2011

Brown, Ian (2011) Allan Ramsay and the invisibility cloak: the historiography of Scottish drama? In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Brown, Ian (2011) Creative choices in Scots language use in contemporary poetry and drama. In: Guest lecture; 30 May 2011, Koln, Germany. (Unpublished)

Brown, Ian, ed. (2011) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. 248p. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Introduction: a lively tradition and creative amnesia. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 1-5. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK. International Journal of Scottish Theatre and Screen, 4(2), pp. 35-50. ISSN (print) 2046-5602

Brown, Ian (2011) Public and private performance: 1650-1800. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 22-40. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Brown, Ian (2011) Revisiting tartan. In: Celebrating Saltire: 75 years of Scottish culture; 28 May 2011, Glasgow, U.K.. (Unpublished)

Brown, Ian (2011) Stateless nations and political theatre: the twentieth century visibilities of Irish drama and invisibilities of Scottish drama. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Chambers, Colin (2011) Black and Asian theatre in Britain: a history. London, U.K. : Routledge. 304p. ISBN 9780415375986

Chambers, Colin (2011) Fringe theatre before the fringe. Studies in Theatre and Performance, 31(3), pp. 327-338. ISSN (print) 1468-2761

Chambers, Colin (2011) Shakespeare for my time. In: Freeman, John, (ed.) The greatest shows on earth: world theatre from Peter Brook to the Sydney Olympics. Faringdon, Oxfordshire : Libri Publishing. pp. 17-33. ISBN 9781907471544

Fox, Phil and Reynolds, James (2011) Political health and the ethics of provocation : choice and denial in the work of Outside Edge. In: Health Acts : Applied Theatre, Health and Well-being; 27 - 28 Apr 2011, Exeter, U.K.. (Unpublished)

Hand, Chris (2011) Do arts audiences act like consumers? Managing Leisure, 16(2), pp. 88-97. ISSN (print) 1360-6719

Hillman, Rebecca (2011) Rhymes and resources to face failures: agit-pop plays for difficult days. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Mancewicz, Aneta (2011) The stage as a page and the stage as a screen : intermediality in Stephan Pucher's The Tempest (Munchner Kammerspiele, 2007). Forum Modernes Theater, 26(1-2), pp. 7-19. ISSN (print) 0930-5874

Millward, Frank [Composer] (2011) From anger to sadness #4. TaPRA Conference 2011.

Millward, Frank (2011) Visiosonics: developing moving images in direct response to sound: improvising with technology. International Journal of Performance Arts and Digital Media, 7(2), pp. 171-188. ISSN (print) 1479-4713

Minors, Helen Julia (2011) Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Reseach in Dance and the Society for Ethnomusicology; 17 - 20 Nov 2011, Philadelphia, U.S.. (Unpublished)

Minors, Helen Julia (2011) A gestural analysis of music and dance through live composition. In: Dance and Music: Moving Dialogues; 16 - 19 Feb 2011, Montreal, Canada. (Unpublished)

Reid, Trish (2011) Post-devolutionary drama. In: Brown, Ian, (ed.) The Edinburgh companion to Scottish drama. Edinburgh, U.K. : Edinburgh University Press. pp. 188-199. (Edinburgh Companions to Scottish Literature) ISBN 9780748641086

Reid, Trish (2011) Staging Scotland: the National Theatre Scotland and shifting conceptions of Scottish identity. In: Cyfrwng 2011 : Cynhadledd Ryngwladol ar y Cyfryngau a Diwylliant mewn Cenhedloedd Bach = International conference on media and culture in small nations; 16 - 17 Jun 2011, Glamorgan, U.K.. (Unpublished)

Reynolds, James (2011) 3-D technology and the site-specific film adaptation. In: Adaptations and the New Technologies; 25 Jan 2011, Leicester, U.K.. (Unpublished)

Reynolds, James (2011) Intermediality and the uncanny in the devised theatre of Robert Lepage and Ex Machina. In: TaPRA Annual Conference 2011; 07 - 09 Sep 2011, Kingston upon Thames, U.K.. (Unpublished)

Reynolds, James (2011) Robert Lepage and authorial process. In: Authoring Theatre; 14-15 July 2011, London, U.K.. (Unpublished)

Reynolds, James and Zontou, Zoe (2011) Ten years on the edge: Phil Fox reflects on a decade of recovery from addiction through applied theatre. Journal of Applied Arts & Health, 2(2), pp. 165-172. ISSN (print) 2040-2457

Reynolds, James (2011) Transmediality and the uncanny in the devised theatre performances of Robert Lepage and Ex Machina. In: Technologies of Transmediality; 6-8 Jan 2011, Bristol, U.K.. (Unpublished)

Searby, Mike (2011) DVD Liner notes for Ligeti's 'Le Grand Macabre'. Halle/Saale, Germany : Arthaus Musik.

Warnell, Phillip (2011) Projections of animality. In: Unruly creatures: the art and politics of the animal; 14 Jun 2011, London, U.K.. (Unpublished)

van Elferen, Isabella (2011) Music that sucks and bloody liturgy: Catholicism in vampire movies. In: Hanson, Regina, (ed.) Roman Catholicism in fantastic film: essays on belief, spectacle, ritual and imagery. Jefferson, U.S. : McFarland. pp. 97-113. ISBN 9780786464746