Penner, Barbara and Rice, Charles (2010) The Conder Room: evidencing the interior's dissolution. In: O'Neill, Morna and Hatt, Michael, (eds.) The Edwardian sense: art, design, and performance in Britain, 1901-1910. New Haven, U.S. : Yale University Press. pp. 127-133. (Studies in British Art, no. 20) ISBN 9780300163353
Full text not available from this archive.| Item Type: | Book Section |
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| Additional Information: | Published in association with The Paul Mellon Centre for Studies in British Art. |
| Physical Location: | This book is held in stock at Kingston University Library. |
| Uncontrolled Keywords: | theory of art, history of art & design styles: from c.1900 -, arts, Edwardian, aesthetics, British, arts and society, art and design, 20th century, Great Britain, history |
| Research Area: | History of art, architecture and design |
| Faculty, School or Research Centre: | Faculty of Art, Design & Architecture (until 2017) > School of Art & Design History Faculty of Art, Design & Architecture (until 2017) > Modern Interiors Research Centre (MIRC) |
| Depositing User: | Julia Finnimore |
| Date Deposited: | 20 May 2011 10:18 |
| Last Modified: | 20 May 2011 10:18 |
| URI: | http://eprints.kingston.ac.uk/id/eprint/19146 |
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