Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall

Reid, Trish (2016) Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall. Contemporary Theatre Review, 26(1), pp. 60-70. ISSN (print) 1048-6801

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In many contemporary theatre productions for teenage audiences, a power struggle is apparent between young people, who are typically the focus of narrative attention, and the adult world, which they are in the process of entering. This article focuses on two of David Greig’s most successful works for young people, Yellow Moon (2006) and The Monster in the Hall (2010). In particular it explores the concept of aetonormativity as coined by the children’s literature critic Maria Nikolajeva in 2010. Nikolajeva’s theoretical intervention builds on power-oriented critiques of children’s literature, which have been in the ascendancy in the last couple of decades, and is intended to demonstrate that adult normativity controls the way children’s literature is patterned. Consequently, it provides a useful starting point for an exploration of the power dynamics that underwrite the material practices of theatre for young audiences (TYA). Acknowledging the usefulness of this concept, I nevertheless suggest that in Yellow Moon and The Monster in the Hall, Greig effects a partial redistribution of power between the adult and the audience in the TYA exchange. Greig’s subtlety in the use and handling of the concept of power, here as elsewhere, resists over-simplification.

Item Type: Article
Research Area: Drama, dance and performing arts
Faculty, School or Research Centre: Faculty of Arts and Social Sciences (until 2017) > School of Performance and Screen Studies
Depositing User: Susan Miles
Date Deposited: 06 Aug 2015 09:46
Last Modified: 03 Sep 2017 02:10
DOI: https://doi.org/10.1080/10486801.2015.1123701
URI: http://eprints.kingston.ac.uk/id/eprint/32219

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