Figures in black : heavy metal and the mourning of the working class

Wilson, Scott (2018) Figures in black : heavy metal and the mourning of the working class. In: Bentley, Nick , Johnson, Beth and Zieleniec, Andrzej, (eds.) Youth subcultures in fiction, film and other media : teenage dreams. Cham, Switzerland : Palgrave Macmillan. pp. 147-163. (Palgrave Studies in the History of Subcultures and Popular Music) ISBN 9783319731889

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Abstract

This chapter looks at the subculture of Heavy Metal. It notes Metal’s long lack of academic attention, particularly from Cultural Studies, ironically associated with Birmingham, UK, the birthplace of Metal in the late 1960s. The chapter argues that Black Sabbath’s initial template for Heavy Metal offers the form and structure for a work of mourning for the de-industrialization and destruction of traditional working-class culture in the UK. Looking initially at Sabbath, then at Bolt Thrower, the essay suggests that Metal’s work of mourning introduces a process of subcultural identification, supplanted through states of sonic ecstasy, that allows something to be made out of ‘an inferred experience of loss’, to create ‘out of chaos and destruction’. (Hannah Segal)

Item Type: Book Section
Research Area: Music
Sociology
Faculty, School or Research Centre: Faculty of Arts and Social Sciences > School of Arts, Culture and Communication
Depositing User: Scott Wilson
Date Deposited: 11 Jun 2018 12:49
Last Modified: 29 Jun 2018 13:54
URI: http://eprints.kingston.ac.uk/id/eprint/41161

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