Impossible objects : Gabriel Orozco’s Empty Shoe Box and Yielding Stone

Adamou, Natasha (2016) Impossible objects : Gabriel Orozco’s Empty Shoe Box and Yielding Stone. In: Halart, Sophie and Polgovsky Ezcurra, Maria, (eds.) Sabotage art : politics and iconoclasm in contemporary Latin America. London, U.K. : I.B. Tauris. pp. 130-150. (International Library of Modern and Contemporary Art, no. 15) ISBN 9781784532253

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Abstract

This book chapter addresses the participation of Mexican contemporary artist Gabriel Orozco to the 1993 edition of the Venice Biennale with the works Empty Shoe Box (1993) and Yielding Stone (1992). In their status as everyday, almost unperceivable objects, these works were conceived to undermine this spectacular art event but ended up being rapidly consecrated and incorporated into the logic of the institution. Adamou’s chapter interrogates the tensions that arise when an artwork’s material conditions make it refractory to traditional modes of display. Her reading situates Orozco’s work in relation to Duchamp’s readymade and André Breton’s found object questioning, in light of these concepts, Orozco’s investigation of the tensions between object and sculpture, reality and representation.

Item Type: Book Section
Physical Location: This item is held in stock at Kingston University Library.
Research Area: History of art, architecture and design
Faculty, School or Research Centre: Faculty of Art, Design & Architecture > Centre for Contemporary Visual and Material Culture
Depositing User: Natasha Adamou
Date Deposited: 13 Dec 2016 09:26
Last Modified: 13 Dec 2016 09:26
URI: http://eprints.kingston.ac.uk/id/eprint/36866

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