Timbrality: the vibrant aesthetics of vibration

Van Elferen, Isabella (2018) Timbrality: the vibrant aesthetics of vibration. In: Dolan, Emily and Rehding, Alexander, (eds.) Oxford Handbook of Timbre. Oxford University Press. ISBN 9780190637224 (Epub Ahead of Print)

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Timbre is both an unstable object and an ungraspable Kantian thing-in-itself: in fact, it resides in the space between those opposites. A theory of timbre, therefore, has to be inclusive rather than dualist: tone color bridges the gap between material origins and immaterial effects of musical sonority, and with that, the gap between the realism and the idealism informing music epistemological debates. This chapter aims to achieve such theoretical inclusiveness. It links timbral ontology and phenomenology by way of vibratory acoulogy and vital materialism. It argues that timbre is a vibration of sound waves crossing over from instruments to our listening bodies, and that the energy carried by those vibrating sound waves can be theorized as an affectively powerful vitality interacting with musical assemblages of humans and non-humans.

Item Type: Book Section
Uncontrolled Keywords: timbre, idealism, aesthetics, vibration, vital materialism
Research Area: Music
Faculty, School or Research Centre: Kingston School of Art
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Depositing User: Isabella Van Elferen
Date Deposited: 27 Feb 2020 10:49
Last Modified: 27 Feb 2020 10:49
DOI: https://doi.org/10.1093/oxfordhb/9780190637224.001.0001
URI: http://eprints.kingston.ac.uk/id/eprint/42602

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