The sonic vernacular : considering communicative timbral gestures in modern music production

Kardos, Leah (2015) The sonic vernacular : considering communicative timbral gestures in modern music production. In: 138th Audio Engineering Society Convention; 07 - 10 May 2015, Warsaw, Poland.

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Abstract

Over the course of audio recording history, we have seen the activity of sound recording widen in scope “from a technical matter to a conceptual and artistic one” (Moorefield 2010) and the producer’s role evolving from technician to “auteur.” For recording practitioners engaged in artistic and commercial industry and discourse, fluency in contemporary and historic sound languages is advantageous This paper seeks to find the best, most practically useful method to describe these characteristics in practice, identify a clear and suitable way to talk about and analyze these uses of communicative timbral gestures, as heard in modern music productions.

Item Type: Conference or Workshop Item (Paper)
Event Title: 138th Audio Engineering Society Convention
Organising Body: Audio Engineering Society
Research Area: Music
Faculty, School or Research Centre: Faculty of Arts and Social Sciences > School of Performance and Screen Studies
Depositing User: Leah Kardos
Date Deposited: 12 Apr 2017 15:11
Last Modified: 16 Aug 2017 08:39
URI: http://eprints.kingston.ac.uk/id/eprint/34625

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