Items where Research Area is "Music"

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Number of items at this level: 385.

Artefact/Device

Kenning, Dean [Artist] (2012) Untitled. (Kinetic sound sculpture installation).

Article

Ben-Tal, Oded (2012) Characterising musical gestures. Musicae Scientiae, 16(3), pp. 247-261. ISSN (print) 1029-8649

Ben-Tal, Oded and Berger, Jonathan (2004) Creative aspects of sonification. Leonardo, 37(3), pp. 229-232. ISSN (print) 0024-094X

Blumstein, D.T., Davitian, R. and Kaye, P.D. (2010) Do film soundtracks contain nonlinear analogues to influence emotion? Biology Letters, 6(6), pp. 751-754. ISSN (print) 1744-9561

Blumstein, Daniel T., Bryant, Gregory A. and Kaye, Peter (2012) The sound of arousal in music is context-dependent. Biology Letters, 8(5), pp. 744-747. ISSN (print) 1744-9561

Ferguson, John and Bell, Paul (2008) The role of ambiguity within musical creativity. Leonardo Electronic Almanac, ISSN (online) 1071-4391

Ferguson, John Robert and van Heumen, Robert (2010) Whistle Pig Saloon: performing technologies. Leonardo Music Journal, 20, pp. 12-13. ISSN (print) 0961-1215

Ferguson, John and Bell, Paul (2008) Tron Lennon discuss collaborative practice. Fool�s Gold: Practice and Improvisation in Performance, 1, xvi-xvi.

Gartrell, Carol A. (2003) Towards an inventory of antique barytons. The Galpin Society Journal: for the study of musical instruments, 56, pp. 116-131. ISSN (print) 0072-0127

Glauert, Amanda (2009) Review of 'Heinrich Heine and the Lied' by Susan Youens. Music and Letters, 90(2), pp. 289-292. ISSN (print) 0027-4224

Glauert, Amanda (2007) 'Nicht diese tone' : lessons in song and singing from Beethoven's ninth symphony. Eighteenth-Century Music, 4(1), pp. 55-69. ISSN (print) 1478-5706

Glauert, Amanda (2006) Review of Eichendorff Lieder: Lieder to texts by Joseph, Freiherr von Eichendorff (1788-1857) by Felix Medelssohn, Robert Franz, Robert Schumann, Aribert Reimann, Hugo Wolf, Alexander von Zemlinsky, Erich Korngold, Hans Pfitzner and Othmar Schoeck. Wolfgang Holmair bar, Imogen Cooper pf (Philips 464 991-2). Nineteenth-Century Music Review, 3(2), pp. 188-191. ISSN (print) 1479-4098

Glauert, Amanda (2004) Art and music: the case for hybridity - Review of: 'Visible deeds of music: art and music from Cage to Wagner' by Simon Shaw-Miller. Oxford Art Journal, 27(3), pp. 431-433. ISSN (print) 0142-6540

Glauert, Amanda (2004) Review of: 'Nineteenth-Century music: selected proceedings of the tenth international conference' by Jim Samson and Bennett Zon (eds.). Music and Letters, 85(3), pp. 457-460. ISSN (print) 0027-4224

Glauert, Amanda (2004) Review of: Lieder nach Heine und Lenau by Wolf. Stephan Genz bar Roger Vignoles pf (Hyperion CDA67343). Nineteenth-Century Music Review, 1(1), pp. 199-201. ISSN (print) 1479-4098

Glauert, Amanda (2003) Review of: 'Sunt lacrimae rerum: Untersuchungen zur Darstellung des Weinens in der Musik' by Ute Ringhardt. Music and Letters, 84(2), pp. 278-280. ISSN (print) 0027-4224

Glauert, Amanda (2003) Review of: Goethe and the guitar songs and ballads c1800, performed by Cafe Mozart, Danubia Discs 2002. Haydn Society Journal, 22, pp. 47-48. ISSN (print) 1350-1267

Glauert, Amanda (2003) Wolf at the extremes. The Schubertian, 41, pp. 4-11. ISSN (print) 1740-7117

Glauert, Amanda (2000) "Ich singe wie der Vogel singt": reflections on nature and genre in Wolf's setting of Goethe's Der Sanger. Journal of the Royal Musical Association, 125(2), pp. 271-286. ISSN (print) 0269-0403

Glauert, Amanda (2000) "When sounds stir within me I always hear the full orchestra": finding the compositional voice in Beethoven's songs. Arietta, 2, pp. 19-24. ISSN (print) 1465-9387

Glauert, Amanda (1980) The double perspective in Beethoven's Opus 131. Nineteenth century music, 4(2), pp. 113-120. ISSN (print) 0148-2076

Hand, Chris (2011) Do arts audiences act like consumers? Managing Leisure, 16(2), pp. 88-97. ISSN (print) 1360-6719

Huq, Rupa (2001) The French connection: francophone hip hop as an institution in contemporary postcolonial France. Taboo: the journal of culture and education, 5(2), pp. 69-84. ISSN (print) 1080-5400

Jones, Kevin (2007) The Dorabella code. BBC Proms website,

Jones, Kevin (2007) Elgar on Radio 3: The Starlight Express (1915). BBC Radio 3 website,

Jones, Kevin (2007) Variations on an Enigma. BBC Proms website,

Jones, Kevin (2007) A hidden world of musical codes. BBC Proms website,

Jones, Kevin (2004) Breaking Elgar's enigmatic code. New Scientist, 104(2479/80), ISSN (print) 0262-4079

Jones, Kevin (2003) Elegiac air honours more than lost lives. Times Educational Supplement, ISSN (print) 0040-7887

Jones, Kevin (1996) The cosmic keyboard: tuning the calendar. Contemporary Music Review, 14(1 & 2), pp. 39-58. ISSN (print) 0749-4467

Manning, Jane (2005) A sixties 'Pierrot': a personal memoir. Tempo, 59(233), pp. 17-25. ISSN (print) 0040-2982

Millward, Frank (2011) Visiosonics: developing moving images in direct response to sound: improvising with technology. International Journal of Performance Arts and Digital Media, 7(2), pp. 171-188. ISSN (print) 1479-4713

Minors, Helen Julia (2010) Book Review of: 'Jean Cras: polymath of music and letters' by Paul-Andre Bempechat. Notes: Quarterly Journal of the Music Library Association, 67(2), pp. 348-350. ISSN (print) 0027-4380

Minors, Helen Julia (2010) Broken strings, dismembered bodies: Music Iconography Study Group Open Seminar. Royal Musical Association Newsletter, 14(2), p. 14. ISSN (print) 1461-9717

Minors, Helen Julia (2007) Book Review of: 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser. Nineteenth-Century Music Review, pp. 135-139. ISSN (print) 1479-4098

Minors, Helen Julia (2006) Conference report: Interdiscplinary Nineteenth Century Studies International Conference. Royal Musical Association Newsletter, 9(2), pp. 10-11. ISSN (print) 1461-9717

Minors, Helen Julia (2006) Paul Dukas' La Peri as interpreted by two balletic collaborators. The Opera Quarterly, 22(1), pp. 117-135. ISSN (print) 0736-0053

Minors, Helen Julia (2013) Book Review of: 'Stravinsky's ballets' by Charles M. Joseph. Dance Research Journal, 45(1), pp. 128-131. ISSN (print) 0149-7677

Minors, Helen Julia (2013) Book Review of: 'The Ballets Russes and beyond: music and dance in belle-epoque Paris' by Davinia Caddy. The Slavonic and East European Review (SEER), 91(4), pp. 891-892. ISSN (print) 0037-6795

Minors, Helen Julia (2013) Soundpainting: navigating creativity. Choreologica: The Journal of European Association of Dance Historians, 6(1), pp. 79-90. ISSN (print) 1746-5737

Minors, Helen Julia (2012) Music and movement in dialogue: exploring gesture in soundpainting. Les Cahiers de la Societe quebecoise de recherche en musique, 13(1-2), pp. 87-96. ISSN (print) 1480-1132

Minors, Helen Julia (2011) Book Review of: 'Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond' by Peter Dayan. Ars Lyrica, 20, pp. 127-130. ISSN (print) 1043-3848

Minors, Helen Julia (2011) Surveying a primary source of Dukas’ Ariane et Barbe-Bleue. Ars Lyrica, 20, pp. 80-98. ISSN (print) 1043-3848

Minors, Helen Julia (2009) La Peri, poeme danse (1911-12): a problematic creative-collaborative journey. Dance Research, 27(2), pp. 227-252. ISSN (print) 0264-2875

Pearson, Ingrid (1999) Verfolgt vom Klang der Klarinette seines Vaters - uber Blatt-Position, Ferruccio Busoni und die Klarinette des 19. Jahrhunderts. Tibia - Magazin für Holzbläser (Tibia - The Woodwind Periodical), 24(12), pp. 605-611. ISSN (print) 0176-6511

Potter, Caroline (2010) Book Review of: Deodat de Severac: musical identity in fin de siecle France by Robert F. Waters. Music and Letters, 91(2), pp. 290-291. ISSN (print) 0027-4224

Potter, Caroline (2010) The composer, the choreographer and the film star: Henri Dutilleux's music for ballet. Musical Times, 151(1911), pp. 71-82. ISSN (print) 0027-4666

Potter, Caroline (2009) Book Review of: Berlioz and Debussy: sources, contexts and legacies. Essays in honour of Francois Lesure by Barbara L. Kelly and Kerry Murphy (eds.). Nineteenth Century French Studies, 37(3-4), pp. 315-316. ISSN (print) 0146-7891

Potter, Caroline (2009) Book Review of: Nadia Boulanger et Lili Boulanger: Temoignages et etudes by Alexandra Laederich (ed.). Music and Letters, 90(1), pp. 135-137. ISSN (print) 0027-4224

Potter, Caroline (2006) Dutilleux at 90. Musical Times, 147(1894), pp. 51-58. ISSN (print) 0027-4666

Potter, Caroline (1999) Nadia and Lili Boulanger: sister composers. The Musical Quarterly, 83(4), pp. 536-556. ISSN (print) 0027-4631

Potter, Caroline (2013) Book Review of 'Le style de Claude Debussy: duplication, repetition et dualite dans les strategies de composition' by Sylveline Bourion. Notes: Quarterly Journal of the Music Library Association, 70(1), pp. 122-124. ISSN (print) 0027-4380

Potter, Caroline (2013) Book review of: 'Ravel Studies' ed. by Deborah Mawer. Music and Letters, 94(3), pp. 536-538. ISSN (print) 0027-4224

Potter, Caroline (2012) 'Marche gaie': a rediscovered work by Lili Boulanger. Notes: Quarterly Journal of the Music Library Association, 68(4), pp. 715-728. ISSN (print) 0027-4380

Potter, Caroline (2011) Erik Satie's 'Obstacles venimeux'. Ars Lyrica, 20, pp. 101-114. ISSN (print) 1043-3848

Potter, Caroline and Rae, Caroline (2010) Preface. Contemporary Music Review, 29(5), pp. 429-430. ISSN (print) 0749-4467

Potter, Caroline (2010) The end - or is it? Dutilleux's revisions. Contemporary Music Review, 29(5), pp. 515-527. ISSN (print) 0749-4467

Robertson, Paul (1996) The art of science. Strad, 107(1271), p. 256. ISSN (print) 0039-2049

Sagiv, Noam, Ilbeigi, Alireza and Ben-Tal, Oded (2011) Reflections on synaesthesia, perception, and cognition. Intellectica, 55, pp. 81-94. ISSN (print) 0769-4113

Searby, Mike (1997) Book Review of: American pioneers by Alan Rich. Tempo, 199, pp. 42-43. ISSN (print) 0040-2982

Searby, Mike and Ewers, Tim (1997) An evaluation of the use of peer assessment in higher education: a case study in the School of Music, Kingston University. Assessment & Evaluation in Higher Education, 22(4), pp. 371-383. ISSN (print) 0260-2938

Searby, M. (1997) Ligeti the post-modernist? Tempo, 1997(199), pp. 9-15. ISSN (print) 0040-2982

Searby, Michael (2012) Book Review of: 'Gyorgy Ligeti: Of foreign lands and strange sounds' ed. by Louise Duchesneau & Wolfgang Marx. Tempo, 66(260), pp. 65-66. ISSN (print) 0040-2982

Searby, Michael [Reviewer] (2012) Book Review of: 'Ligeti's laments: nostalgia, exoticism and the absolute' by Amy Bauer. Tempo, 66(261), pp. 74-75. ISSN (print) 0040-2982

Searby, Michael (2012) Ligeti's 'Le Grand macabre': how he solved the problem of writing a modernist opera. Tempo, 66(262), pp. 29-38. ISSN (print) 0040-2982

Searby, Michael (2012) To the future or the past? Ligeti's stylistic eclecticism in his 'Hamburg Concerto'. Contemporary Music Review, 31(2-3), pp. 239-246. ISSN (print) 0749-4467

Searby, Michael (2001) Ligeti's 'third way': 'non-atonal' elements in the Horn trio. Tempo, 2001(216), pp. 17-22. ISSN (print) 0040-2982

Searby, Michael (1989) Ligeti's Chamber Concerto: summation or turning point? Tempo, 1989(168), pp. 30-34. ISSN (print) 0040-2982

Searby, Mike and Ewers, Tim (1996) Peer assessing composition in Higher Education. British Journal of Music Education, 13(2), pp. 155-163. ISSN (print) 0265-0517

de Vries, Imar and Van Elferen, Isabella (2010) The musical 'Madeleine': communication, performance and identity in musical ringtones. Popular Music and Society, 33(1), pp. 61-74. ISSN (print) 0300-7766

van Elferen, Isabella (2012) The Gothic Bach. Understanding Bach, 7, pp. 9-20. ISSN (online) 1750-3078

van Elferen, Isabella (2011) East German Goth and the spectres of Marx. Popular Music, 30(1), pp. 89-103. ISSN (print) 0261-1430

van Elferen, Isabella (2011) ¡Un forastero! Issues of virtuality and diegesis in videogame music. Music and The Moving Image, 4(2), pp. 30-39. ISSN (print) 2167-8464

van Elferen, Isabella (2010) Book review of: 'Limits of horror: technology, bodies, gothic' by Fred Botting. Journal of the Fantastic in the Arts, 21(1), pp. 132-135. ISSN (print) 0897-0521

van Elferen, Isabella (2010) Music of other spheres: diagonal time and metaphysics in 'Lost'. Science Fiction Film and Television, 3(2), pp. 253-270. ISSN (print) 1754-3770

van Elferen, Isabella (2009) Dances with spectres: theorising the cybergothic. Gothic Studies, 11(1), pp. 99-112. ISSN (print) 1362-7937

van Elferen, Isabella (2009) The hungry soul: communion mystics and physiology in J. S. Bach's 'St. Matthew Passion'. Bach: Journal of the Riemenschneider Bach Institute, 40(1), pp. 35-57. ISSN (print) 0005-3600

van Elferen, Isabella (2007) ‘Ihr Augen weint!’: intersubjective tears in the sentimental concert hall. Understanding Bach, 2, pp. 77-94. ISSN (online) 1750-3078

Book

Gartrell, Carol (2009) A history of the baryton and its music: king of instruments, instrument of kings. Lanham, U.S. : Scarecrow Press. 304p. ISBN 9780810869172

Gartrell, Carol, ed. (2004) Baryton and voice at the Vienna Hofkapelle by Antonio Draghi, Attilio Ariosti and Johann Joseph Fux. Hebden Bridge, U.K. : Peacock Press. 10p.

Gartrell, Carol A., ed. (2005) Barytons, voice & mandolins at the Vienna Hofkapelle by Francesco Bartolomeo Conti. Hebden Bridge, U.K. : Peacock Press. 24p.

Glauert, Amanda (1999) Hugo Wolf and the Wagnerian inheritance. Cambridge, U.K. : Cambridge University Press. 161p. ISBN 0521496373

Lloyd, Fran, ed. (1993) Deconstructing Madonna. London, U.K. : B.T. Batsford. 128p. (Batsford Cultural Studies) ISBN 0713474025

Minors, Helen Julia, ed. (2013) How performance thinks. Kingston upon Thames, U.K. : Practice Research Unit, Kingston University and Performance and Philosophy Working Group, PSi. 219p.

Minors, Helen Julia (2012) Music, text and translation. London, U.K. : Continuum. 244p. (Bloomsbury Advances in Translation Studies) ISBN 9781441173089

Minors, Helen Julia and Morris, Geraldine, eds. (2009) Established Scholars' Conference 2008 Proceedings. U.K. : Society for Dance Research. 76p.

Potter, Caroline (2006) Nadia and Lili Boulanger. Aldershot, UK : Ashgate. 191p. ISBN 9780754604723

Potter, Caroline (1997) Henri Dutilleux, his life and works. Aldershot, U.K. : Ashgate. 236p. ISBN 1859283306

Potter, Caroline, ed. (2013) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. 268p. ISBN 9781409434214

Sampson, Fiona (2011) Music lessons: poetry and musical form. Newcastle upon Tyne, U.K. : Department of English Literary & Linguistic Studies, Newcastle University. 72p. (Newcastle/Bloodaxe Poetry Series, no. 10) ISBN 9781852249090

Searby, Michael D. (2009) Ligeti's stylistic crisis: transformation in his musical style 1974-1985. Lanham, U.S. : Scarecrow Press. 220p. ISBN 9780810872509

Smith, Richard Langham and Potter, Caroline, eds. (2006) French music since Berlioz. Aldershot, UK : Ashgate. 363p. ISBN 0754602826

Van Elferen, Isabella (2012) Gothic music: the sounds of the uncanny. Cardiff, U.K. : University of Wales Press. 229p. (Gothic Literary Studies) ISBN 9780708325124

van Elferen, Isabella (2008) Mystical love in the German baroque: theology, poetry, music. Washington, U.S. : Scarecrow Press. 384p. (Contextual Bach Studies) ISBN 9780810861367

van Elferen, Isabella, ed. (2007) Nostalgia or perversion? Gothic rewriting from the eighteenth century until the present day. Newcastle, U.K. : Cambridge Scholars Publishing. 266p. ISBN 9781847182470

Book Section

Botting, Fred (2012) Love your zombie: horror, ethics, excess. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 19-36. (Routledge interdisciplinary perspectives on literature, no. 8) ISBN 9780415806763

Glauert, Amanda (2004) The lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven. In: Parsons, James, (ed.) The Cambridge companion to the Lied. Cambridge : Cambridge University Press. pp. 63-82. (Cambridge companions to music) ISBN 052180471X

Glauert, Amanda (2000) Beethoven's songs and vocal style. In: Stanley, Glenn, (ed.) The Cambridge companion to Beethoven. Cambridge, U.K. : Cambridge University Press. pp. 186-199. (Cambridge companions to music) ISBN 0521589347

Glauert, Amanda (1992) Barbier von Bagdad, Der ('The Barber of Baghdad'). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 316-318. ISBN 0935859926

Glauert, Amanda (1992) Cornelius, (Carl August) Peter (i). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 954-955. ISBN 0935859926

Glauert, Amanda (1992) Corregidor, Der ('The magistrate'). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 958-959. ISBN 0935859926

Glauert, Amanda (1992) Hansel und Gretel (Hansel and Gretel). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 638-640. ISBN 0935859926

Glauert, Amanda (1992) Humperdinck, Engelbert. In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 769-771. ISBN 0935859926

Glauert, Amanda (1992) Kienzl, Wilhelm. In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 988-989. ISBN 0935859926

Glauert, Amanda (1992) Wolf, Hugo (Filipp Jakob). In: Sadie, Stanley, (ed.) The new Grove dictionary of opera. London, U.K. : Macmillan. pp. 1169-1170. ISBN 0935859926

Glauert, Amanda (1992) The reception of Wagner in Vienna, 1860-1900. In: Millington, Barry and Spencer, Stewart, (eds.) Wagner in performance. New Haven, U.S. : Yale University Press. pp. 120-129. ISBN 0300057180

Hall, Joanna Louise (2008) Mapping the multifarious: the genrification of dance music club cultures. In: Lansdale, Janet, (ed.) Decentring dancing texts: the challenge of interpreting dances. Basingstoke, U.K. : Palgrave Macmillan. pp. 177-193. ISBN 9780230542594

Huq, Rupa (2002) Raving, not drowning: authenticity, pleasure and politics in the electronic dance music scene. In: Hesmondhalgh, David and Negus, Keith, (eds.) Popular music studies. London, U.K. : Arnold. pp. 90-102. ISBN 0340762489

Huq, Rupa (2001) Rap a la francaise: hip hop as youth culture in contemporary post-colonial France. In: Furlong, Andy and Guidikova, Irena, (eds.) Transitions of youth citizenship in Europe: culture, subculture and identity. Strasbourg, France : Council of Europe. pp. 41-60. ISBN 9287144303

Jones, Kevin (1999) Splitting cells, virtual sculptures and a system for carving up musical space. In: Lasker, George E. and Rhodes, James, (eds.) Systems research in arts: Musicology. Windsor, Ontario, Canada : International Institute for Advanced Studies in Systems Research and Cybernetics. pp. 20-25. ISBN 0921836961

Lloyd, Fran (1993) The changing images of Madonna. In: Lloyd, Fran, (ed.) Deconstructing Madonna. London, U.K. : B.T. Barnsford. pp. 35-48. (Batsford Cultural Studies) ISBN 0713474025

Lloyd, Fran (1993) Introduction. In: Lloyd, Fran, (ed.) Deconstructing Madonna. London, U.K. : B.T. Batsford. pp. 9-15. (Batsford Cultural Studies) ISBN 0713474025

Millward, Frank (2009) Developing moving images for the multimedia performace 'From anger to sadness' : representation, interpretation and perception. In: Schroeder, Franziska, (ed.) Performing technology: user content and the new digital media: insights from the two thousand + nine symposium. Newcastle upon Tyne, U.K. : Cambridge Scholars. pp. 72-86. ISBN 9781443814454

Minors, Helen Julia (2011) Du fond de l'abime, Psalm 130. In: Musikproduktion Jurgen Hoflich, , (ed.) Du fond de l'abime, Psalm 130. Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia (2011) Psalm 129. In: Musikproduktion Jurgen Hoflich, , (ed.) Psalm 129. Munich, Germany : Musikproduktion Jurgen Horflick.

Minors, Helen Julia (2013) Claude Debussy, La Boite a Joujoux. In: Musikproduktion Jurgen Horflick, , (ed.) Repertoire Explorer & Opera Explorer. Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia (2013) Experiencing inter-art dialogue in Erik Satie’s Sports et divertissements (1914 / 1922). In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. ISBN 9781472402776 (In Press)

Minors, Helen Julia (2013) Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922). In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. pp. 115-136. ISBN 9781409434214

Minors, Helen Julia and Thompson, Walter [Interviewee] (2013) Reassessing the thinking body in soundpainting. In: Minors, Helen Julia, (ed.) How performance thinks. Kingston upon Thames, U.K. : Practice Research Unit, Kingston Unievrsity and Performance and Philosophy Working Group, PSi. pp. 142-148.

Minors, Helen Julia [Author of introduction, etc.] (2013) Score Preface: Jules Massenet, La Navarraise (with French libretto). In: Musikproduktion Jurgen Hoflich, , (ed.) La Navarraise (with French libretto). Munich, Germany : Musikproduktion Jurgen Hoflich.

Minors, Helen Julia (2013) Soundpainting: the use of space in creating dance-music pieces. In: Wyres, Marilyn and Glieca, Lorenzo , (eds.) Sound, music and the moving-thinking body. London, U.K. : Cambridge Scholars Press. pp. 27-34. ISBN 9781443852319

Minors, Helen Julia (2012) In collaboration: toward a gesture analysis of music and dance. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Wurzburg, Germany : Konigshausen & Neumann. pp. 163-180. ISBN 9783826047442

Minors, Helen Julia (2012) Paul Dukas et Claude Debussy: identite dans l'opera francais. In: Terrien, Pascal, (ed.) La musique francaise : esthetique et identite en mutation 1892-1992. Paris, France : Editions Delateur. pp. 227-240. (Collection Pensee Musicale) ISBN 9782752101068

Minors, Helen Julia (2011) Psalm 24. In: Musikproduktion Jurgen Horflick, , (ed.) Psalm 24 “La terre appartient à l’Eternel” (The earth is the Lord’s). Munich, Germany : Musikproduktion Jurgen Horflick.

Pearson, Ingrid (2000) Playing historical clarinets. In: Lawson, Colin , (ed.) The early clarinet: a practical guide. Cambridge, U.K. : Cambridge University Press. pp. 41-62. (Cambridge handbooks to the historical perfomance of music) ISBN 0521624665

Potter, Caroline (2011) Henri Dutilleux et le prix de Rome. In: Dratwicki, Alexandre and Lu, Julia, (eds.) Le Concours du prix de Rome de musique (1803-1968). Lyon, France : Symetrie. pp. 445-456. ISBN 9782914373517

Potter, Caroline (2007) Messiaen and Dutilleux. In: Dingle, Christopher and Simeone, Nigel, (eds.) Olivier Messiaen: Music, Art and Literature. Aldershot, UK : Ashgate. pp. 23-38. (Music and Literature) ISBN 9780754652977

Potter, Caroline (2006) French music and the Second World War. In: Smith, Richard Langham and Potter, Caroline, (eds.) French music since Berlioz. Aldershot, UK : Ashgate. pp. 281-301. ISBN 0754602826

Potter, Caroline (2006) French musical style and the post-war generation. In: Smith, Richard Langham and Potter, Caroline, (eds.) French music since Berlioz. Aldershot, UK : Ashgate. pp. 331-354. ISBN 0754602826

Potter, Caroline (2003) Debussy and nature. In: Tresize, Simon, (ed.) The Cambridge companion to Debussy. Cambridge, UK : Cambridge University Press. pp. 137-151. (Cambridge Companion to Music) ISBN 0521654785

Potter, Caroline (2003) An interview with Edwin Roxburgh. In: O'Hagan, Peter, (ed.) Aspects of British music of the 1990s. Aldershot, UK : Ashgate. pp. 141-148. ISBN 9780754630418

Potter, Caroline (2002) The French quartet. In: Jarman, Douglas, (ed.) The twentieth-century string quartet. Todmorden, UK : Arc Music. pp. 25-40. ISBN 1900072564

Potter, Caroline (2002) Nadia Boulanger (1887-1979): the teacher in the marketplace. In: Talbot, Michael, (ed.) The Business of Music. Liverpool, U.K. : Liverpool University Press. pp. 152-170. (Liverpool Music Symposium, no. 2) ISBN 0853235384

Potter, Caroline (2013) Preface. In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. pp. xiii-xix. ISBN 9781409434214

Potter, Caroline (2013) Satie as poet, playwright and composer. In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K. : Ashgate. pp. 67-84. ISBN 9781409434214

Rinke, Andrea (2007) Sonnenallee: Rock' n' roll and passport control: how an East German comedy colours the past. In: Everett, Wendy, (ed.) Questions of colour in cinema: from paintbrush to pixel. Bern, Switzerland : Peter Lang. pp. 85-102. (New studies in European cinema, no. 6) ISSN (print) 1661-0261 ISBN 9783039113538

Rinke, Andrea (2006) Film musicals in the GDR. In: Conrich, Ian and Tincknell, Estella, (eds.) Film's musical moments. Edinburgh, U.K. : Edinburgh University Press. pp. 183-194. (Music and the moving image) ISBN 0748623450

Searby, Michael and Ewers, Tim (2000) Peer assessment in composition. In: Hunter, Desmond and Russ, Michael, (eds.) Peer learning in music. Newtownabbey, Northern Ireland : University of Ulster. pp. 106-114. ISBN 1859231438

Wilson, Scott (2012) Amusia, noise and the drive: towards a theory of the audio unconscious. In: Goddard, Michael , Halligan, Benjamin and Hegarty, Paul, (eds.) Reverberations : the philosophy, aesthetics and politics of noise. Continuum International Publishing. pp. 26-39. ISBN 9781441160652

van Elferen, Isabella (2013) Globalgoth? Unlocatedness in the musical home. In: Byron, Glennis, (ed.) Globalgoth. Manchester, U.K. : Manchester University Press. pp. 91-104. (International Gothic) ISBN 9780719087950

van Elferen, Isabella (2013) 'Lost' in music: Heidegger, the glissando and otherness. In: Donnelly, K. J. and Hayward, Philip, (eds.) Music in science fiction: tuned to the future. Abingdon, U.K. : Routledge. pp. 179-196. ISBN 9780415641074

van Elferen, Isabella (2013) Nick Cave and Gothic: ghost stories, fucked organs, spectral liturgy. In: Baker, John, (ed.) The art of Nick Cave: new critical essays. Bristol, U.K. : Intellect. pp. 175-188. ISBN 9781841506272

van Elferen, Isabella (2013) Sonic monstrosity. In: Christensen, Jørgen Riber and Christiansen, Steen Ledet, (eds.) Monstrologi: frygtens manifestationer. Aalborg, Denmark : Aalborg Universitetsforlag. pp. 127-146. (Interdisciplinære kulturstudier, no. 4) ISBN 9788771120363

van Elferen, Isabella (2012) Dream timbre: notes on Lynchian sound design. In: Wierzbecki, James, (ed.) Music, sound and filmmakers: sonic style in cinema. Abingdon, U.K. : Routledge. pp. 175-188. (Routledge music and screen media series) ISBN 9780415898935

van Elferen, Isabella (2012) Spectral liturgy: transgression, ritual and music in Gothic. In: Edwards, Justin D. and Monnet, Agnieszka Soltysik, (eds.) The gothic in contemporary literature and popular culture: pop goth. Abingdon, U.K. : Routledge. pp. 135-147. (Routledge interdisciplinary perspectives on literature, no. 8) ISBN 9780415806763

van Elferen, Isabella (2011) Music that sucks and bloody liturgy: Catholicism in vampire movies. In: Hanson, Regina, (ed.) Roman Catholicism in fantastic film: essays on belief, spectacle, ritual and imagery. Jefferson, U.S. : McFarland. pp. 97-113. ISBN 9780786464746

van Elferen, Isabella (2010) Haunted by a melody: ghosts, transgression, and music in 'Twin Peaks'. In: Blanco, Maria del Pilar and Peeren, Esther, (eds.) Popular ghosts: the haunted spaces of everyday culture. New York, U.S. : Continuum. pp. 282-295. ISBN 9781441163691

van Elferen, Isabella (2010) Recht bitter und doch susse: Lutherse theologie en mystieki leifde in de Matthaus-Passion. In: Dirksen, Pieter, (ed.) De geheimen van de Matthäus-Passion: ambacht en mystiek van een meesterwerk. Amsterdam, Netherlands : Balans. pp. 81-91. ISBN 9789050188999

van Elferen, Isabella (2009) 'And machine created music': cybergothic music and the phantom voices of the technological uncanny. In: van den Boomen, Marianne , Lammes, Sybille , Lehmann, Ann-Sophie , Raessens, Joost and Schäfer, Mirko Tobias, (eds.) Digital media: tracing new media in everyday life and technology. Amsterdam, Netherlands : Amsterdam University Press. pp. 121-132. (MediaMatters) ISBN 9789089640680

van Elferen, Isabella (2007) Introduction: nostalgia and perversion in Gothic rewriting. In: van Elferen, Isabella, (ed.) Nostalgia or perversion? Gothic rewriting from the eighteenth century until the present day. Newcastle, U.K. : Cambridge Scholars Publishing. pp. 1-11. ISBN 9781847182470

Composition

Archbold, Paul [Composer] (2009) Fluxions. (music).

Archbold, Paul [Composer] (2006) Companion of angels: a celebration of William Blake. (cello, viola and vocal combination). Optic Nerve.

Archbold, Paul [Composer] (2005) Coronae. (music).

Archbold, Paul [Composer] (2005) Songswarm. (music).

Archbold, Paul [Composer] (2002) Haar. (music). (Unpublished)

Archbold, Paul [Composer] (2000) Aurium. (music). BMIC.

Archbold, Paul (2004) Recoil. (piano tape combination). score and compact disc. (Unpublished)

Archbold, Paul [Composer] (2004) a little night music. (music).

Archbold, Paul (2003) Traces. (mixed chamber ensemble). score and compact disc.

Archbold, Paul [Composer] (2002) Gauge symmetries. (violin solo). Score. (Unpublished)

Ben-Tal, Oded [Composer] (2009) Music for strings. (music).

Ben-Tal, Oded [Composer] (2012) Day after day, night after night. (music).

Ben-Tal, Oded [Composer] (2012) Hypnagogic states. (music).

Ben-Tal, Oded [Composer] (2004) Nebulae for double woodwind quintet. (music). (Unpublished)

Ben-Tal, Oded [Composer] (2003) Chlorophilosophy. (music). (Unpublished)

Ben-Tal, Oded [Composer] (2001) Precipitating lights. (music). (Unpublished)

Brummer, L [Composer] (1999) Le temps s'ouvre. (Video and 4-channel audio).

Brummer, L [Composer] (1999) ->Thrill<-. (4-channel audio).

Brummer, L [Composer] (1997) Lizard Point. (Audio for video).

Brummer, L [Composer] (1997) Phrenos. (4-channel soundfile). CD.

Brummer, L [Composer] (1994) The gates of H. (Audio for 2-channel tape).

Chambon, Philip and Sorrentino, Bruno (2002) Secrets of the Saudi state. (television soundtrack). Hardcash Productions. DVD.

Chambon, Philip and Marston, Cathy (2002) The go between (between shadows). (viola electro-acoustic combination). London : Sheet music (viola part), compact disc. (Unpublished)

Chambon, Philip (2006) Versailles Stories. (music). London, U.K. : Lion TV Productions.

Evans, Alex [Composer], Hogg, John [Composer], Genockey, Sean [Composer] and Morgan, John [Composer] (2001) Hanging around. (Song). Los Angeles, CA, U.S. : Ultimatum Music LLC. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genockey, Sean [Composer] and Morgan, John [Composer] (2001) Liar. (Song). Los Angeles, CA, U.S. : Ultimatum Music LLC. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genockey, Sean [Composer] and Morgan, John [Composer] (2001) Slide. (Song). Los Angeles, CA, U.S. : Ultimatum Music LLC. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genokey, Sean [Composer] and Morgan , John [Composer] (1998) In your dreams. (Song). London, U.K. : Dorado Records. CD.

Evans, Alex [Composer], Hogg, John [Composer], Genockey , Sean [Composer] and Morgan, John [Composer] (1998) Wheel In Motion. (music). London, U.K. : Dorado Records. CD.

Ewers, Tim [Composer] (2007) On the edge. (saxophone quartet). Score and compact disc. (In Press)

Ewers, Tim (2005) D-re-A-mi-N-gl-Y : a setting of 5 poems by e.e. cummings. (voice and instrumental ensemble). Score and compact disc. (Unpublished)

Ewers, Tim [Composer] (2004) Flautando. (flute with piano accompaniment). (Unpublished)

Ewers, Tim [Composer] (2003) Blast. (saxophone with piano accompaniment). (Unpublished)

Ewers, Tim [Composer] (1990) Altiplano. (music).

Ewers, Tim [Composer] (2011) Wonderlands. (music).

Ewers, Tim [Composer] (2008) Chimburazo. (music).

Ewers, Tim [Composer] (2000) Solitaire. (music).

Ewers, Tim [Composer] (1999) Rainy days and holidays. (music).

Ewers, Tim [Composer] (1998) Geometric designs. (music). Version 2.

Ewers, Tim [Composer] (1994) Following on. (music).

Ewers, Tim [Composer] (1991) ...blue, indigo, violet. (music).

Ewers, Tim [Composer] (1989) Squaring the circle. (music).

Ewers, Tim [Composer] (1988) Kite. (music). Version 2.

Ewers, Tim [Composer] (1986) Quadrivium. (music).

Ferguson, John [Artist] and Bell, Paul [Artist] (2008) Thank you Reverend. (electroacoustic). The Netherlands : http://soundmuseum.fm/.

Harris, Louise [Composer] (2010) fuzee. (music).

Jones, Kevin [Composer] (2008) Cantus de Stellis. (orchestral work with chorus). (Unpublished)

Jones, Kevin [Composer] (2003) Polkadotycat. (Music). (Unpublished)

Jones, Kevin [Composer] (2001) The Yellow Bell. (Music).

Jones, Kevin [Composer] (1998) Passing the summer at the thatched hall of the inkwell. (Score).

Jones, Kevin [Composer] (1995) For peace is in the threem of a pair. (Score (piano)).

Millward, Frank [Composer] (1999) Dining with Alice. (Score).

Millward, Frank [Composer] (1999) Timelines: yesterdays, todays, tomorrows. (Composition for DJ and Orchestra).

Millward, Frank [Composer] (1999) The fair go. (Soundtrack).

Millward, Frank [Composer] (1995) The flame of freedom. (Score).

Millward, Frank [Composer] (2011) BoldAs. (music).

Millward, Frank [Composer] (2011) Dining with Alice. (music).

Millward, Frank [Composer] (2009) The jazz cat Miaou. (music).

Millward, Frank [Composer] (2002) Stilt dance. (music).

Osbon, David [Composer] (2007) The Creatures of Frietman. (duet for flute & piano). score and compact disc. (In Press)

Osbon, David (2005) Still waiting for the revolution ... (Piano trio). Score. (Unpublished)

Osbon, David (2005) Symphony no.2. (orchestral music). Score and compact disc. (Unpublished)

Salazar, Diana [Composer] (2009) Bosonica. (Soundscape). 5.1 audio. (Submitted)

Searby, Michael [Composer] and Yeh, Jane [Lyricist] (2007) Marabou. (Music). (Unpublished)

Searby, Michael [Composer] (2006) Arias and ghosts. (Music).

Searby, Michael [Composer] (1998) Lament and dance for solo trumpet. (Music). Oakham, U.K. : Brass Wind Publications.

Searby, Michael [Composer] (1998) Two images. (Music).

Searby, Michael (2012) Eleven Haiku (after Cage) for solo piano. (Musical score). (Unpublished)

Simpson, Diana [Composer] (2010) Papyrus. (Soundscape). Portugal : Miso Records. Audio (Stereo). (Electronic Music (Musica Viva Competition Prize Winners), no. Volume IV (2007-09))

Simpson, Diana [Composer] (2008) Topographia. (Soundscape). stereo audio. (Submitted)

Simpson, Diana [Composer] (2007) Cipher. (Acousmatic). Brazil : PANaroma. (Música Maximalista / Maximal Music , no. 14: VII CIMESP 2007)

Simpson, Diana [Composer] (2006) Broken Nerve. (Soundscape). Sao Paulo : Studio PANaroma. Stereo audio. (Musica Maximalista / Maximal Music, no. Volume 12 - VI CIMESP 2005)

Simpson, Diana [Composer] (2006) Kalimba. (Soundscape). Stereo audio.

Simpson, Diana [Composer] (2008) Spindlesong. (Soundscape). 8-channel audio. (Unpublished)

Simpson, Diana [Composer] (2007) Pavakoothu. (Music). Score with accompanying Max/MSP patch & stereo audio file. (Unpublished)

White, Meredith [Composer] (2012) In Deandra. (music). (Unpublished)

Conference or Workshop Item

Bell, Paul and Ferguson, John (2008) Tron Lennon. In: Sound, Sight, Space and Play Postgraduate Conference; 08-09 Apr 2008, Leicester, U.K.. (Unpublished)

Ben-Tal, Oded and Sagiv, Noam (2010) Auditory-visual synaesthesia: investigations using dynamic sounds and spontaneous reports between sleep and wakefulness. In: 2020 Meeting of the UK Synaesthesia Association; 27 - 28 Mar 2010, Brighton, U.K.. (Unpublished)

Ben-Tal, Oded (2009) Auditory-visual synaesthesia using dynamic sounds with changing pitch and timbre. In: Sinestesia 2009 3rd International Congress on Synaesthesia, Science & Art; 26 - 29 Apr 2009, Granada, Spain. (Unpublished)

Ben-Tal, Oded (2008) Musical toys: interactive audio for non-musicians. In: Linux Audio Conference 2008; 28 Feb - 02 Mar 2008, Cologne, Germany. (Unpublished)

Boehm, Carola and Arnold, Stephen (1999) SMaTBaM!: serving time-based media in the performing arts. In: International Computer Music Conference; 22-28 Oct 1999, Beijing, China. ISBN 0966792718

Chambon, Phil (2012) Beyond the bedroom studio: teaching popular music production at university level. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Evans, Alex (2012) That was then...this is now: fundamental changes in the music business. In: The 21st Century Musician: Essential skills for making music today; 02 May 2012, Kingston upon Thames, U.K.. (Unpublished)

Ferguson, John (2011) Imagined agency: technology, unpredictability and ambiguity. In: The Improvised Space: Techniques, Traditions and Technologies; 06 Apr 2011, Kingston upon Thames, U.K.. (Unpublished)

Ferguson, John [Artist] (2011) Performing technologies. In: Research Seminar ; 14 Mar 2011, Kingston upon Thames, U.K.. (Unpublished)

Ferguson, John (2010) Machine-assembled dislocation: technology and imagined agency. In: Music and Machines 10: Resistant Materials; 23 - 25 Sep 2010, Newcastle, U.K.. (Unpublished)

Ferguson, John [Artist] (2009) Live electronic performance. In: Borealis Festival of Contemporary Music 2009; 27 Mar 2009, Bergen, Norway. (Unpublished)

Ferguson, John (2009) Teaching and learning in small ensembles: perspectives from popular music. In: Lessons into Practice: Teaching and Learning Collective Performance in Small Ensembles at Higher Educational Level; 17 Sep 2009, Newcastle, U.K.. (Unpublished)

Ferguson, John and van Heumen, Robert (2008) Whistle Pig Saloon. In: STEIM Open Studio; 12 Nov 2008, Amsterdam, The Netherlands. (Unpublished)

Ferguson, John and Bell, Paul (2008) The role of unpredictability within musical creativity. In: Digital Resources for the Humanities and Arts 2008: New Communities of Knowledge and Practice; 14 - 17 Sep 2008, Cambridge, U.K.. (Unpublished)

Ferguson, John Robert (2009) Beyond the record: new roles for the live musician? In: The Musical Body: Gesture, Representation and Ergonomics in Musical Performance; 22 - 24 Apr 2009, London, U.K.. (Unpublished)

Glauert, Amanda (2004) 'Ich denke dein': Beethoven's retelling of Goethe's poetry. In: Goethe: musical poet, musical catalyst; 26 - 27 Mar 2004, Maynooth, Ireland.

Glauert, Amanda (2003) Wolf at the extremes. In: Schubert Institute (UK) Schubert-Wolf Day; 17 May 2003, London, U.K..

Greenwood, Sue (2006) Thomas Ades: Gefriolsae Me Op3b (1990). In: Royal Musical Association Research Students' Conference; 04 - 07 Jan 2006, Leeds, U.K.. (Unpublished)

Jones, Kevin (2009) Bach and the magic of numbers. In: Bach discovery day; 30 May 2009, Birmingham, U.K.. (Unpublished)

Jones, Kevin [Speaker] (2008) Counting music. In: Counting music; 24 Apr 2008, London, U.K.. (Unpublished)

Jones, Kevin (2005) The aeolian harp, the "dark saying" and the subject of Elgar's 13th enigma variation. In: Elgar Conference; 1-3 Jul 2005, Stratford-upon-Avon, U.K.. (Submitted)

Jones, Kevin and Wong, Kathleen (2005) A comparison of the musical and scientific thinking of Xenakis with that of ancient China: the architecture of scales and the notion of Lu. In: International Symposium Iannis Xenakis; 18 - 20 May 2005, Athens, Greece. ISBN 9602144440

Jones, Kevin (2002) The music of numbers, keyboards and calendars. In: The music of numbers, keyboards and calendars; 03 May 2002, Derby, U.K.. (Unpublished)

Jones, Kevin (2001) The cave and the tree: clues to the music of Japan? In: Japanese music today and tomorrow; 27 Oct 2001, Brighton, U.K.. (Unpublished)

Jones, Kevin (2006) The songs of rocks, rivers and stars: systems for mapping spatial and time-series data into musical sound. In: Music, environmental design, and the choreography of space; 7-12 Aug 2006, Baden-Baden, Germany. (Unpublished)

Malloch, Stephen, Arnold, Stephen and Pflicke, Torsten (1997) Using Java to stream audio over ATM. In: International Computer Music Conference; 25 - 30 Sep 1997, Thessaloniki, Greece. ISBN 0966792734

Manning, Jane [Speaker] (2005) Schoenberg's 'Pierrot Lunaire' in performance. In: Saul Seminars, British Library; 7 June 2005, London, United Kingdom.

Millward, Frank (2010) Visiosonics: the creation of sounds/image works: re-evaluating the idea of composer as ‘sonic designer'. In: Forum for Innovation in Music Production and Composition (FIMPaC); 20 - 21 May 2010, Leeds, U.K.. (Unpublished)

Millward, Frank (2008) Music, sound and interdisciplinary collaboration in the digital arts. In: Behind the music; 22 Aug 2008, Queensland, Australia.

Millward, Frank (2007) Music and the art business. In: Big Sound: Music Industry Summit & Showcase; 03 - 05 Oct 2007, Brisbane, Australia. (Unpublished)

Minors, Helen Julia (2011) Creating a soundpainting: gesture and music in live composition. In: Research Seminar Series; 07 Feb 2011, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia [Speaker] (2011) Improvisation, guided improvisation or real-time composition: a workshop in soundpainting. In: The Improvised Space: Techniques, Traditions and Technologies; 06 Apr 2011, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2011) A gestural analysis of music and dance through live composition. In: Dance and Music: Moving Dialogues; 16 - 19 Feb 2011, Montreal, Canada. (Unpublished)

Minors, Helen Julia (2010) Composers as translators: intersemiotic transference, adaptation and interpretation. In: Portsmouth Tenth International Translation Conference: Translating Multimodalities; 06 Nov 2010, Portsmouth, U.K.. (Unpublished)

Minors, Helen Julia (2009) Erik Satie's 'fashion milieu': 'Sports et divertissements' (1914/1922). In: Nostalgia and Innovation in Twentieth Century French Music; 08 - 09 May 2009, Lancaster, U.K.. (Unpublished)

Minors, Helen Julia (2009) Erik Satie: responding to images. In: Sixth Biennial International Coference on Music since 1900; 02 - 05 Jul 2009, Keele, U.K.. (Unpublished)

Minors, Helen Julia (2009) Gesture as a tool for analysing music and dance. In: Bewegungen zwischen Horen und Sehen: Musik, Tanz, Theater, Performance und Film; 19 - 21 Nov 2009, Bayreuth, Germany. (Unpublished)

Minors, Helen Julia (2009) Gesture between music and dance. In: Research Seminar series, Centre for Interdisciplinary Music Research; 27 Oct 2009, London, U.K.. (Unpublished)

Minors, Helen Julia (2009) Paul Dukas's critical response of Richard Wagner. In: Francopohone Criticism Network Meeting; 09 - 11 Nov 2009, Montreal, Canada. (Unpublished)

Minors, Helen Julia (2009) Wagnerism and Wagner is the Parisian music press. In: Research Seminar series, Centre for Interdisciplinary Music Research; 20 Oct 2009, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) Disappointment and imagination: Paul Dukas's French theatre criticisms. In: Research Seminar series, Centre for Interdisciplinary Music Research; 30 Jan 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: practical learning through gesture. In: Dance, Timing and Musical Gesture; 13 - 15 Jun 2008, Edinbrugh, U.K.. (Unpublished)

Minors, Helen Julia (2008) In collaboration: teaching performing arts. In: Research Seminar series, Centre for Interdisciplinary Music Research; 20 Nov 2008, London, U.K.. (Unpublished)

Minors, Helen Julia (2008) La Peri (1911-12): creative-collaborative journeys. In: Dance Research Conference; 15 Mar 2008, London, U.K..

Minors, Helen Julia (2008) Paul Dukas and Claude Debussy: a French operatic identity. In: French Music, Aesthetic and Identity in the Process of Transformation 1892-1992; 29 - 30 Apr 2008, Angers, France. . (Unpublished)

Minors, Helen Julia (2008) Paul Dukas: music, criticism and other arts. In: Lunchtime lectures at the Dukes; 22 Feb 2008, Lancaster, U.K.. (Unpublished)

Minors, Helen Julia (2007) The criticisms of Paul Dukas (1865-1935): interpreting French theatre performance. In: French music: performance and analysis; 15 - 19 Nov 2007, Laie, Hawaii, U.S.. (Unpublished)

Minors, Helen Julia (2006) Paul Dukas's critical writings: a concept of drama. In: Interdisciplinary Nineteenth-Century Studies International Conference; 06 - 09 Jul 2006, Durham, U.K.. (Unpublished)

Minors, Helen Julia (2006) Perpetual malleability: Paul Dukas's La Peri (1911): the phoenix. In: Music Research Forua; 14 Nov 2006, Huddersfield, U.K.. (Unpublished)

Minors, Helen Julia (2005) Le musicien-sorcier: Paul Dukas, un musicien francais. In: Le Cercle Francais; November 2005, Wigan, U.K.. (Unpublished)

Minors, Helen Julia (2005) 'Music necessarily has to express something': Paul Dukas's approach to balletic orchestration. In: Royal Musical Association Research Students' Conference; 30 - 31 Mar 2005, Newcastle, U.K.. (Unpublished)

Minors, Helen Julia (2005) Paul Dukas's La Peri as interpreted by two balletic collaborators. In: Sound moves: an international conference on music and dance; 05 - 06 Nov 2005, Roehampton, England.

Minors, Helen Julia (2005) The visual dimension in Paul Dukas's La Peri. In: An introduction to musical iconography, RMA Study Day; 30 Jul 2005, Sheffield, U.K.. (Unpublished)

Minors, Helen Julia (2004) 'I will destroy it': Paul Dukas's La Peri and variation form. In: International Symposium on Music in France 1830-1940; 17 - 19 Jul 2004, Victoria, Australia . (Unpublished)

Minors, Helen Julia (2004) Reassessing Paul Dukas's La Peri (1911). In: 37th Royal Musical Association Annual Music Research Students' Conference; 07 - 10 Jan 2004, London, U.K.. (Unpublished)

Minors, Helen Julia (2011) Ambiguous (feminist?) sources and cultural contexts of Paul Dukas's 'La Peri' and 'Ariane et Barbe-Bleue'. In: Fifth Annual Lyrica Dialogues at Harvard: France the lewd - France the prude?: mellifluous and misanthropic musings on morality; 08 Apr 2011, Cambridge, U.S.. (Unpublished)

Minors, HelenHelen Julia (2006) Paul Dukas's concept of drama in music. In: Royal Musical Association Research Students' Conference; 04 - 07 Jan 2006, Leeds, U.K.. (Unpublished)

Minors, Helen Julia (2014) How can music deliver the story of A Midsummer Night’s Dream? In: Kingston Connections 2014; 21 - 29 Jun 2014, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2013) Exploring interart cultural dialogue in Erik Satie’s Sports et divertissements (1914/1922). In: Cultural Histories at Kingston Lecture Series -inaugural lecture; 05 Dec 2013, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2013) Exploring interart dialogue and meaning in Erik Satie's 'Sports et divertissements' 1914/1922. In: Musik unserer Zeit - Componisten-Colloquium; 12 Apr 2013, Oldenburg, Germany. (Unpublished)

Minors, Helen Julia (2013) Exploring interart dialogue in Erik Satie’s Sports et divertissements (1914/1922). In: Music Research Seminar Series; 27 Feb 2013, Liverpool, U.K.. (Unpublished)

Minors, Helen Julia (2013) Fusing words and music: charting the new production of “Midsummer Night's Dreams”. In: Symposium: Opera, Multilingualism and Translation; 25 Oct 2013, London, U.K.. (Unpublished)

Minors, Helen Julia (2013) Leisure, fashion and music: Satie's Sports et divertissements. In: Eighth Biennial International Conference on Music Since 1900; 12-15 Sep 2013, Liverpool, U.K.. (Unpublished)

Minors, Helen Julia (2013) Making the most of your creative practice: practice-led research, research-led practice and gaining higher degrees. In: School Away Day: Ealing School of Art, Design and Media, University of West London; 07 Feb 2013, London, U.K.. (Unpublished)

Minors, Helen Julia (2013) Music in motion: proposing a gestural and spatial analysis of music-dance works. In: 49th Annual Conference of the Royal Musical Association; 19 - 21 Sep 2013, London, U.K.. (Unpublished)

Minors, Helen Julia [Speaker] (2013) Practice-based research in doctoral programmes. In: Embodied cognition: practice-based research in doctoral programmes (Dance, Drama and Music); 30 Apr 2013, Winchester, U.K.. (Unpublished)

Minors, Helen Julia [Speaker] (2013) Pre-Concert Talk: An illustrated talk exploring the compositional styles adopted in the chamber works to be performed in this programme: Mozart: Clarinet Quintet in A major K581; Britten: Phantasy Quartet for oboe; Lars-Eric Larsson: Lyric Fantasy; Beethoven: Septet Op.20 in E flat. In: Nordic Chamber Ensemble; 02 Feb 2013, Claygate, Surrey. (Unpublished)

Minors, Helen Julia (2013) Reputation and remembrance: the tombeau supplement, 'La revue musicale'. In: Eighth Biennial International Conference on Music Since 1900; 12-15 Sep 2013, Liverpool, U.K.. (In Press)

Minors, Helen Julia [Research team member], Desblache, Lucile [Research team member] and Di Giovanni, Elena [Research team member] (2013) Translating Music AHRC Opening Seminar and Launch: Mapping Music. In: Translating Music Network: Seminar 1 Mapping Music; 26 June 2013, London, U.K.. (Unpublished)

Minors, Helen Julia (2013) Translating music, translating sense: interpreting meaning in multimodal works. In: Multimodalities: aesthetic dimensions in music and education practices; 18 - 21 Jun 2013, Volda, Norway. (Unpublished)

Minors, Helen Julia [Speaker] (2013) Translating musical forms : rhythm and rhyme. In: AHRC Network, Translating Music, Workshop 3; 29 Nov 2013, Kingston upon Thames, U.K.. (Unpublished)

Minors, Helen Julia (2013) Translating sense and intercultural research. In: Mapping intercultural arts research; 25 Sep 2013, Cambridge, U.K.. (Unpublished)

Minors, Helen Julia and Thompson, Walter [Interviewee] (2012) Reassessing the thinking body in soundpainting. In: How Performance Thinks: An International Conference of the Practice Research Unit and PSi, Performance and Philosophy working group; 13 - 14 Apr 2012, London, U.K..

Minors, Helen Julia (2012) Sound painting: choreographing and composing in the moment. In: Composer/Choreographer/Performer Collaboration Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body; 19th April 2012, London, U.K.. (Unpublished)

Minors, Helen Julia (2012) Soundpainting: navigating the creative space within and between dance and music. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music; 09 - 10 Nov 2012, Paris, France. (Unpublished)

Minors, Helen Julia (2011) Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Reseach in Dance and the Society for Ethnomusicology ; 17 - 20 Nov 2011, Philadelphia, U.S.. (Unpublished)

Pateman, Matthew (2005) Structuring stardom: spacemen & the transmigration of images in David Bowie's music videos. In: Center for Humanities, Arts, and TechnoScience (CHATS) Conference: Structure, Space and Transmigrations; 15 - 17 Apr 2005, Albany, U.S.. (Unpublished)

Potter, Caroline (2009) From East to West and back again: towards on Yoshihisa Taira's flute music. In: Sixth Biennial International Conference on Music since 1900; 02 - 05 Jul 2009, Keele, U.K.. (Unpublished)

Potter, Caroline (2007) From East to West and back again: contemporary East Asian composers in Paris. In: French music: performance and analysis; 15 - 19 Nov 2007, Laie, Hawaii, U.S.. (Unpublished)

Potter, Caroline (2013) The human as machine: Erik Satie's musique d'ameublement. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Salazar, Diana and Salgado LLopis, Maria (2013) Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

Searby, M D (2009) BBC Pre-concert talk. In: Pre-concert talk; 13 Mar 2009, London, U.K.. (Unpublished)

Searby, Michael (2009) BBC Pre-concert talk. In: Pre-Concert Talk for BBC Symphony Orchestra; 11 Dec 2009, London, U.K.. (Unpublished)

Searby, Mike (2001) An investigation of phrase structure in the first movement of Ligeti's Horn Trio. In: Theory and Analysis Graduate Students Day (TAGS) ; 24 May 2001, Birmingham, U.K.. (Unpublished)

Searby, Mike (2004) Ligeti's Le grand macabre: an experiment in postmodernism? In: 36th Royal Musical Association Annual Music Research Students' Conference; 7-10 Jan 2004, London, U.K.. (Unpublished)

Wilkins, Caroline and Ben-Tal, Oded (2010) The embodiment of music/sound within an multimedia performance space. In: Artech 2010: Envisioning Digital Spaces; 22-23 Apr 2010, Guimaraes, Portugal. ISBN 9789899616318

Williams, Steven (2013) Machines that go pop: producer/technology symbiosis and its abstract sound. In: Symbiosis: A relationship of mutual benefit or dependence?; 16 Apr 2013, Kingston upon Thames, U.K.. (Unpublished)

van Elferen, Isabella (2013) Musical dark descents: sonic immersion in psychological horror games. In: Colloquia Lent Term 2013; Jan - Mar 2013, Cambridge, U.K.. (Unpublished)

van Elferen, Isabella (2012) The ALI model: towards a theory of game musical immersion. In: Ludomusicology: Game Music Research Approaches and Aesthetics; 16 Apr 2012, Oxford, U.K.. (Unpublished)

van Elferen, Isabella (2012) Bloody liturgy: Dracula and music. In: Bram Stoker Centenary Conference; 12-14 Apr 2012, Hull / Whitby, U.K.. (Unpublished)

van Elferen, Isabella (2012) Gothic music: sounds of the uncanny. In: Rethinking Contemporary Gothic: Postgraudate Study Day 2012; 18 May 2012, Lancaster, U.K.. (Unpublished)

Exhibition

Abrams, Jake [Artist] (2008) Synaesthetic objections. London Sinfonietta at 40. .

Simpson, Diana [Composer] (2008) The Spindlesongs installation. Spindlesongs. , 19 - 25 Sep 2008 , Wilmslow, U.K..

Westlake, Hilary [Director], Hunter, Ewan [Designer] and Millward, Frank [Composer] (2010) Used to be slime. Merchant City Festival. .

Monograph

Brown, Ian and Tomlinson, Roger (2004) Revealing the vision of Caithness: an arts development study of Caithness. (Project Report) Wick, U.K. : Highland Council. 91 p.

Moving Image/Broadcast

Jones, Kevin [Interviewee] (2007) Proms interval interview. (TV programme).

Millward, Frank [Designer], Ewers, Tim [Composer] and Searby, Michael [Composer] (2007) Uneasy dreams. (3D spectrographic responses).

Minors, Helen Julia (2012) Soundpainting: thinking through creation in the moment. (film).

Searby, Michael [Interviewer] and Martland, Steve [Interviewee] (2010) Interview between Mike Searby and Steve Martland (composer) in 5 parts. (speech).

Performance/Live Event

Ferguson, John [Artist] and Hogg, Bennett (2010) Wormhole. GEM Days. Jan 2010, Huddersfield, U.K.

Ferguson, John and van Heume, Robert (2009) Whistle Pig Saloon. Borealis Contemporary Music Festival. 27 Mar 2009, Bergen, Norway.

Ferguson, John [Artist] and Hogg, Bennett [Artist] (2009) Wormhole. Dialogues Festival. 04 Dec 2009, Edinburgh, U.K.

Ferguson, John and Bell, Paul (2008) Tron Lennon. Sound, Sight, Space and Play Postgraduate Conference. 08 Apr 2008, Leicester, U.K.

Ferguson, John [Performer] and Bell, Paul [Performer] (2008) Tron Lennon. Club Transmediale. February 2008, Berlin, Germany.

Ferguson, John and Bell, Paul (2008) Tron Lennon. Salon Bruit. 25 Jan 2008, Berlin, Germany.

Ferguson, John and Bell, Paul (2008) Tron Lennon. Concert Night. 24 Jan 2008, The Hague, Netherlands.

Ferguson, John [Musician] and Bell, Paul [Musician] (2008) Tron Lennon. Concert Night. 17 Jan 2008, Newcastle upon Tyne, U.K.

Ferguson, John and Bell, Paul (2008) Tron Lennon: Improvisation. Digital Resources for the Humanities and Arts 2008: New Communities of Knowledge and Practice. 14 - 17 Sep 2008, Cambridge, U.K.

Ferguson, John, Hogg, Bennett, Schrimshaw , Will and Ayers, John (2005) My Little Pop Group. Schhh... 09 Nov 2005, Konstakademien (Royal Academy of Art), Stockholm.

Ferguson, John [Musician], Hogg, Bennett [Musician], Schrimshaw , Will [Musician] and Ayers, John [Musician] (2005) My Little Pop Group. Live Performance. 10 Nov 2005, Fylkingen, Stockholm.

Ferguson, John Robert [Musician] and Hogg, Bennett [Musician] (2011) Wormhole. The Improvised Space: Techniques, Traditions and Technologies. 06 Apr 2011, Kingston upon Thames, U.K.

Ferguson, John Robert [Musician] and van Heumen, Robert [Musician] (2011) Whistle Pig Saloon. Sonorities Festival of Contemporary Music. 08 Apr 2011, Belfast, Northern Ireland.

Jones, Kevin [Composer] (2007) The Antarctic sonata: music inspired by Antarctic research. Music inspired by Antarctic research. 11 Sep 2007, London, U.K.

Manning, Jane [Performer] (2006) Schoenberg's 'Pierrot Lunaire'. Schoenberg's 'Pierrot Lunaire'. 24 Jun 2005, Kingston upon Thames, U.K.

Millward, Frank [Composer], Stevens, Gary [Director] and Keens, Heather [Performer] (2012) Conversations with my voice. Brisbane Festive 2012. 35 min.

Millward, Frank [Composer] (2011) BoldAs. Merchant City Festival. 10 min.

Millward, Frank [Composer] (2011) From anger to sadness #4. TaPRA Conference 2011.

Millward, Frank [Composer] (2009) From anger to sadness #3. National Review of Live Art 2009.

Millward, Frank [Composer] (2007) From anger to sadness #2. Intimacy: Across Visceral and Digital Performance.

Millward, Frank [Composer] (2006) From anger to sadness #1. From anger to sadness #1.

Minors, Helen Julia (2007) Igor Stravinsky's "The soldier's tale". Stravinsky's Soldier's Tale, A Lecture Recital. 22 - 24 Oct 2007, London, U.K.

Minors, Helen Julia [Performer], Magnar, Am [Performer], Johnson, Victoria [Performer], Lovlid , Unni [Performer], Ben Horin, Oded [Performer], Fooladi, Erik [Researcher] and Hopia, Anu [Researcher] (2013) Improvisation for the palette. Multimodalities: aesthetic dimensions in music and education practices.

Minors, Helen Julia [Composer] (2013) "Momentum": a soundpainting concert. Improvisation and Digital Arts Festival.

Minors, Helen Julia [Performer] and Thomspon, Walter [Composer] (2013) Soundpainting think tank. International Soundpainting Think Tank.

Minors, Helen Julia [Composer] (2012) Kingston Soundpainting Ensemble. A Kingston Soundpainting Ensemble Performance.

Minors, Helen Julia [Composer] (2012) A soundpainting concert. Improvisation and Digitial Arts Festival, iDAF.

Sturrock, Kathron [Performer] and Rorem, Ned [Composer] (2000) Bright music. Fishguard International Music Festival. July 2000, Fishguard, UK.

Sturrock, Kathron [Performer] and Easterbrook, Giles [Composer] (1999) Warwick light. Warwick Light. 1999, Insitutute of Contemporary Arts, London.

van Heume, Robert and Ferguson, John (2011) Whistle Pig Saloon. International Computer Music Conference. 31 Jul - 05 Aug 2011, Huddersfield, U.K.

van Heumen, Robert [Musician] and Ferguson, John [Musician] (2009) Whistle Pig Saloon. DNK Amsterdam. 16 Mar 2009, Amsterdam, The Netherlands.

Sound Recording

Ferguson, John [Performer] and vah Heumen, Robert [Performer] (2009) Whistle Pig Saloon. (Improvisation with Performing Technologies ). Lisboa, Portugal : Creative Sources Recordings.

Ferguson, John [Musician], Hogg, Bennett [Musician], Schrimshaw , Will [Musician] and Ayers, John [Musician] (2007) A dark room on a summer's day. (Free Improvisation).

Manning, Jane [Performer] (2004) Miss Donnithorne's Maggot: Psappha Unconducted featuring Jane Manning. (CD). Peter Maxwell Davies: Miss Donnithorne's Maggot. 7 - 8 Feb 2004, Great Hall, Lancaster University, Lancaster, UK. Glossop, UK : Psappha.

Manning, Jane [Singer] (2004) Peter Maxwell Davies' 'The Medium'. (solo voice). United Kingdom : MaxOpus Music. (42 mins) compact disc.

Minors, Helen Julia [Interviewee] and Louise, Harris [Interviewer] (2013) Interview with Dr. Helen Julia Minors, on the Kingston Soundpainting Ensemble. (Radio Broadcast). Radio Braodcast: Kingston University's Improvisation and Digital Arts Festival. London, U.K. : ResonanceFM.com.

Searby, Michael [Composer] (1999) Two images. (Music). Hong Kong : Hugo.

Searby, Michael [Composer] (2011) Arias and ghosts. (DVD of Composition with moving images). Rayleigh, Essex : FMR Records. (20 min.)

Sturrock, Kathron [Performer] and Schwartz, Elliot [Composer] (2000) Vienna dreams. (CD recording). New World Records.

Sturrock, Kathron [Performer] and Rawsthorne, Alan [Composer] (1999) Concerto for 10 instruments. (CD recording). ASV Ltd.

Thesis

Akuno, Emily Achieng' (1997) The use of indigenous Kenyan children's songs for the development of a primary school music curriculum for Kenya. (PhD thesis), Kingston University.

Bessell, David (2006) The acoustic remodelling of aspects of electronics. (PhD thesis), Kingston University.

Cham Lai, Suk-Ching (Estella) (2001) A critical study of the development of school music education in Hong Kong, 1945-1997. (PhD thesis), Kingston University.

Crosskey, Alan Graham (1998) Harmony and tonality in the music of Franz Liszt with particular reference to the Sonata in B minor. (MPhil thesis), Kingston University.

Kao Shu, Phyllis (2002) The quality secondary music teacher in Hong Kong: perspectives and perceptions. (MPhil thesis), Kingston University.

Keramaris, Kanaris (2010) Analysis of three original works of chamber music: Canto, for solo viola; The mirror, for mezzo soprano and large ensemble; Colours of life, for instrumental ensemble, tape and abstract video (in collaboration with the director G Savoglou). (MA(R) thesis), Kingston University.

Lee, Michael James (2011) Composing music to explore and teach compositional techniques of twentieth century and contemporary music at GCE Advanced Level. (MA(R) thesis), Kingston University.

Masters, Jane (2009) An investigation into the nature of musical creativity and some of the factors that affect its expression and perception in musically trained and untrained individuals. (PhD thesis), Kingston University.

Minors, Helen Julia (2007) La Peri, poeme danse (1911, Paul Dukas) in its cultural, historical and interdisciplinary contexts. (PhD thesis), Lancaster University.

Pamplin, Terence M (2000) The Baroque baryton: the origin and development in the 17th century of a solo, self-accompanying, bowed and plucked instrument played from tabulature. (PhD thesis), Kingston University.

Planting, Louise (2011) Arumlily: spathe of voices. (PhD thesis), Kingston University.

Ridding, Josepha (2002) Cultural considerations of 'Rubato' in Czech piano performance, with specific reference to Chopin's works. (PhD thesis), Kingston University.

Robertson, Chika (1999) Twentieth-century violin technique: a new pedagogical approach. (PhD thesis), Kingston University.

Rouse, Marilyn Ann (1992) Jamaican folk music, a synthesis of many cultures? (PhD thesis), Kingston University.

Salazar, Diana (2010) Portfolio of original compositions: written commentary. (PhD thesis), University of Manchester.

Searby, Michael David (2005) An investigation of the transformation of compositional process in Gyorgy Ligeti's music, 1974-83 with particular reference to pitch. (PhD thesis), Goldsmiths, University of London.

Stevens, Philip William (2003) A critique of process and context in composing the cantata 'Song for the end of time'. (PhD thesis), Kingston University.

Timonen, Sini Hannele (2008) Girls in the garage: gender and tradition in garage rock. (MA(R) thesis), Kingston University.

Vermorel, Fred (2011) Biography & identity, celebrity & fanhood: researching intersections of avant-garde and popular culture. (PhD thesis), Kingston University.

Ward, Marie (2001) The interpretation of the piano music of Alexander Skryabin up to sonata no. 4, op. 30. (PhD thesis), Kingston University.

This list was generated on Thu Apr 24 16:50:30 2014 BST.