Gillings, Mark , Haciguzeller, Piraye and Lock, Gary, (eds.) Re-mapping archaeology : critical perspectives, alternative mappings. Abingdon, U.K. : Routledge. pp. 37-72. ISBN 9781138577138

Wise, Katherine (2019) Lost borders : haunting in and of American women’s ghost stories. (PhD thesis), Kingston University, .

Ó Maoilearca, John (2019) When the twain shall meet : on the divide between analytic and continental film philosophy. In: Carroll, Noël , Di Summa, Laura T. and Loht, Shawn, (eds.) The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Cham, Switzerland : Palgrave. pp. 259-283. ISBN 9783030196004

This list was generated on Fri Dec 20 02:14:19 2024 GMT.